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ON FAITH & MEDIA View Comments

Megamind

By
John Mulderig
Source: Catholic News Service


Roxanne, voiced by Tina Fey, and Megamind, voiced by Will Farrell, in "Megamind."
At its core, "Megamind" (Paramount) is a parable about an individual's positive nature battling to overcome his negative nurturing.

Director Tom McGrath's generally endearing 3-D animated adventure offers older kids enough worthy lessons about making good use of talents and abilities, and about the dangers of allowing others to define who you are, to outweigh its occasional indulgence in mild bathroom humor.

Victim to that unfortunate upbringing is the titular character (voiced by Will Ferrell), a basically good-hearted alien whose supposed villainy toward humans is largely nominal.

As Megamind himself explains early on, his turn to the dark side came about when, as a child, the spaceship in which his parents dispatched him to Earth to save him from his home planet's destruction accidentally landed on the grounds of a prison. Raised by convicts, he naturally took to breaking the rules.

Touching down simultaneously in a suburban backyard, and thereby gaining a wholesome environment in which to grow up, was fellow interplanetary traveler Metro Man (voice of Brad Pitt). Now a wildly popular superhero, Metro Man serves as the protector of Metro City and as Megamind's archrival.

Until that is, one of Megamind's perpetually inept schemes for defeating Metro Man—carried out with the help of his trusty assistant Minion (voice of David Cross), a kindly fish who lives in the helmet of a deep-sea diver's suit—inexplicably succeeds.

Finding that his subsequent mastery of Metro City (or as he insists on pronouncing it, "Metrocity") is not all he had dreamed, the bored scamp strikes on the idea of creating a new adversary for himself. But his latest plot also goes awry when he ends up mistakenly endowing ordinary cameraman Hal (voice of Jonah Hill) with superhuman powers.

Though romance entails further complications, the possibility of winning the love of charming TV reporter Roxanne (voice of Tina Fey)—with whom both Megamind and Hal are smitten—offers the not-so-naughty knave hope of ultimate redemption.

A few turns of phrase and at least one sight gag in Alan Schoolcraft's script involve expressions that parents would likely prefer their youngsters not to pick up.

But the underlying conversion story—played out amid such assurances as "If there is bad, good will rise up against it"—provides a moral impetus that keeps this diverting, if not strikingly original tale fundamentally on the right track, and may be sufficiently valuable to make this appropriate viewing for at least some mature preteens.

The film contains scenes of peril, a few touches of crude humor and a bit of slightly crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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