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ON FAITH & MEDIA View Comments

The Warrior's Way

By
John Mulderig
Source: Catholic News Service

The West was never wilder than it is in "The Warrior's Way" (Relativity), Korean writer-director Sngmoo Lee's genre-melding U.S. feature debut.

But, while it starts out as a conversion story, this frequently striking piece of cinema—a larger-than-life blend of martial arts, duels in the sun and operatic emotion—winds up graphically celebrating the very violence its hero has ostensibly rejected.

Said hero—a Samurai named Yang (Jang Dong-gun)—is the world's greatest swordsman, a fighter trained from childhood to kill without remorse. His stony heart is touched, however, when his murderous path leads him to the infant girl who is the lone survivor of a rival clan.

Yang's decision to spare the baby is viewed as an act of treachery by his own allies, a gang known as the Sad Flutes, and by their leader—and his mentor—the Saddest Flute (Ti Lung). So Yang escapes and seeks out an old friend who had emigrated to the American frontier.

Arriving at his destination, a ramshackle crossroads called Lode, Yang learns that his erstwhile pal is dead. But the circus folk who inhabit Lode—including warmhearted little person Eight-Ball (Tony Cox) and amiable town drunk Ron (Geoffrey Rush)—are welcoming enough, while spunky local lass Lynne (Kate Bosworth) proves a further draw.

Yang's newfound resolve to remain peaceable is swiftly put to the test, however, when the demonic Army colonel (Danny Huston) who slaughtered Lynne's family when she was a girl—and nearly raped her—returns in a bid to wreak fresh mayhem.

The confrontations which follow, though highly choreographed, are nonetheless gore-soaked, with veins spurting and heads and limbs hacked off with Ginsu-style precision. The moral waters are further muddied by the script's implicit endorsement of Lynne's quest for revenge against her vile, inhuman persecutor.

The film contains excessive bloody violence, the attempted rape of a minor, a vendetta theme, about a half-dozen uses of profanity and a few crude and crass terms. The Catholic News Service classification is O—morally offensive.

*****
John Mulderig is on the staff of Catholic News Service.


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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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