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ON FAITH & MEDIA View Comments

How Do You Know

By
John Mulderig
Source: Catholic News Service


Oscar-winner Reese Witherspoon and Paul Rudd star in "How Do You Know."
An uncomfortable blend of self-absorption and sexual waywardness on the part of its major characters prevents the cheerless romantic comedy "How Do You Know" (Columbia) from engaging viewers.

Instead, the few laughs and insights provided by writer-director James L. Brooks' script hardly seem worthwhile, all the more so given that subjects such as womanizing and single motherhood are played for laughs.

Having just been cut from her team, champion softball player Lisa (Reese Witherspoon)—a dedicated athlete who has poured her all into the sport—faces an uncertain professional future. Her amorous prospects don't seem much more promising when she wakes up on the morning after a one-night stand beside major league baseball player Matty (Owen Wilson).

Though good-natured, Matty is also an unabashed philanderer who—as Lisa discovers—keeps a closet in his apartment stocked with women's clothing for the convenience of his overnight "guests."

When Matty's straightforwardness about his lifestyle inspires Lisa to recognize that a satisfying roll in the hay was all she was really after, this is not only treated as some sort of positive revelation but, paradoxically, as the basis for an ongoing relationship between the two.

But Lisa is still playing the field, so she accepts a dinner invitation from neurotic businessman George (Paul Rudd). Facing an indictment for stock fraud that could land him in jail—and destroy the company founded by his hard-driving dad, Charles (Jack Nicholson)—George is as forlorn as Lisa.

Though the pair passes their first meal together in miserable silence, contemplating their woes, George is nonetheless drawn to his new companion.

As matters progress, Lisa moves in with Matty, but keeps George stringing along as well. While Lisa tries to choose between her suitors, this oddly unsympathetic trio wastes the audience's time endlessly analyzing their every emotion and reaction. Does Lisa want to talk about her fears or just keep mum? Should Matty really have said what he just did or was it a big mistake? And what should George do about his bullying father?

A subplot about George's plucky secretary, Annie (Kathryn Hahn), finds her pregnant but unmarried. While the story line moves toward an acceptable resolution, there is no suggestion along the way that her behavior involves any questionable moral choices. Rather, her out-of-control hormones are treated as comic fodder.

Although themes dealing with the insecurity that accompanies unemployment and the complications caused by financial double-dealing may be intended to strike a timely chord with moviegoers, the real question raised by this exercise in extended navel-gazing is not so much "how do you know?" as "why should you care?"

The film contains brief nongraphic sexual activity, a nonmarital situation, a promiscuity theme, an out-of-wedlock pregnancy, a birth-control reference, at least one use of profanity as well as a couple of rough and a few crude words. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother (August 27), the instructions of Ambrose (December 7) and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Silence is the ability to trust that God is acting, teaching, and using me—even before I perform or after my seeming failures. Silence is the necessary space around things that allows them to develop and flourish without my pushing. God takes it from there.

 
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