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ON FAITH & MEDIA View Comments

Season of the Witch

By
John Mulderig
Source: Catholic News Service

"I serve the church no more!" declares the main character in the baleful and boring medieval adventure "Season of the Witch" (Relativity). And, given the relentlessly negative picture of the era's Catholicism that screenwriter Bragi Schut and director Dominic Sena present throughout their film, it's little wonder he feels that way.

Said personage is a warrior named Behmen played, with much huffing and puffing and stomping about, by Nicolas Cage.

Together with his buddy and comrade Felson (Ron Perlman)—a dim bulb with a good heart—Crusader Behmen has mown down Muslim infidels by the thousands. But an atrocity involving the church-sponsored slaughter of innocent women and children causes a change of heart in both, and the friends go AWOL.

They find the territories through which they pass, as they make their way home, ravaged by the plague. (This is a somewhat surprising turn of events, given that, in the real world, the end of the last crusade preceded the outbreak of the Black Death in Europe by more than 70 years. But we digress.)

Eventually identified as deserters from the sacred cause, Behmen and Felson are brought before the horribly disfigured and dying Cardinal D'Ambroise (Christopher Lee) for judgment. He threatens them with incarceration—and perhaps worse—unless they agree to escort a young unnamed prisoner (Claire Foy) to a distant abbey so she can stand trial as a witch whose black magic has given rise to the fatal pest.

Accompanied by Father Debelzaq (Stephen Campbell Moore), the priest responsible for the accused sorceress' interrogation (we're shown the grim scars that process has produced), and by a motley crew of others, the pals set out on their rather less than epic journey.

Amid these proceedings, Schut and Sena dredge up every hoary cliche about the period from a con man pilloried for selling bogus relics (Stephen Graham) to a procession of flagellants scourging themselves to repel pestilence. Later, Debelzaq proves himself so ignorant of his faith that he begins Christianity's most famous prayer by saying, "Our Lord who art in heaven."

Not surprisingly, then, in the climactic showdown between good and evil, Debelzaq and the others rely not on the Bible or the established rituals of the church but on a fictional version of an occult text called the Key of Solomon. As recited onscreen, this turns out to consist largely of Latin gibberish with some phrases from the extraordinary form of the liturgy thrown in for no very apparent reason.

One need not be blind to the serious shortcomings that characterized the human element of the church during the Middle Ages to recognize as gross caricature its portrayal here as a superstitious, oppressive force against which this forgettable action outing's central figures nobly rebel.

The film contains pervasive anti-Catholic bias, occult themes, brief partial nudity, much -- mostly bloodless -- violence, some gruesome images, at least one use of the S-word and a few crass terms. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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