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ON FAITH & MEDIA View Comments

Due Date

By
John Mulderig
Source: Catholic News Service

In director John Hughes' 1987 hit "Planes, Trains and Automobiles," two comic geniuses, Steve Martin and John Candy, played unlikely companions thrown together on a mishap-plagued journey home for Thanksgiving.

Tinged with tenderness, the proceedings eventually saw the two become friends after Martin's character discovered the endearing qualities lurking beneath Candy's bumbling ways.

Though it traces a similar arc, and invites comparison with Hughes' film, the sour comedy "Due Date" (Warner Bros.) is marked by a profoundly different tone: hard-edged, mean-spirited and, at times, violent.

Perhaps not surprisingly—given that director and co-writer (with Alan R. Cohen and Alan Freedland) Todd Phillips is best known for helming last year's morally anarchic but widely popular "The Hangover"—this frequently unpleasant odyssey also detours into comic portrayals of marijuana smoking and aberrant sexual behavior.

Phillips' odd-couple buddy flick follows the misadventures of disaster-prone aspiring actor Ethan Tremblay (Zach Galifianakis), who's on his way to Hollywood in search of sitcom stardom, and uptight architect Peter Highman (Robert Downey Jr.), who's rushing home to Los Angeles for the birth of his first child.

After Ethan gets them involved in a misunderstanding that sees them both kicked off their flight from Atlanta and placed on the no-fly list, Peter—having lost ID, cash and credit cards in the incident—is left with no option but to drive to the West Coast in the company of his newfound nemesis.

Ethan, a somewhat effeminate man-boy, his hair permed in curls, his soft shoes from ballet manufacturer Capezio, displays a breezy disregard for all forms of common sense so grating that Peter's mounting fury with him seems entirely justifiable. All the more so when Ethan's supposedly amusing eccentricities turn out to include a taste for pot and a habit of lulling himself to sleep via self-gratification.

As the scene queasily showcasing the latter vice makes clear, Ethan's daily indulgence in it is in no way curbed by the proximity of his traveling companion a few feet away.

The script uses the recent death of Ethan's father to try to offset the nuisance factor and win sympathy. But its hesitant forays into gentleness are consistently thwarted by nasty interludes like a rumble with a stick-wielding, wheelchair-bound Iraq War veteran and an exchange in which Peter reveals a painful childhood secret, only to have Ethan laugh in his face.

The film contains drug trafficking and use, masturbation, about a half-dozen instances of profanity, pervasive rough and much crude language as well as some sexual jokes and references. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

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