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ON FAITH & MEDIA View Comments

Megamind

By
John Mulderig
Source: Catholic News Service


Roxanne, voiced by Tina Fey, and Megamind, voiced by Will Farrell, in "Megamind."
At its core, "Megamind" (Paramount) is a parable about an individual's positive nature battling to overcome his negative nurturing.

Director Tom McGrath's generally endearing 3-D animated adventure offers older kids enough worthy lessons about making good use of talents and abilities, and about the dangers of allowing others to define who you are, to outweigh its occasional indulgence in mild bathroom humor.

Victim to that unfortunate upbringing is the titular character (voiced by Will Ferrell), a basically good-hearted alien whose supposed villainy toward humans is largely nominal.

As Megamind himself explains early on, his turn to the dark side came about when, as a child, the spaceship in which his parents dispatched him to Earth to save him from his home planet's destruction accidentally landed on the grounds of a prison. Raised by convicts, he naturally took to breaking the rules.

Touching down simultaneously in a suburban backyard, and thereby gaining a wholesome environment in which to grow up, was fellow interplanetary traveler Metro Man (voice of Brad Pitt). Now a wildly popular superhero, Metro Man serves as the protector of Metro City and as Megamind's archrival.

Until that is, one of Megamind's perpetually inept schemes for defeating Metro Man—carried out with the help of his trusty assistant Minion (voice of David Cross), a kindly fish who lives in the helmet of a deep-sea diver's suit—inexplicably succeeds.

Finding that his subsequent mastery of Metro City (or as he insists on pronouncing it, "Metrocity") is not all he had dreamed, the bored scamp strikes on the idea of creating a new adversary for himself. But his latest plot also goes awry when he ends up mistakenly endowing ordinary cameraman Hal (voice of Jonah Hill) with superhuman powers.

Though romance entails further complications, the possibility of winning the love of charming TV reporter Roxanne (voice of Tina Fey)—with whom both Megamind and Hal are smitten—offers the not-so-naughty knave hope of ultimate redemption.

A few turns of phrase and at least one sight gag in Alan Schoolcraft's script involve expressions that parents would likely prefer their youngsters not to pick up.

But the underlying conversion story—played out amid such assurances as "If there is bad, good will rise up against it"—provides a moral impetus that keeps this diverting, if not strikingly original tale fundamentally on the right track, and may be sufficiently valuable to make this appropriate viewing for at least some mature preteens.

The film contains scenes of peril, a few touches of crude humor and a bit of slightly crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.


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Apollonia: The persecution of Christians began in Alexandria during the reign of the Emperor Philip. The first victim of the pagan mob was an old man named Metrius, who was tortured and then stoned to death. The second person who refused to worship their false idols was a Christian woman named Quinta. Her words infuriated the mob and she was scourged and stoned. 
<p>While most of the Christians were fleeing the city, abandoning all their worldly possessions, an old deaconess, Apollonia, was seized. The crowds beat her, knocking out all of her teeth. Then they lit a large fire and threatened to throw her in it if she did not curse her God. She begged them to wait a moment, acting as if she was considering their requests. Instead, she jumped willingly into the flames and so suffered martyrdom.</p><p>There were many churches and altars dedicated to her. Apollonia is the patroness of dentists, and people suffering from toothache and other dental diseases often ask her intercession. She is pictured with a pair of pincers holding a tooth or with a golden tooth suspended from her necklace. St. Augustine explained her voluntary martyrdom as a special inspiration of the Holy Spirit, since no one is allowed to cause his or her own death.</p> American Catholic Blog We can find Christ among the despised, voiceless, and forgotten of the world. We have to move beyond that which we wish to ignore and forget about: embrace the seemingly un-embraceable, love the unlovable, and dare to know what we most fear and wish to leave unknowable.

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