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ON FAITH & MEDIA View Comments

Tangled

By
John P. McCarthy
Source: Catholic News Service


Bad hair day: Animated characters are shown in a scene from Disney's "Tangled."
After "Shrek," it's easy to forget that filmmakers once played fairy tales straight. Walt Disney, the studio synonymous with such traditional interpretations, offers another enjoyable example in its 50th full-length animated release.

Largely irony-free and lacking the snarky quality of many movies aimed at kids, "Tangled" (Disney) is a throwback Uncle Walt would recognize and applaud. So will families.

Fortunately, that doesn't mean it's static or staid. Enough contemporary touches, in addition to computer-generated animation (projected in your choice of 3-D or 2-D), ensure "Tangled" is an equally dynamic and wholesome vehicle for its "love conquers all" theme.

Following the outlines of the German folk tale Rapunzel, popularized by the Brothers Grimm, the plot is a melange of elements recognizable from "Snow White," "Cinderella" and "Sleeping Beauty." The influence of the "Shrek" franchise is also discernible, without any adverse effects.

A child born to a king and queen possesses golden locks with healing properties, magic for which the infant is kidnapped by the evil crone Mother Gothel (voice of Donna Murphy). In a secluded tower, Gothel raises Rapunzel (voice of Mandy Moore) as her daughter, using her captive's hair to restore her own youth while never letting the girl step outside her prison.

On the eve of her 18th birthday, Rapunzel, though unaware of her true identity, is desperate to escape so she might experience a display of floating lanterns that her parents stage every year to commemorate their lost princess.

Adopting the guise of an overprotective parent, Gothel refuses. But then a boastful young thief, Flynn Rider (voice of Zachary Levi), chances upon the tower after robbing the palace.

With the help of her versatile mane, Rapunzel persuades him to accompany her into the world she's never known and has been taught to fear.

Directors Nathan Greno and Byron Howard blend lighthearted romance, vigorous action sequences, and a few rather tepid songs by veteran composer Alan Menken into a pleasant whole. The film's merely serviceable voice work and visuals may keep it from the ranks of animated classics, but the overall package is a good introduction to the Disney formula.

Along with mild swashbuckling violence, the film does include many slapstick pratfalls and cartoon ouches courtesy of our frying-pan- and hair-wielding heroine. Since sun worship seems to be the prevailing cult in Rapunzel's fictional realm, moreover, there's a distinct but inoffensive pagan undertone to the proceedings.

Finally, those shepherding preschoolers should anticipate a few tears during a potentially upsetting climactic scene. Rest assured, however, that a happily-ever-after wrap-up is quickly forthcoming.

The potential of that earlier brief interlude to elicit such strong emotional reactions is proof of the degree to which "Tangled" succeeds.

The Catholic News Service classification is A-I—general patronage. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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