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ON FAITH & MEDIA View Comments

Tangled

By
John P. McCarthy
Source: Catholic News Service


Bad hair day: Animated characters are shown in a scene from Disney's "Tangled."
After "Shrek," it's easy to forget that filmmakers once played fairy tales straight. Walt Disney, the studio synonymous with such traditional interpretations, offers another enjoyable example in its 50th full-length animated release.

Largely irony-free and lacking the snarky quality of many movies aimed at kids, "Tangled" (Disney) is a throwback Uncle Walt would recognize and applaud. So will families.

Fortunately, that doesn't mean it's static or staid. Enough contemporary touches, in addition to computer-generated animation (projected in your choice of 3-D or 2-D), ensure "Tangled" is an equally dynamic and wholesome vehicle for its "love conquers all" theme.

Following the outlines of the German folk tale Rapunzel, popularized by the Brothers Grimm, the plot is a melange of elements recognizable from "Snow White," "Cinderella" and "Sleeping Beauty." The influence of the "Shrek" franchise is also discernible, without any adverse effects.

A child born to a king and queen possesses golden locks with healing properties, magic for which the infant is kidnapped by the evil crone Mother Gothel (voice of Donna Murphy). In a secluded tower, Gothel raises Rapunzel (voice of Mandy Moore) as her daughter, using her captive's hair to restore her own youth while never letting the girl step outside her prison.

On the eve of her 18th birthday, Rapunzel, though unaware of her true identity, is desperate to escape so she might experience a display of floating lanterns that her parents stage every year to commemorate their lost princess.

Adopting the guise of an overprotective parent, Gothel refuses. But then a boastful young thief, Flynn Rider (voice of Zachary Levi), chances upon the tower after robbing the palace.

With the help of her versatile mane, Rapunzel persuades him to accompany her into the world she's never known and has been taught to fear.

Directors Nathan Greno and Byron Howard blend lighthearted romance, vigorous action sequences, and a few rather tepid songs by veteran composer Alan Menken into a pleasant whole. The film's merely serviceable voice work and visuals may keep it from the ranks of animated classics, but the overall package is a good introduction to the Disney formula.

Along with mild swashbuckling violence, the film does include many slapstick pratfalls and cartoon ouches courtesy of our frying-pan- and hair-wielding heroine. Since sun worship seems to be the prevailing cult in Rapunzel's fictional realm, moreover, there's a distinct but inoffensive pagan undertone to the proceedings.

Finally, those shepherding preschoolers should anticipate a few tears during a potentially upsetting climactic scene. Rest assured, however, that a happily-ever-after wrap-up is quickly forthcoming.

The potential of that earlier brief interlude to elicit such strong emotional reactions is proof of the degree to which "Tangled" succeeds.

The Catholic News Service classification is A-I—general patronage. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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