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ON FAITH & MEDIA View Comments

Country Strong

By
Kurt Jensen
Source: Catholic News Service


Oscar-winner Gwyneth Paltrow and Tim McGraw star in "Country Strong."
"Country Strong" (Screen Gems) wears its mawkish cliches proudly on its flannel sleeves.

That's often not a bad thing—or at least excusable—if all you're looking for is a guilty-pleasure, two-hour escape of nonstop and quite effective country music. Were it only that simple.

Instead, writer-director Shana Feste sends four one-dimensional characters—all of them shown to be moral and caring when their ambitions or pathologies haven't taken over—spinning like pinballs in a twangy, shopworn tale of substance abuse, adultery and the grim lifestyle played out on a tour bus.

It's the DNA of most country songs—the sad ones, anyway—but it's likely to insult its target audience, who are perfectly capable of appreciating a better-limned story.

Gwyneth Paltrow is Kelly Canter, an emotionally fragile country queen who fell into a spiral of alcohol and drugs that resulted in a miscarriage five months into a pregnancy.

Just getting out of rehab as the story begins, Kelly is also coping with a loveless marriage to her ambitious and manipulative promoter James (Tim McGraw). As she explains to her on-again-off-again lover Beau Hutton (Garrett Hedlund), "We don't kiss with our mouths open anymore."

Right away, James puts Kelly on a comeback tour that is supposed to end in a triumphal return to Dallas, the scene of her miscarriage and disastrous public meltdown. Beau is a very appealing country singer himself, and James pairs him with neurotic beauty queen-turned-singer Chiles Stanton (Leighton Meester)—on whom he has designs as well—to serve as Kelly's warm-up act.

Kelly—whose mascara is running in nearly every scene (sometimes she's holding a bottle of booze, too, just to underline the point)—is, of course, in no shape to perform. She can't finish a song in Houston, is too drunk to perform on "Austin City Limits" and is jealous of Chiles' youth and beauty. She also occasionally engages in promiscuous sex.

Beau always cares, which is why—in a thoroughly immoral and messy state of, well, affairs—both women share him. James, by contrast, is only interested in getting his wife on stage before the cheering throngs.

In one tasteless sequence involving an image-burnishing visit for the Make-A-Wish Foundation, Kelly warmly improvises a song for a cancer-stricken boy in his classroom. Watching, James briefly realizes why he loved Kelly in the first place and—as her band plays—they pair up and dance, ignoring the sick lad.

At that point we're forced to wonder: "Who cares what happens to these two self-absorbed clods?"

The film contains scenes of implied adulterous and premarital sex, pervasive crude language and fleeting profanity. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.




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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog Teaching by example forms a durable base from which to form character. It is the base, but alone it won’t raise the kind of person you want. Being a moral adult is fundamental to teaching children morals. But it is not sufficient, in and of itself.

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