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ON FAITH & MEDIA View Comments

Tangled

By
John P. McCarthy
Source: Catholic News Service


Bad hair day: Animated characters are shown in a scene from Disney's "Tangled."
After "Shrek," it's easy to forget that filmmakers once played fairy tales straight. Walt Disney, the studio synonymous with such traditional interpretations, offers another enjoyable example in its 50th full-length animated release.

Largely irony-free and lacking the snarky quality of many movies aimed at kids, "Tangled" (Disney) is a throwback Uncle Walt would recognize and applaud. So will families.

Fortunately, that doesn't mean it's static or staid. Enough contemporary touches, in addition to computer-generated animation (projected in your choice of 3-D or 2-D), ensure "Tangled" is an equally dynamic and wholesome vehicle for its "love conquers all" theme.

Following the outlines of the German folk tale Rapunzel, popularized by the Brothers Grimm, the plot is a melange of elements recognizable from "Snow White," "Cinderella" and "Sleeping Beauty." The influence of the "Shrek" franchise is also discernible, without any adverse effects.

A child born to a king and queen possesses golden locks with healing properties, magic for which the infant is kidnapped by the evil crone Mother Gothel (voice of Donna Murphy). In a secluded tower, Gothel raises Rapunzel (voice of Mandy Moore) as her daughter, using her captive's hair to restore her own youth while never letting the girl step outside her prison.

On the eve of her 18th birthday, Rapunzel, though unaware of her true identity, is desperate to escape so she might experience a display of floating lanterns that her parents stage every year to commemorate their lost princess.

Adopting the guise of an overprotective parent, Gothel refuses. But then a boastful young thief, Flynn Rider (voice of Zachary Levi), chances upon the tower after robbing the palace.

With the help of her versatile mane, Rapunzel persuades him to accompany her into the world she's never known and has been taught to fear.

Directors Nathan Greno and Byron Howard blend lighthearted romance, vigorous action sequences, and a few rather tepid songs by veteran composer Alan Menken into a pleasant whole. The film's merely serviceable voice work and visuals may keep it from the ranks of animated classics, but the overall package is a good introduction to the Disney formula.

Along with mild swashbuckling violence, the film does include many slapstick pratfalls and cartoon ouches courtesy of our frying-pan- and hair-wielding heroine. Since sun worship seems to be the prevailing cult in Rapunzel's fictional realm, moreover, there's a distinct but inoffensive pagan undertone to the proceedings.

Finally, those shepherding preschoolers should anticipate a few tears during a potentially upsetting climactic scene. Rest assured, however, that a happily-ever-after wrap-up is quickly forthcoming.

The potential of that earlier brief interlude to elicit such strong emotional reactions is proof of the degree to which "Tangled" succeeds.

The Catholic News Service classification is A-I—general patronage. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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