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ON FAITH & MEDIA View Comments

Tangled

By
John P. McCarthy
Source: Catholic News Service


Bad hair day: Animated characters are shown in a scene from Disney's "Tangled."
After "Shrek," it's easy to forget that filmmakers once played fairy tales straight. Walt Disney, the studio synonymous with such traditional interpretations, offers another enjoyable example in its 50th full-length animated release.

Largely irony-free and lacking the snarky quality of many movies aimed at kids, "Tangled" (Disney) is a throwback Uncle Walt would recognize and applaud. So will families.

Fortunately, that doesn't mean it's static or staid. Enough contemporary touches, in addition to computer-generated animation (projected in your choice of 3-D or 2-D), ensure "Tangled" is an equally dynamic and wholesome vehicle for its "love conquers all" theme.

Following the outlines of the German folk tale Rapunzel, popularized by the Brothers Grimm, the plot is a melange of elements recognizable from "Snow White," "Cinderella" and "Sleeping Beauty." The influence of the "Shrek" franchise is also discernible, without any adverse effects.

A child born to a king and queen possesses golden locks with healing properties, magic for which the infant is kidnapped by the evil crone Mother Gothel (voice of Donna Murphy). In a secluded tower, Gothel raises Rapunzel (voice of Mandy Moore) as her daughter, using her captive's hair to restore her own youth while never letting the girl step outside her prison.

On the eve of her 18th birthday, Rapunzel, though unaware of her true identity, is desperate to escape so she might experience a display of floating lanterns that her parents stage every year to commemorate their lost princess.

Adopting the guise of an overprotective parent, Gothel refuses. But then a boastful young thief, Flynn Rider (voice of Zachary Levi), chances upon the tower after robbing the palace.

With the help of her versatile mane, Rapunzel persuades him to accompany her into the world she's never known and has been taught to fear.

Directors Nathan Greno and Byron Howard blend lighthearted romance, vigorous action sequences, and a few rather tepid songs by veteran composer Alan Menken into a pleasant whole. The film's merely serviceable voice work and visuals may keep it from the ranks of animated classics, but the overall package is a good introduction to the Disney formula.

Along with mild swashbuckling violence, the film does include many slapstick pratfalls and cartoon ouches courtesy of our frying-pan- and hair-wielding heroine. Since sun worship seems to be the prevailing cult in Rapunzel's fictional realm, moreover, there's a distinct but inoffensive pagan undertone to the proceedings.

Finally, those shepherding preschoolers should anticipate a few tears during a potentially upsetting climactic scene. Rest assured, however, that a happily-ever-after wrap-up is quickly forthcoming.

The potential of that earlier brief interlude to elicit such strong emotional reactions is proof of the degree to which "Tangled" succeeds.

The Catholic News Service classification is A-I—general patronage. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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