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ON FAITH & MEDIA View Comments

True Grit

By
John Mulderig
Source: Catholic News Service


Oscar-winners Jeff Bridges and Matt Damon star in "True Grit."
With "True Grit" (Paramount)—the second screen version of Charles Portis' 1968 novel of the same title, first adapted in a 1969 production helmed by Henry Hathaway and memorably starring John Wayne—writer-directors (and brothers) Joel and Ethan Coen combine dramatic excellence and moral heft to create an exceptionally fine reimagining of the traditional Western.

Though scenes of gunplay and other strife—together with some mildly salty language—preclude endorsement for youngsters, adult viewers will likely find this slyly witty frontier foray a captivating treat.

Tasked with organizing her father's funeral in the wake of his murder, 14-year-old Mattie Ross (impressive newcomer Hailee Steinfeld) travels alone to the scene of the crime -- the small, freewheeling town of Fort Smith, Ark. Preternaturally poised and remarkably determined, however, Mattie is intent on doing more than merely wrapping up her father's affairs. She means to bring the sole suspect in his killing—cowardly outlaw Tom Chaney (Josh Brolin)—to account.

But Chaney has escaped into Indian Territory, and Mattie quickly discovers that the local forces of the law have no interest in pursuing him. So, based on his reputation as a dogged tracker of fugitives, she enlists the aid of broken-down but resourceful U.S. Marshal Rooster Cogburn (Jeff Bridges).

Also hunting Chaney—for a much older murder committed in the Lone Star State—is cocksure Texas Ranger LaBoeuf (Matt Damon). He eventually joins forces with Cogburn and Mattie. But the resulting alliance is an unsettled, on-again-off-again affair, strained by conflicting goals and by the comic, boastful rivalry between the lawmen.

What follows is a richly enjoyable tale enlivened by archetypical characters, a mythic atmosphere and amusingly idiosyncratic dialogue. Typical of this last element is Mattie's characterization of the marauding gang Chaney has joined while on the run; "a congress of louts," she calls them.

While thoroughly entertaining, "True Grit" also plumbs deeper. It opens with a quotation from the King James translation of the Book of Proverbs: "The wicked flee when no man pursueth," the first of several biblical and religious references scattered through the script.

These allusions draw attention to the film's serious reflections on the violent undertow of frontier life. Witnessed from Mattie's sensitive perspective, the shootouts and other death-dealing confrontations that take place here are never glossed over, but are shown instead to be unnatural and difficult to absorb.

In something of a conversion story, meanwhile, Cogburn and LaBoeuf struggle to overcome their personal shortcomings and petty mutual antipathy in the service of a larger cause.

The film contains considerable, occasionally bloody violence, brief gruesome imagery, a half-dozen uses of profanity and a few crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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