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ON FAITH & MEDIA View Comments

For Colored Girls

By
John Mulderig
Source: Catholic News Service

A good man is hard to find in writer-director Tyler Perry's ensemble drama "For Colored Girls" (Lionsgate).

As well as allowing for only one positive male character in an unusually large cast, the misguided feminist values underlying his script also take for granted behavior quite at odds with Judeo-Christian sexual ethics, and hold out, as the sole source of hope for a series of embattled characters, the discovery of the "God-within-myself" and female solidarity.

This screen version of Ntozake Shange's 1974 play, "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," shuttles among the lives of nine New York-based African-American women to present a downbeat exploration of the personal effects of numerous societal ills. The dialogue is studded with verbally impressive, but sometimes dramatically distancing, poetic set pieces.

The most prominent characters are successful but emotionally isolated business executive Joanna (Janet Jackson), Joanna's harried assistant Crystal (Kimberly Elise), and lovelorn nurse Juanita (Loretta Devine). The personal lives of all three are in disarray because of the various problems—ranging from unfaithfulness to alcoholism—of the men in their lives. They're portrayed, respectively, by Omari Hardwick, Michael Ealy and Richard Lawson.

As various characters endure rape, abuse and betrayal, Crystal's repeated refusal to marry the father of her two children, with whom she cohabits, is presented as a wise precaution, given that he is an unemployed war vet in the throes of emotional turmoil and excessive drinking.

The middle course of not marrying, but also not living with him, never seems to occur to Crystal, despite the fact that his compulsive boozing frequently leads to violent attacks against both her and their children.

In between wrestling with the infidelities of her on-again, off-again live-in boyfriend, Devine's character establishes a women's health clinic in her Harlem neighborhood in New York. There, she is shown cheerfully recommending—and dispensing—that panacea of contemporary society, the condom.

Plot developments for other characters lead to a back-alley abortion and an extended discussion of a deeply concealed homosexual lifestyle.

The former is so harrowing that, while some viewers may interpret it as an implied argument for the current legalized status of this profoundly immoral practice, others may legitimately interpret it as reckoning on the horrific cost involved in any abortion, legal or otherwise. As for the closeted character, his behavior is presented as a profoundly disloyal deception, not as anything resembling liberation.

But—along with the actions the script does explicitly endorse—the skewed theology that leads to the climactic declaration: "I felt God in myself, and I loved her fiercely," is more consistent with the tenets of the New Age movement than with those of revealed religion.

The film contains a graphic rape, a scene of abortion, nonexplicit nonmarital sexual activity, fleeting rear and obscured full male nudity, incest, sex abuse and homosexuality themes, about a dozen rough terms, frequent crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Antonio Lucci: Antonio studied with and was a friend of St. Francesco Antonio Fasani, who after Antonio Lucci’s death testified at the diocesan hearings regarding the holiness of Lucci. 
<p>Born in Agnone in southern Italy, a city famous for manufacturing bells and copper crafts, he was given the name Angelo at Baptism. He attended the local school run by the Conventual Franciscans and joined them at the age of 16. Antonio completed his studies for the priesthood in Assisi, where he was ordained in 1705. Further studies led to a doctorate in theology and appointments as a teacher in Agnone, Ravello and Naples. He also served as guardian in Naples. </p><p>Elected minister provincial in 1718, the following year he was appointed professor at St. Bonaventure College in Rome, a position he held until Pope Benedict XIII chose him as bishop of Bovino (near Foggia) in 1729. The pope explained, "I have chosen as bishop of Bovino an eminent theologian and a great saint." </p><p>His 23 years as bishop were marked by visits to local parishes and a renewal of gospel living among the people of his diocese. He dedicated his episcopal income to works of education and charity. At the urging of the Conventual minister general, Bishop Lucci wrote a major book about the saints and blesseds in the first 200 years of the Conventual Franciscans. </p><p>He was beatified in 1989, three years after his friend Francesco Antonio Fasani was canonized.</p> American Catholic Blog Not too many people need academia to teach them the power of positives. That has been known since Adam and Eve. The soul of strong family life is wrapped throughout with positives—love, affection, praise, commitment. The more a child receives the positives, the less he gives the negatives.

Men, Women, and the Mystery of Love

 
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