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ON FAITH & MEDIA View Comments

Black Swan

By
John Mulderig
Source: Catholic News Service

"The road of excess," claimed the poet William Blake, "leads to the palace of wisdom." For the main character in "Black Swan" (Fox Searchlight) -- director Darren Aronofsky's nightmarish, morally muddled drama set in the highly demanding world of classical ballet -- that well-worn path leads to a very different destination.

Consumed by dedication to her art, dancer Nina (Natalie Portman) longs to play the dual leading roles of the White and Black Swans in her company's forthcoming production of Peter Ilyich Tchaikovsky's "Swan Lake." Though artistic director Thomas (Vincent Cassel) considers the shy and inhibited but gifted performer perfect for the pure White Swan, he doubts her ability to carry off the part of the villainous Black Swan, an onstage embodiment of guile and sensuality.

So Thomas urges Nina to get in touch—in the first instance, quite literally—with her sexuality.

To do so, however, Nina must rebel against her strict, overprotective mother Erica (Barbara Hershey), with whom she still lives. A former ballerina whose career went nowhere, Erica is obsessed—or so at least it seems to Nina—with fulfilling her dreams of success vicariously through her daughter.

Nina gains a role model in hedonistic living—and a rival for center stage—when passionate newcomer Lily (Mila Kunis) joins the troupe. Their much-talked-about bedroom encounter—the culmination of a night of drunken and drug-fueled carousing—marks the nadir of the film's voyeuristic excess.

Though Portman turns in a striking performance, teeter-tottering on the edge of sanity, Mark Heyman, Andres Heinz and John McLaughlin's script plays on the extremes of sexual repression and debauched license, ignoring the healthy middle ground of erotic love expressed within a committed marital relationship.

Whether read as insisting on the necessity of indiscriminate experience or as a cautionary tale weighted in the opposite direction—Nina's fate sadly parallels that of the tragic White Swan—this dark fable presents its heroine's experimentation far too graphically.

The film contains strong sexual content, including graphic lesbian and nonmarital heterosexual activity, as well as masturbation, drug use, a few instances of profanity, much rough and some crude language and numerous sexual references. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog We have a responsibility to balance the scales, to show love where there is hate, to provide food where there is hunger, and to protect what is vulnerable. If life has treated you well, then justice demands that you help balance the scales.

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