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ON FAITH & MEDIA View Comments

How Do You Know

By
John Mulderig
Source: Catholic News Service


Oscar-winner Reese Witherspoon and Paul Rudd star in "How Do You Know."
An uncomfortable blend of self-absorption and sexual waywardness on the part of its major characters prevents the cheerless romantic comedy "How Do You Know" (Columbia) from engaging viewers.

Instead, the few laughs and insights provided by writer-director James L. Brooks' script hardly seem worthwhile, all the more so given that subjects such as womanizing and single motherhood are played for laughs.

Having just been cut from her team, champion softball player Lisa (Reese Witherspoon)—a dedicated athlete who has poured her all into the sport—faces an uncertain professional future. Her amorous prospects don't seem much more promising when she wakes up on the morning after a one-night stand beside major league baseball player Matty (Owen Wilson).

Though good-natured, Matty is also an unabashed philanderer who—as Lisa discovers—keeps a closet in his apartment stocked with women's clothing for the convenience of his overnight "guests."

When Matty's straightforwardness about his lifestyle inspires Lisa to recognize that a satisfying roll in the hay was all she was really after, this is not only treated as some sort of positive revelation but, paradoxically, as the basis for an ongoing relationship between the two.

But Lisa is still playing the field, so she accepts a dinner invitation from neurotic businessman George (Paul Rudd). Facing an indictment for stock fraud that could land him in jail—and destroy the company founded by his hard-driving dad, Charles (Jack Nicholson)—George is as forlorn as Lisa.

Though the pair passes their first meal together in miserable silence, contemplating their woes, George is nonetheless drawn to his new companion.

As matters progress, Lisa moves in with Matty, but keeps George stringing along as well. While Lisa tries to choose between her suitors, this oddly unsympathetic trio wastes the audience's time endlessly analyzing their every emotion and reaction. Does Lisa want to talk about her fears or just keep mum? Should Matty really have said what he just did or was it a big mistake? And what should George do about his bullying father?

A subplot about George's plucky secretary, Annie (Kathryn Hahn), finds her pregnant but unmarried. While the story line moves toward an acceptable resolution, there is no suggestion along the way that her behavior involves any questionable moral choices. Rather, her out-of-control hormones are treated as comic fodder.

Although themes dealing with the insecurity that accompanies unemployment and the complications caused by financial double-dealing may be intended to strike a timely chord with moviegoers, the real question raised by this exercise in extended navel-gazing is not so much "how do you know?" as "why should you care?"

The film contains brief nongraphic sexual activity, a nonmarital situation, a promiscuity theme, an out-of-wedlock pregnancy, a birth-control reference, at least one use of profanity as well as a couple of rough and a few crude words. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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