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ON FAITH & MEDIA View Comments

Unstoppable

By
John Mulderig
Source: Catholic News Service

In a 2001 incident that rail enthusiasts call the "Crazy Eights," an unmanned train carrying, along with other cargo, thousands of gallons of a highly toxic compound called molten phenol hurtled through the Ohio countryside for two hours before finally being brought to a halt. That episode provides the factual basis for "Unstoppable" (Fox), a gripping suspense tale that transcends simple entertainment by showcasing altruism in the pursuit of public safety.

Though a boxcar load of salty language indicates this is not a ride for the kids, adult viewers will find the proceedings kept on track by positive underlying values and by the engaging human dynamic that develops among the main characters.

The fictional emergency unfolds across the Rust Belt areas of southern and central Pennsylvania after inept railroad employee Dewey (Ethan Suplee) makes a series of corner-cutting mistakes that leave a 39-car freight train rolling along at full speed with no one onboard.

Though competent yardmaster Connie Hooper (Rosario Dawson) tries to cope with the situation, she is soon overwhelmed by Dewey's lack of candor about the accident and by the wrong-headed schemes of her supervisor Galvin (Kevin Dunn). A smarmy executive, Galvin is more concerned about limiting his company's liability than averting a catastrophe.

Through a harrowing process of elimination—early efforts to stop the speeding vehicle result in injury and death—veteran engineer Frank Barnes (Denzel Washington) and novice conductor Will Colson (Chris Pine) find themselves the only ones positioned to intercept the runaway before it reaches a twisting stretch of track running through a densely populated town. Should they fail, unlucky train 777 will almost certainly derail there, spewing its corrosive contents and exploding nearby fuel tanks.

Galvin orders Frank and Will not to interfere, but they persist, aided by the defiant Connie and by savvy Inspector Werner (Kevin Corrigan), a visiting Federal Railroad Administration official.

The initial hostility that divides the main duo—Frank resents young newcomers like Will who consistently displace more experienced workers like himself, while Will feels Frank won't give a rookie a break—is swiftly dissolved by their shared sense of mission.

Bolstered by adept performances and by the amusing asides in Mark Bomback's script, director Tony Scott crafts a diverting entertainment solidly founded on Frank and Will's heroic selflessness as they put their lives on the line for the many strangers whose well-being is in jeopardy.

This nail-biter is further enhanced by themes supporting marriage and family. Thus, Will struggles to overcome the consequences of his uncontrollable, sometimes violent jealousy, which has caused his wife to leave him, while widower Frank works to maintain his relationship with his much-loved daughters.

The film contains a few scenes of graphic injury, about a dozen uses of profanity, at least one instance of the F-word and frequent crude or crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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