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Due Date

John Mulderig
Source: Catholic News Service

In director John Hughes' 1987 hit "Planes, Trains and Automobiles," two comic geniuses, Steve Martin and John Candy, played unlikely companions thrown together on a mishap-plagued journey home for Thanksgiving.

Tinged with tenderness, the proceedings eventually saw the two become friends after Martin's character discovered the endearing qualities lurking beneath Candy's bumbling ways.

Though it traces a similar arc, and invites comparison with Hughes' film, the sour comedy "Due Date" (Warner Bros.) is marked by a profoundly different tone: hard-edged, mean-spirited and, at times, violent.

Perhaps not surprisingly—given that director and co-writer (with Alan R. Cohen and Alan Freedland) Todd Phillips is best known for helming last year's morally anarchic but widely popular "The Hangover"—this frequently unpleasant odyssey also detours into comic portrayals of marijuana smoking and aberrant sexual behavior.

Phillips' odd-couple buddy flick follows the misadventures of disaster-prone aspiring actor Ethan Tremblay (Zach Galifianakis), who's on his way to Hollywood in search of sitcom stardom, and uptight architect Peter Highman (Robert Downey Jr.), who's rushing home to Los Angeles for the birth of his first child.

After Ethan gets them involved in a misunderstanding that sees them both kicked off their flight from Atlanta and placed on the no-fly list, Peter—having lost ID, cash and credit cards in the incident—is left with no option but to drive to the West Coast in the company of his newfound nemesis.

Ethan, a somewhat effeminate man-boy, his hair permed in curls, his soft shoes from ballet manufacturer Capezio, displays a breezy disregard for all forms of common sense so grating that Peter's mounting fury with him seems entirely justifiable. All the more so when Ethan's supposedly amusing eccentricities turn out to include a taste for pot and a habit of lulling himself to sleep via self-gratification.

As the scene queasily showcasing the latter vice makes clear, Ethan's daily indulgence in it is in no way curbed by the proximity of his traveling companion a few feet away.

The script uses the recent death of Ethan's father to try to offset the nuisance factor and win sympathy. But its hesitant forays into gentleness are consistently thwarted by nasty interludes like a rumble with a stick-wielding, wheelchair-bound Iraq War veteran and an exchange in which Peter reveals a painful childhood secret, only to have Ethan laugh in his face.

The film contains drug trafficking and use, masturbation, about a half-dozen instances of profanity, pervasive rough and much crude language as well as some sexual jokes and references. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

John Mulderig is on the staff of Catholic News Service.

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Marie-Rose Durocher: Canada was one diocese from coast to coast during the first eight years of Marie-Rose Durocher’s life. Its half-million Catholics had received civil and religious liberty from the English only 44 years before. When Marie-Rose was 29, Bishop Ignace Bourget became bishop of Montreal. He would be a decisive influence in her life. 
<p>He faced a shortage of priests and sisters and a rural population that had been largely deprived of education. Like his counterparts in the United States, he scoured Europe for help and himself founded four communities, one of which was the Sisters of the Holy Names of Jesus and Mary. Its first sister and reluctant co-foundress was Marie-Rose. </p><p>She was born in a little village near Montreal in 1811, the 10th of 11 children. She had a good education, was something of a tomboy, rode a horse named Caesar and could have married well. At 16, she felt the desire to become a religious but was forced to abandon the idea because of her weak constitution. At 18, when her mother died, her priest brother invited her and her father to come to his parish in Beloeil, not far from Montreal. For 13 years she served as housekeeper, hostess and parish worker. She became well known for her graciousness, courtesy, leadership and tact; she was, in fact, called “the saint of Beloeil.” Perhaps she was too tactful during two years when her brother treated her coldly. </p><p>As a young woman she had hoped there would someday be a community of teaching sisters in every parish, never thinking she would found one. But her spiritual director, Father Pierre Telmon, O.M.I., after thoroughly (and severely) leading her in the spiritual life, urged her to found a community herself. Bishop Bourget concurred, but Marie-Rose shrank from the prospect. She was in poor health and her father and her brother needed her. </p><p>She finally agreed and, with two friends, Melodie Dufresne and Henriette Cere, entered a little home in Longueuil, across the Saint Lawrence River from Montreal. With them were 13 young girls already assembled for boarding school. Longueuil became successively her Bethlehem, Nazareth and Gethsemani. She was 32 and would live only six more years—years filled with poverty, trials, sickness and slander. The qualities she had nurtured in her “hidden” life came forward—a strong will, intelligence and common sense, great inner courage and yet a great deference to directors. Thus was born an international congregation of women religious dedicated to education in the faith. </p><p>She was severe with herself and by today’s standards quite strict with her sisters. Beneath it all, of course, was an unshakable love of her crucified Savior. </p><p>On her deathbed the prayers most frequently on her lips were “Jesus, Mary, Joseph! Sweet Jesus, I love you. Jesus, be to me Jesus!” Before she died, she smiled and said to the sister with her, “Your prayers are keeping me here—let me go.” </p><p>She was beatified in 1982.</p> American Catholic Blog It is in them [the saints] that Christian love becomes credible; they are the poor sinners’ guiding stars. But every one of them wishes to point completely away from himself and toward love…. The genuine saints desired nothing but the greater glory of God’s love… <br />—Hans Urs von Balthasar

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