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ON FAITH & MEDIA View Comments

Season of the Witch

By
John Mulderig
Source: Catholic News Service

"I serve the church no more!" declares the main character in the baleful and boring medieval adventure "Season of the Witch" (Relativity). And, given the relentlessly negative picture of the era's Catholicism that screenwriter Bragi Schut and director Dominic Sena present throughout their film, it's little wonder he feels that way.

Said personage is a warrior named Behmen played, with much huffing and puffing and stomping about, by Nicolas Cage.

Together with his buddy and comrade Felson (Ron Perlman)—a dim bulb with a good heart—Crusader Behmen has mown down Muslim infidels by the thousands. But an atrocity involving the church-sponsored slaughter of innocent women and children causes a change of heart in both, and the friends go AWOL.

They find the territories through which they pass, as they make their way home, ravaged by the plague. (This is a somewhat surprising turn of events, given that, in the real world, the end of the last crusade preceded the outbreak of the Black Death in Europe by more than 70 years. But we digress.)

Eventually identified as deserters from the sacred cause, Behmen and Felson are brought before the horribly disfigured and dying Cardinal D'Ambroise (Christopher Lee) for judgment. He threatens them with incarceration—and perhaps worse—unless they agree to escort a young unnamed prisoner (Claire Foy) to a distant abbey so she can stand trial as a witch whose black magic has given rise to the fatal pest.

Accompanied by Father Debelzaq (Stephen Campbell Moore), the priest responsible for the accused sorceress' interrogation (we're shown the grim scars that process has produced), and by a motley crew of others, the pals set out on their rather less than epic journey.

Amid these proceedings, Schut and Sena dredge up every hoary cliche about the period from a con man pilloried for selling bogus relics (Stephen Graham) to a procession of flagellants scourging themselves to repel pestilence. Later, Debelzaq proves himself so ignorant of his faith that he begins Christianity's most famous prayer by saying, "Our Lord who art in heaven."

Not surprisingly, then, in the climactic showdown between good and evil, Debelzaq and the others rely not on the Bible or the established rituals of the church but on a fictional version of an occult text called the Key of Solomon. As recited onscreen, this turns out to consist largely of Latin gibberish with some phrases from the extraordinary form of the liturgy thrown in for no very apparent reason.

One need not be blind to the serious shortcomings that characterized the human element of the church during the Middle Ages to recognize as gross caricature its portrayal here as a superstitious, oppressive force against which this forgettable action outing's central figures nobly rebel.

The film contains pervasive anti-Catholic bias, occult themes, brief partial nudity, much -- mostly bloodless -- violence, some gruesome images, at least one use of the S-word and a few crass terms. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Martyrdom of John the Baptist: The drunken oath of a king with a shallow sense of honor, a seductive dance and the hateful heart of a queen combined to bring about the martyrdom of John the Baptist. The greatest of prophets suffered the fate of so many Old Testament prophets before him: rejection and martyrdom. The “voice crying in the desert” did not hesitate to accuse the guilty, did not hesitate to speak the truth. But why? What possesses a man that he would give up his very life? 
<p>This great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. The only power that he claimed was the Spirit of Yahweh. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope, perhaps in anticipation of some great messianic power. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). It is John the Baptist who has pointed the way to Christ. John’s life and death were a giving over of self for God and other people. His simple style of life was one of complete detachment from earthly possessions. His heart was centered on God and the call that he heard from the Spirit of God speaking to his heart. Confident of God’s grace, he had the courage to speak words of condemnation or repentance, of salvation.</p> American Catholic Blog Just as my children become members of my family when I bring them into the world, so too our baptism incorporates us into the family of the Church. This supernatural membership prevents us from being orphans who have to fend for themselves in the spiritual wilderness.

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