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ON FAITH & MEDIA View Comments

Morning Glory

By
John P. McCarthy
Source: Catholic News Service


Rachel McAdams, Diane Keaton and Harrison Ford star in "Morning Glory."
It's no surprise that the newsroom comedy "Morning Glory" (Paramount) brings to mind the classic sitcom "The Mary Tyler Moore Show" and the 1987 feature film "Broadcast News." Both were created by James L. Brooks, who wasn't involved in this project but whose influence is keenly felt.

While "Morning Glory" lacks the sharp wit of "Broadcast News," the modest success of this screwball, working-girl comedy can be attributed to the portrayal of the central character, Becky Fuller, by Canadian actress Rachel McAdams. Miss Fuller sparkles as a worthy big-screen successor to that iconic Twin Cities' newswoman, Ms. Mary Richards.

After being fired for budgetary reasons from a local morning show in New Jersey, 28-year-old Becky lands a job in Manhattan as the executive producer of "Daybreak," the struggling morning offering of a national network.

Preternaturally vivacious and enthusiastic, Becky is extremely capable, despite coming across as slightly ditzy. Tasked with reviving the under-budgeted, perpetually ridiculed program, she arranges for venerable reporter Mike Pomeroy (Harrison Ford) to assume co-anchor duties alongside Colleen Peck (Diane Keaton).

Thanks to McAdams, who has received strong notices for her work in movies such as "Mean Girls" and "The Notebook," "Morning Glory" has an appealing glow without ever achieving comedic glory.

With Ford and Keaton tending to growl and grimace without much conviction, there's significant pressure on McAdams to carry the film, just as there is on Becky to salvage "Daybreak." The key is that she never makes Becky's verve seem like "repellant moxie," despite Mike's initially harsh assessment to that effect.

Becky's optimism and can-do spirit is the most salubrious aspect of "Morning Glory." Her adeptness at playing hardball with colleagues when necessary proves she's no Pollyanna, however; likewise her morally unacceptable decision to sleep with fellow producer Adam Bennett (Patrick Wilson).

Unfortunately, Aline Brosh McKenna's script ultimately sides with fluff over substance given that Becky's mission becomes persuading dinosaur Mike to relax his standards. Unfortunately, her philosophy that "no story is too high or too low to reach for" is borne out as the movie gently mocks then ultimately celebrates the public's assumed preference for light fare over hard news.

In addition to leaning on the talents of his versatile star, director Robert Michell ("Notting Hill") lets music and montages do most of the storytelling. The dialogue is sprinkled throughout with ribald remarks that—along with that unseen coupling—make "Morning Glory" acceptable only for mature audiences.

The film contains nongraphic sexual activity, an off-screen encounter, several uses of profanity, two instances of rough language, much crude and crass talk, numerous scatological and sexual references and a drug reference. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
______________________________
John P. McCarthy is a guest reviewer for Catholic News Service.


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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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