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The Chronicles of Narnia: The Voyage of the Dawn Treader

By
John Mulderig
Source: Catholic News Service


Aslan and his charges are forces of good in C.S. Lewis's "The Chronicles of Narnia: The Voyage of the Dawn Treader."
"We have nothing if not belief," says a character in "The Chronicles of Narnia: The Voyage of the Dawn Treader" (Fox).

And, indeed, with its youthful protagonists confronting forces of darkness both within themselves and around them, this screen version of the third in C.S. Lewis' classic series of Christian-themed allegorical novels—a mix of live action and animation—keeps the need for faith front and center.

A murky backstory and slightly sketchy plot, though, make director Michael Apted's addition to the franchise—which began with 2005's "The Lion, the Witch and the Wardrobe," and continued with "Prince Caspian" in 2008—somewhat less impressive dramatically than thematically.

The opening scenes, set in World War II-era Britain, find brother and sister Edmund and Lucy Pevensie (Skandar Keynes and Georgie Henley)—two of the four original human visitors to Narnia—lodging with relatives, including their obnoxious, cynical cousin, Eustace Scrubb (Will Poulter).

Resentful at having to share his room with Edmund, Eustace, as the facts-only embodiment of modern rationalism, also sneers at his cousins' tales of travel to a magical kingdom. So it comes as a surprise when a seascape painting hanging on the wall suddenly floods the boys' bedroom, and the tide carries all three children off to Narnia's Eastern Sea.

Saved from drowning by their old friend, Caspian (Ben Barnes), now the king of Narnia, the siblings are delighted to be reunited with him aboard the "Dawn Treader," pride of the kingdom's fleet. They've arrived at an opportune time, since Caspian is in the midst of a quest to vanquish a menacing manifestation of evil that takes the form of a green mist capable of making its victims disappear.

It's here that the exposition in Christopher Markus, Stephen McFeely and Michael Petroni's script begins to feel a little burdensome. Suffice it to say that the siblings—and, more reluctantly, their traveling companion—agree to join Caspian on his mission.

This eventually requires them to bring together at the table of the noble lion Aslan (voice of Liam Neeson)—Narnia's spiritual lord whose redeeming death and resurrection are recounted in Lewis' first volume and in the first film—seven magical swords empowered to protect the land from harm.

During the adventures that ensue, Edmund and Lucy battle temptations ranging from vanity and envy to ambition, greed and cowardice. Meanwhile, helped along by the wisdom of one of Caspian's sidekicks, plucky warrior mouse Reepicheep (voice of Simon Pegg), Eustace endures an unwelcome physical transformation which ultimately leads him down the path toward a far more positive spiritual conversion.

Richly cargoed with Gospel-based moral lessons and Christian overtones, this swashbuckling sequel, despite its occasionally rocky progress through the waves, bears viewers on an enjoyable, and mostly kid-friendly, voyage.

The film contains considerable peril and bloodless violence and a couple of mild bathroom jokes. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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