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ON FAITH & MEDIA View Comments

Country Strong

By
Kurt Jensen
Source: Catholic News Service


Oscar-winner Gwyneth Paltrow and Tim McGraw star in "Country Strong."
"Country Strong" (Screen Gems) wears its mawkish cliches proudly on its flannel sleeves.

That's often not a bad thing—or at least excusable—if all you're looking for is a guilty-pleasure, two-hour escape of nonstop and quite effective country music. Were it only that simple.

Instead, writer-director Shana Feste sends four one-dimensional characters—all of them shown to be moral and caring when their ambitions or pathologies haven't taken over—spinning like pinballs in a twangy, shopworn tale of substance abuse, adultery and the grim lifestyle played out on a tour bus.

It's the DNA of most country songs—the sad ones, anyway—but it's likely to insult its target audience, who are perfectly capable of appreciating a better-limned story.

Gwyneth Paltrow is Kelly Canter, an emotionally fragile country queen who fell into a spiral of alcohol and drugs that resulted in a miscarriage five months into a pregnancy.

Just getting out of rehab as the story begins, Kelly is also coping with a loveless marriage to her ambitious and manipulative promoter James (Tim McGraw). As she explains to her on-again-off-again lover Beau Hutton (Garrett Hedlund), "We don't kiss with our mouths open anymore."

Right away, James puts Kelly on a comeback tour that is supposed to end in a triumphal return to Dallas, the scene of her miscarriage and disastrous public meltdown. Beau is a very appealing country singer himself, and James pairs him with neurotic beauty queen-turned-singer Chiles Stanton (Leighton Meester)—on whom he has designs as well—to serve as Kelly's warm-up act.

Kelly—whose mascara is running in nearly every scene (sometimes she's holding a bottle of booze, too, just to underline the point)—is, of course, in no shape to perform. She can't finish a song in Houston, is too drunk to perform on "Austin City Limits" and is jealous of Chiles' youth and beauty. She also occasionally engages in promiscuous sex.

Beau always cares, which is why—in a thoroughly immoral and messy state of, well, affairs—both women share him. James, by contrast, is only interested in getting his wife on stage before the cheering throngs.

In one tasteless sequence involving an image-burnishing visit for the Make-A-Wish Foundation, Kelly warmly improvises a song for a cancer-stricken boy in his classroom. Watching, James briefly realizes why he loved Kelly in the first place and—as her band plays—they pair up and dance, ignoring the sick lad.

At that point we're forced to wonder: "Who cares what happens to these two self-absorbed clods?"

The film contains scenes of implied adulterous and premarital sex, pervasive crude language and fleeting profanity. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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