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ON FAITH & MEDIA View Comments

Gulliver's Travels

By
Kurt Jensen
Source: Catholic News Service

"Gulliver's Travels" (Fox) answers the question whether a movie rated PG can be considered morally offensive.

Yes, it sure can.

It's not because the project is a mediocre effort attempting to cash in on the elusive comic abilities of Jack Black, who plays a modern riff on the traveler Lemuel Gulliver, hero of Jonathan Swift's classic novel, first published in 1726. It's because this film was made and is being marketed as family entertainment, and so has to be held to that standard. Presumably, this is an entertainment for children to consume.

By that measure, it's the cinematic equivalent of toxic lunch meat. Director Rob Letterman and screenwriters Joe Stillman and Nicholas Stoller have produced a sour, slapped-together botch with a noxiously cynical message: You can plagiarize and lie without penalty and still end up with the girl -- and the job -- of your dreams.

Black's Gulliver, a mailroom clerk at a New York newspaper, is a lazy schlub who dreams of becoming a writer to impress travel editor Darcy Silverman (Amanda Peet). He works up enough courage to ask her for an assignment, but when she requests writing samples, he produces a couple of articles by cutting and pasting from travel websites.

In the real world, that's no joke—such an underhanded act means lost jobs and derailed careers. In this story, it earns Gulliver an assignment that has him piloting a small watercraft in the Bermuda Triangle, where a huge storm and waterspout transport him to the Kingdom of Lilliput, a vaguely British island populated by a race of people only 4 inches tall.

Gulliver, famously first tied down and imprisoned by the Lilliputians and called The Beast, eventually becomes a defender of the land ruled by King Theodore (Billy Connolly) and his princess daughter Mary (Emily Blunt).

Gulliver's first heroic act is to extinguish a palace fire by urinating. But the onscreen incident goes way beyond the somewhat indecorous potty humor of Swift's account, degenerating into queasy imagery as many Lilliputians, including the king, are knocked down and drenched by the fire hose-intense stream.

Gulliver also aids a romantic subplot between Princess Mary and commoner Horatio (Jason Segal), but this isn't sustained well enough to generate interest. Gulliver spins whoppers to convince the Lilliputians that he's an American president ("President Awesome") and is rewarded for his heroism with Gulliver-sized accommodations, including an entertainment center in which Lilliputians costumed as the band Kiss provide a live-action version of the video game Guitar Hero.

Although Darcy catches up with Gulliver's plagiarism, the deeply flawed moral takeaway remains intact: Theft and falsehood can be a path to achieving your dreams. That's a harmful lesson for children and an unwelcome message for adults.

The film contains skewed moral values, graphic scatological humor and some intense action scenes. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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