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ON FAITH & MEDIA View Comments

Country Strong

By
Kurt Jensen
Source: Catholic News Service


Oscar-winner Gwyneth Paltrow and Tim McGraw star in "Country Strong."
"Country Strong" (Screen Gems) wears its mawkish cliches proudly on its flannel sleeves.

That's often not a bad thing—or at least excusable—if all you're looking for is a guilty-pleasure, two-hour escape of nonstop and quite effective country music. Were it only that simple.

Instead, writer-director Shana Feste sends four one-dimensional characters—all of them shown to be moral and caring when their ambitions or pathologies haven't taken over—spinning like pinballs in a twangy, shopworn tale of substance abuse, adultery and the grim lifestyle played out on a tour bus.

It's the DNA of most country songs—the sad ones, anyway—but it's likely to insult its target audience, who are perfectly capable of appreciating a better-limned story.

Gwyneth Paltrow is Kelly Canter, an emotionally fragile country queen who fell into a spiral of alcohol and drugs that resulted in a miscarriage five months into a pregnancy.

Just getting out of rehab as the story begins, Kelly is also coping with a loveless marriage to her ambitious and manipulative promoter James (Tim McGraw). As she explains to her on-again-off-again lover Beau Hutton (Garrett Hedlund), "We don't kiss with our mouths open anymore."

Right away, James puts Kelly on a comeback tour that is supposed to end in a triumphal return to Dallas, the scene of her miscarriage and disastrous public meltdown. Beau is a very appealing country singer himself, and James pairs him with neurotic beauty queen-turned-singer Chiles Stanton (Leighton Meester)—on whom he has designs as well—to serve as Kelly's warm-up act.

Kelly—whose mascara is running in nearly every scene (sometimes she's holding a bottle of booze, too, just to underline the point)—is, of course, in no shape to perform. She can't finish a song in Houston, is too drunk to perform on "Austin City Limits" and is jealous of Chiles' youth and beauty. She also occasionally engages in promiscuous sex.

Beau always cares, which is why—in a thoroughly immoral and messy state of, well, affairs—both women share him. James, by contrast, is only interested in getting his wife on stage before the cheering throngs.

In one tasteless sequence involving an image-burnishing visit for the Make-A-Wish Foundation, Kelly warmly improvises a song for a cancer-stricken boy in his classroom. Watching, James briefly realizes why he loved Kelly in the first place and—as her band plays—they pair up and dance, ignoring the sick lad.

At that point we're forced to wonder: "Who cares what happens to these two self-absorbed clods?"

The film contains scenes of implied adulterous and premarital sex, pervasive crude language and fleeting profanity. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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