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ON FAITH & MEDIA View Comments

Gulliver's Travels

By
Kurt Jensen
Source: Catholic News Service

"Gulliver's Travels" (Fox) answers the question whether a movie rated PG can be considered morally offensive.

Yes, it sure can.

It's not because the project is a mediocre effort attempting to cash in on the elusive comic abilities of Jack Black, who plays a modern riff on the traveler Lemuel Gulliver, hero of Jonathan Swift's classic novel, first published in 1726. It's because this film was made and is being marketed as family entertainment, and so has to be held to that standard. Presumably, this is an entertainment for children to consume.

By that measure, it's the cinematic equivalent of toxic lunch meat. Director Rob Letterman and screenwriters Joe Stillman and Nicholas Stoller have produced a sour, slapped-together botch with a noxiously cynical message: You can plagiarize and lie without penalty and still end up with the girl -- and the job -- of your dreams.

Black's Gulliver, a mailroom clerk at a New York newspaper, is a lazy schlub who dreams of becoming a writer to impress travel editor Darcy Silverman (Amanda Peet). He works up enough courage to ask her for an assignment, but when she requests writing samples, he produces a couple of articles by cutting and pasting from travel websites.

In the real world, that's no joke—such an underhanded act means lost jobs and derailed careers. In this story, it earns Gulliver an assignment that has him piloting a small watercraft in the Bermuda Triangle, where a huge storm and waterspout transport him to the Kingdom of Lilliput, a vaguely British island populated by a race of people only 4 inches tall.

Gulliver, famously first tied down and imprisoned by the Lilliputians and called The Beast, eventually becomes a defender of the land ruled by King Theodore (Billy Connolly) and his princess daughter Mary (Emily Blunt).

Gulliver's first heroic act is to extinguish a palace fire by urinating. But the onscreen incident goes way beyond the somewhat indecorous potty humor of Swift's account, degenerating into queasy imagery as many Lilliputians, including the king, are knocked down and drenched by the fire hose-intense stream.

Gulliver also aids a romantic subplot between Princess Mary and commoner Horatio (Jason Segal), but this isn't sustained well enough to generate interest. Gulliver spins whoppers to convince the Lilliputians that he's an American president ("President Awesome") and is rewarded for his heroism with Gulliver-sized accommodations, including an entertainment center in which Lilliputians costumed as the band Kiss provide a live-action version of the video game Guitar Hero.

Although Darcy catches up with Gulliver's plagiarism, the deeply flawed moral takeaway remains intact: Theft and falsehood can be a path to achieving your dreams. That's a harmful lesson for children and an unwelcome message for adults.

The film contains skewed moral values, graphic scatological humor and some intense action scenes. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Michael Giedroyc: A life of physical pain and mental torment didn’t prevent Michael Giedroyc from achieving holiness. 
<p>Born near Vilnius, Lithuania, Michael suffered from physical and permanent handicaps from birth. He was a dwarf who had the use of only one foot. Because of his delicate physical condition, his formal education was frequently interrupted. But over time, Michael showed special skills at metalwork. Working with bronze and silver, he created sacred vessels, including chalices.</p><p>He traveled to Kraków, Poland, where he joined the Augustinians. He received permission to live the life of a hermit in a cell adjoining the monastery. There Michael spent his days in prayer, fasted and abstained from all meat and lived to an old age. Though he knew the meaning of suffering throughout his years, his rich spiritual life brought him consolation. Michael’s long life ended in 1485 in Kraków.</p><p>Five hundred years later, Pope John Paul II visited the city and spoke to the faculty of the Pontifical Academy of Theology. The 15th century in Kraków, the pope said, was “the century of saints.” Among those he cited was Blessed Michael Giedroyc.</p> American Catholic Blog The French novelist Leon Bloy once said that there is only one tragedy in life: not to be a saint. It may be that God permits some suffering as the only way to wake someone from a dream of self-sufficiency and illusory happiness.

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