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ON FAITH & MEDIA View Comments

Due Date

By
John Mulderig
Source: Catholic News Service

In director John Hughes' 1987 hit "Planes, Trains and Automobiles," two comic geniuses, Steve Martin and John Candy, played unlikely companions thrown together on a mishap-plagued journey home for Thanksgiving.

Tinged with tenderness, the proceedings eventually saw the two become friends after Martin's character discovered the endearing qualities lurking beneath Candy's bumbling ways.

Though it traces a similar arc, and invites comparison with Hughes' film, the sour comedy "Due Date" (Warner Bros.) is marked by a profoundly different tone: hard-edged, mean-spirited and, at times, violent.

Perhaps not surprisingly—given that director and co-writer (with Alan R. Cohen and Alan Freedland) Todd Phillips is best known for helming last year's morally anarchic but widely popular "The Hangover"—this frequently unpleasant odyssey also detours into comic portrayals of marijuana smoking and aberrant sexual behavior.

Phillips' odd-couple buddy flick follows the misadventures of disaster-prone aspiring actor Ethan Tremblay (Zach Galifianakis), who's on his way to Hollywood in search of sitcom stardom, and uptight architect Peter Highman (Robert Downey Jr.), who's rushing home to Los Angeles for the birth of his first child.

After Ethan gets them involved in a misunderstanding that sees them both kicked off their flight from Atlanta and placed on the no-fly list, Peter—having lost ID, cash and credit cards in the incident—is left with no option but to drive to the West Coast in the company of his newfound nemesis.

Ethan, a somewhat effeminate man-boy, his hair permed in curls, his soft shoes from ballet manufacturer Capezio, displays a breezy disregard for all forms of common sense so grating that Peter's mounting fury with him seems entirely justifiable. All the more so when Ethan's supposedly amusing eccentricities turn out to include a taste for pot and a habit of lulling himself to sleep via self-gratification.

As the scene queasily showcasing the latter vice makes clear, Ethan's daily indulgence in it is in no way curbed by the proximity of his traveling companion a few feet away.

The script uses the recent death of Ethan's father to try to offset the nuisance factor and win sympathy. But its hesitant forays into gentleness are consistently thwarted by nasty interludes like a rumble with a stick-wielding, wheelchair-bound Iraq War veteran and an exchange in which Peter reveals a painful childhood secret, only to have Ethan laugh in his face.

The film contains drug trafficking and use, masturbation, about a half-dozen instances of profanity, pervasive rough and much crude language as well as some sexual jokes and references. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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