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ON FAITH & MEDIA View Comments

Faster

By
Kurt Jensen
Source: Catholic News Service

When a vintage Chevrolet Chevelle steals scene after scene from the star of the picture, it doesn't take a cinematic connoisseur to sense there's trouble. In fact, in about the time required for that classic vehicle to go from 0 to 60, audiences are likely to realize that what's on the screen in "Faster" (CBS)—a revenge flick tailored for Dwayne Johnson—just isn't entertaining.

As for viewers of faith, they'll probably feel their hackles rising at this vendetta-fueled, mayhem-laden rampage even...well, faster.

Director George Tillman Jr. and screenwriters Tony and Joe Gayton assemble a series of foul cliches and then just let the actors rip. Johnson is the monosyllabic Driver because, you see, that's what he was, the driver for his brother's gang of armed robbers. Driver is just out of prison after serving 10 brutal years, and he's out to avenge his brother's murder by rival criminals.

Wouldn't you know it, he has a list of their names and addresses, and an impeccably polished black-and-white Chevelle (ah, children, now there was a muscle car!) that never seems to need gassing up before it's expertly performing stunts on barren roads and transporting him hither and yon as he shoots a succession of people in the head.

In a particularly gory sequence, Driver stabs one of his victims, and then shoots him later as he's recovering in the hospital.

Preacher (Buzz Belmondo), another of Driver's targets, has made a career change and is now a sincere tent evangelist. But this subplot quickly degenerates into racism-tinged buffoonery.

Trailing Driver are scrofulous drug-addicted detective Billy Bob Thornton (named Cop) and suave British assassin Oliver Jackson-Cohen (called—can you guess?—Killer). Just to make the story more...um ...interesting, Driver, we learn, has a steel plate in the back of his head as the result of an earlier shooting.

Raising the "ick" factor ever higher, the film places young children nearby for many of its violent doings.

The film contains multiple scenes of murderous revenge, slow-motion gun and knife violence, drug use and some profane and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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