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ON FAITH & MEDIA View Comments

The Warrior's Way

By
John Mulderig
Source: Catholic News Service

The West was never wilder than it is in "The Warrior's Way" (Relativity), Korean writer-director Sngmoo Lee's genre-melding U.S. feature debut.

But, while it starts out as a conversion story, this frequently striking piece of cinema—a larger-than-life blend of martial arts, duels in the sun and operatic emotion—winds up graphically celebrating the very violence its hero has ostensibly rejected.

Said hero—a Samurai named Yang (Jang Dong-gun)—is the world's greatest swordsman, a fighter trained from childhood to kill without remorse. His stony heart is touched, however, when his murderous path leads him to the infant girl who is the lone survivor of a rival clan.

Yang's decision to spare the baby is viewed as an act of treachery by his own allies, a gang known as the Sad Flutes, and by their leader—and his mentor—the Saddest Flute (Ti Lung). So Yang escapes and seeks out an old friend who had emigrated to the American frontier.

Arriving at his destination, a ramshackle crossroads called Lode, Yang learns that his erstwhile pal is dead. But the circus folk who inhabit Lode—including warmhearted little person Eight-Ball (Tony Cox) and amiable town drunk Ron (Geoffrey Rush)—are welcoming enough, while spunky local lass Lynne (Kate Bosworth) proves a further draw.

Yang's newfound resolve to remain peaceable is swiftly put to the test, however, when the demonic Army colonel (Danny Huston) who slaughtered Lynne's family when she was a girl—and nearly raped her—returns in a bid to wreak fresh mayhem.

The confrontations which follow, though highly choreographed, are nonetheless gore-soaked, with veins spurting and heads and limbs hacked off with Ginsu-style precision. The moral waters are further muddied by the script's implicit endorsement of Lynne's quest for revenge against her vile, inhuman persecutor.

The film contains excessive bloody violence, the attempted rape of a minor, a vendetta theme, about a half-dozen uses of profanity and a few crude and crass terms. The Catholic News Service classification is O—morally offensive.

*****
John Mulderig is on the staff of Catholic News Service.




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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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