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ON FAITH & MEDIA View Comments

Morning Glory

By
John P. McCarthy
Source: Catholic News Service


Rachel McAdams, Diane Keaton and Harrison Ford star in "Morning Glory."
It's no surprise that the newsroom comedy "Morning Glory" (Paramount) brings to mind the classic sitcom "The Mary Tyler Moore Show" and the 1987 feature film "Broadcast News." Both were created by James L. Brooks, who wasn't involved in this project but whose influence is keenly felt.

While "Morning Glory" lacks the sharp wit of "Broadcast News," the modest success of this screwball, working-girl comedy can be attributed to the portrayal of the central character, Becky Fuller, by Canadian actress Rachel McAdams. Miss Fuller sparkles as a worthy big-screen successor to that iconic Twin Cities' newswoman, Ms. Mary Richards.

After being fired for budgetary reasons from a local morning show in New Jersey, 28-year-old Becky lands a job in Manhattan as the executive producer of "Daybreak," the struggling morning offering of a national network.

Preternaturally vivacious and enthusiastic, Becky is extremely capable, despite coming across as slightly ditzy. Tasked with reviving the under-budgeted, perpetually ridiculed program, she arranges for venerable reporter Mike Pomeroy (Harrison Ford) to assume co-anchor duties alongside Colleen Peck (Diane Keaton).

Thanks to McAdams, who has received strong notices for her work in movies such as "Mean Girls" and "The Notebook," "Morning Glory" has an appealing glow without ever achieving comedic glory.

With Ford and Keaton tending to growl and grimace without much conviction, there's significant pressure on McAdams to carry the film, just as there is on Becky to salvage "Daybreak." The key is that she never makes Becky's verve seem like "repellant moxie," despite Mike's initially harsh assessment to that effect.

Becky's optimism and can-do spirit is the most salubrious aspect of "Morning Glory." Her adeptness at playing hardball with colleagues when necessary proves she's no Pollyanna, however; likewise her morally unacceptable decision to sleep with fellow producer Adam Bennett (Patrick Wilson).

Unfortunately, Aline Brosh McKenna's script ultimately sides with fluff over substance given that Becky's mission becomes persuading dinosaur Mike to relax his standards. Unfortunately, her philosophy that "no story is too high or too low to reach for" is borne out as the movie gently mocks then ultimately celebrates the public's assumed preference for light fare over hard news.

In addition to leaning on the talents of his versatile star, director Robert Michell ("Notting Hill") lets music and montages do most of the storytelling. The dialogue is sprinkled throughout with ribald remarks that—along with that unseen coupling—make "Morning Glory" acceptable only for mature audiences.

The film contains nongraphic sexual activity, an off-screen encounter, several uses of profanity, two instances of rough language, much crude and crass talk, numerous scatological and sexual references and a drug reference. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
______________________________
John P. McCarthy is a guest reviewer for Catholic News Service.


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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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