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ON FAITH & MEDIA View Comments

Morning Glory

By
John P. McCarthy
Source: Catholic News Service


Rachel McAdams, Diane Keaton and Harrison Ford star in "Morning Glory."
It's no surprise that the newsroom comedy "Morning Glory" (Paramount) brings to mind the classic sitcom "The Mary Tyler Moore Show" and the 1987 feature film "Broadcast News." Both were created by James L. Brooks, who wasn't involved in this project but whose influence is keenly felt.

While "Morning Glory" lacks the sharp wit of "Broadcast News," the modest success of this screwball, working-girl comedy can be attributed to the portrayal of the central character, Becky Fuller, by Canadian actress Rachel McAdams. Miss Fuller sparkles as a worthy big-screen successor to that iconic Twin Cities' newswoman, Ms. Mary Richards.

After being fired for budgetary reasons from a local morning show in New Jersey, 28-year-old Becky lands a job in Manhattan as the executive producer of "Daybreak," the struggling morning offering of a national network.

Preternaturally vivacious and enthusiastic, Becky is extremely capable, despite coming across as slightly ditzy. Tasked with reviving the under-budgeted, perpetually ridiculed program, she arranges for venerable reporter Mike Pomeroy (Harrison Ford) to assume co-anchor duties alongside Colleen Peck (Diane Keaton).

Thanks to McAdams, who has received strong notices for her work in movies such as "Mean Girls" and "The Notebook," "Morning Glory" has an appealing glow without ever achieving comedic glory.

With Ford and Keaton tending to growl and grimace without much conviction, there's significant pressure on McAdams to carry the film, just as there is on Becky to salvage "Daybreak." The key is that she never makes Becky's verve seem like "repellant moxie," despite Mike's initially harsh assessment to that effect.

Becky's optimism and can-do spirit is the most salubrious aspect of "Morning Glory." Her adeptness at playing hardball with colleagues when necessary proves she's no Pollyanna, however; likewise her morally unacceptable decision to sleep with fellow producer Adam Bennett (Patrick Wilson).

Unfortunately, Aline Brosh McKenna's script ultimately sides with fluff over substance given that Becky's mission becomes persuading dinosaur Mike to relax his standards. Unfortunately, her philosophy that "no story is too high or too low to reach for" is borne out as the movie gently mocks then ultimately celebrates the public's assumed preference for light fare over hard news.

In addition to leaning on the talents of his versatile star, director Robert Michell ("Notting Hill") lets music and montages do most of the storytelling. The dialogue is sprinkled throughout with ribald remarks that—along with that unseen coupling—make "Morning Glory" acceptable only for mature audiences.

The film contains nongraphic sexual activity, an off-screen encounter, several uses of profanity, two instances of rough language, much crude and crass talk, numerous scatological and sexual references and a drug reference. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
______________________________
John P. McCarthy is a guest reviewer for Catholic News Service.


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Our Lady of Lourdes: On December 8, 1854, Pope Pius IX proclaimed the dogma of the Immaculate Conception in the apostolic constitution <i>Ineffabilis Deus</i>. A little more than three years later, on February 11, 1858, a young lady appeared to Bernadette Soubirous. This began a series of visions. During the apparition on March 25, the lady identified herself with the words: “I am the Immaculate Conception.” 
<p>Bernadette was a sickly child of poor parents. Their practice of the Catholic faith was scarcely more than lukewarm. Bernadette could pray the Our Father, the Hail Mary and the Creed. She also knew the prayer of the Miraculous Medal: “O Mary conceived without sin.” </p><p>During interrogations Bernadette gave an account of what she saw. It was “something white in the shape of a girl.” She used the word <i>aquero</i>, a dialect term meaning “this thing.” It was “a pretty young girl with a rosary over her arm.” Her white robe was encircled by a blue girdle. She wore a white veil. There was a yellow rose on each foot. A rosary was in her hand. Bernadette was also impressed by the fact that the lady did not use the informal form of address (<i>tu</i>), but the polite form (<i>vous</i>). The humble virgin appeared to a humble girl and treated her with dignity. </p><p>Through that humble girl, Mary revitalized and continues to revitalize the faith of millions of people. People began to flock to Lourdes from other parts of France and from all over the world. In 1862 Church authorities confirmed the authenticity of the apparitions and authorized the cult of Our Lady of Lourdes for the diocese. The Feast of Our Lady of Lourdes became worldwide in 1907.</p> American Catholic Blog While the term social justice has received negative connotations in some circles in recent years due to certain media misrepresentations of the tradition, the vocation of all Christian women and men to work toward the common good, protect the dignity of all human life, strive toward ending violence in all forms, and providing for the welfare of all people remains integral to who we are as bearers of the name Christ.

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