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ON FAITH & MEDIA View Comments

True Grit

By
John Mulderig
Source: Catholic News Service


Oscar-winners Jeff Bridges and Matt Damon star in "True Grit."
With "True Grit" (Paramount)—the second screen version of Charles Portis' 1968 novel of the same title, first adapted in a 1969 production helmed by Henry Hathaway and memorably starring John Wayne—writer-directors (and brothers) Joel and Ethan Coen combine dramatic excellence and moral heft to create an exceptionally fine reimagining of the traditional Western.

Though scenes of gunplay and other strife—together with some mildly salty language—preclude endorsement for youngsters, adult viewers will likely find this slyly witty frontier foray a captivating treat.

Tasked with organizing her father's funeral in the wake of his murder, 14-year-old Mattie Ross (impressive newcomer Hailee Steinfeld) travels alone to the scene of the crime -- the small, freewheeling town of Fort Smith, Ark. Preternaturally poised and remarkably determined, however, Mattie is intent on doing more than merely wrapping up her father's affairs. She means to bring the sole suspect in his killing—cowardly outlaw Tom Chaney (Josh Brolin)—to account.

But Chaney has escaped into Indian Territory, and Mattie quickly discovers that the local forces of the law have no interest in pursuing him. So, based on his reputation as a dogged tracker of fugitives, she enlists the aid of broken-down but resourceful U.S. Marshal Rooster Cogburn (Jeff Bridges).

Also hunting Chaney—for a much older murder committed in the Lone Star State—is cocksure Texas Ranger LaBoeuf (Matt Damon). He eventually joins forces with Cogburn and Mattie. But the resulting alliance is an unsettled, on-again-off-again affair, strained by conflicting goals and by the comic, boastful rivalry between the lawmen.

What follows is a richly enjoyable tale enlivened by archetypical characters, a mythic atmosphere and amusingly idiosyncratic dialogue. Typical of this last element is Mattie's characterization of the marauding gang Chaney has joined while on the run; "a congress of louts," she calls them.

While thoroughly entertaining, "True Grit" also plumbs deeper. It opens with a quotation from the King James translation of the Book of Proverbs: "The wicked flee when no man pursueth," the first of several biblical and religious references scattered through the script.

These allusions draw attention to the film's serious reflections on the violent undertow of frontier life. Witnessed from Mattie's sensitive perspective, the shootouts and other death-dealing confrontations that take place here are never glossed over, but are shown instead to be unnatural and difficult to absorb.

In something of a conversion story, meanwhile, Cogburn and LaBoeuf struggle to overcome their personal shortcomings and petty mutual antipathy in the service of a larger cause.

The film contains considerable, occasionally bloody violence, brief gruesome imagery, a half-dozen uses of profanity and a few crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.




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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
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