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ON FAITH & MEDIA View Comments

Harry Potter and the Deathly Hallows: Part 1

By
Joseph McAleer
Source: Catholic News Service


Daniel Radcliffe, Rupert Grint and Emma Watson star in "Harry Potter and the Deathly Hallows: Part 1."
The Hogwarts gang is on the run in "Harry Potter and the Deathly Hallows: Part 1" (Warner Bros.), the penultimate film in the wildly successful franchise based on J.K. Rowling's fantasy novels. As in Rowling's final volume, the tone here is darker, the action more intense, and the violence intended to shock as the forces of good and evil are set on their inevitable collision course.

"These are dark times, there's no denying," intones Minister of Magic Rufus Scrimgeour (Bill Nighy) as the film opens. And how. The Ministry has been taken over by Death Eaters, loyal to the evil Lord Voldemort (Ralph Fiennes). Their mission is twofold: Rid the world of Half-bloods (part witch, part nonwitch or "Muggle") and their supporters, and find Harry Potter (Daniel Radcliffe, of course), the "Chosen One."

No one is safe, not even a kindly Hogwarts teacher fond of Muggles. She is brutally tortured, then murdered by Voldemort and fed to a giant snake in one of the many intense moments that would have younger viewers diving under their seats.

But the main focus is Harry, and his loyal pals Hermione (Emma Watson) and Ron (Rupert Grint), who rally to his side.

Casting spells that enable them to travel instantaneously from place to place, Harry, Hermione and Ron jump all over the real world, from Piccadilly Circus in London to the Scottish Highlands. Director David Yates offers a picturesque travelogue of the British Isles that is a soothing respite from the film's clashes.

The film offers lessons about perseverance, loyalty, friendship, and self-sacrifice as it builds to a cliffhanger climax.

Rowling's novels are famously irreligious, yet "Harry Potter and the Deathly Hallows" has some welcome, pseudo-Christian moments. Returning to Harry's birthplace in search of clues, Harry and Hermione find themselves outside a church on Christmas Eve. They listen wistfully to the hymns sung within, thinking of happy family moments of long ago.

Similarly, Ron finds his way back to his friends on Christmas Day, when a mysterious light appears, directing him to the source of all good.

Less welcome is an incident that sees one of Harry's friends and protectors wounded by a Death Eater, who leaves a gaping hole in his head. The victim exclaims, with a grin, "I'm a saint. I'm hole-y. Get it?"

The magical elements in the script are benign, serving to support the plot, not endorse the evils of sorcery. The romantic tension of earlier films takes a back seat to the action this time, with a few exceptions: stolen kisses, close dancing, and a peculiar fantasy scene, invented by Voldemort, showing Harry and Hermione implicitly nude and about to have sex—all designed to enrage Ron, which it does.

The film contains much action violence with frequent peril, brief partial nudity in a sexual context, scenes of murder and torture and a few vaguely sexual references. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Katharine Drexel: If your father is an international banker and you ride in a private railroad car, you are not likely to be drawn into a life of voluntary poverty. But if your mother opens your home to the poor three days each week and your father spends half an hour each evening in prayer, it is not impossible that you will devote your life to the poor and give away millions of dollars. Katharine Drexel did that. 
<p>She was born in Philadelphia in 1858. She had an excellent education and traveled widely. As a rich girl, she had a grand debut into society. But when she nursed her stepmother through a three-year terminal illness, she saw that all the Drexel money could not buy safety from pain or death, and her life took a profound turn. </p><p>She had always been interested in the plight of the Indians, having been appalled by what she read in Helen Hunt Jackson’s <i>A Century of Dishonor</i>. While on a European tour, she met Pope Leo XIII and asked him to send more missionaries to Wyoming for her friend Bishop James O’Connor. The pope replied, “Why don’t you become a missionary?” His answer shocked her into considering new possibilities. </p><p>Back home, Katharine visited the Dakotas, met the Sioux leader Red Cloud and began her systematic aid to Indian missions. </p><p>She could easily have married. But after much discussion with Bishop O’Connor, she wrote in 1889, “The feast of St. Joseph brought me the grace to give the remainder of my life to the Indians and the Colored.” Newspaper headlines screamed “Gives Up Seven Million!” </p><p>After three and a half years of training, she and her first band of nuns (Sisters of the Blessed Sacrament for Indians and Colored) opened a boarding school in Santa Fe. A string of foundations followed. By 1942 she had a system of black Catholic schools in 13 states, plus 40 mission centers and 23 rural schools. Segregationists harassed her work, even burning a school in Pennsylvania. In all, she established 50 missions for Indians in 16 states. </p><p>Two saints met when Katharine was advised by Mother Cabrini about the “politics” of getting her Order’s Rule approved in Rome. Her crowning achievement was the founding of Xavier University in New Orleans, the first Catholic university in the United States for African Americans. </p><p>At 77, she suffered a heart attack and was forced to retire. Apparently her life was over. But now came almost 20 years of quiet, intense prayer from a small room overlooking the sanctuary. Small notebooks and slips of paper record her various prayers, ceaseless aspirations and meditation. She died at 96 and was canonized in 2000.</p> American Catholic Blog Our task during these forty days is to examine our lives in light of God’s Word and see where we’ve allowed darkness to creep in, where we’ve taken the bait of the diabolical fisher of men. It’s time to use the sword of the Spirit to cut through his web of deception, to free ourselves from the net that holds us as prey.


 
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