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ON FAITH & MEDIA View Comments

For Colored Girls

By
John Mulderig
Source: Catholic News Service

A good man is hard to find in writer-director Tyler Perry's ensemble drama "For Colored Girls" (Lionsgate).

As well as allowing for only one positive male character in an unusually large cast, the misguided feminist values underlying his script also take for granted behavior quite at odds with Judeo-Christian sexual ethics, and hold out, as the sole source of hope for a series of embattled characters, the discovery of the "God-within-myself" and female solidarity.

This screen version of Ntozake Shange's 1974 play, "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," shuttles among the lives of nine New York-based African-American women to present a downbeat exploration of the personal effects of numerous societal ills. The dialogue is studded with verbally impressive, but sometimes dramatically distancing, poetic set pieces.

The most prominent characters are successful but emotionally isolated business executive Joanna (Janet Jackson), Joanna's harried assistant Crystal (Kimberly Elise), and lovelorn nurse Juanita (Loretta Devine). The personal lives of all three are in disarray because of the various problems—ranging from unfaithfulness to alcoholism—of the men in their lives. They're portrayed, respectively, by Omari Hardwick, Michael Ealy and Richard Lawson.

As various characters endure rape, abuse and betrayal, Crystal's repeated refusal to marry the father of her two children, with whom she cohabits, is presented as a wise precaution, given that he is an unemployed war vet in the throes of emotional turmoil and excessive drinking.

The middle course of not marrying, but also not living with him, never seems to occur to Crystal, despite the fact that his compulsive boozing frequently leads to violent attacks against both her and their children.

In between wrestling with the infidelities of her on-again, off-again live-in boyfriend, Devine's character establishes a women's health clinic in her Harlem neighborhood in New York. There, she is shown cheerfully recommending—and dispensing—that panacea of contemporary society, the condom.

Plot developments for other characters lead to a back-alley abortion and an extended discussion of a deeply concealed homosexual lifestyle.

The former is so harrowing that, while some viewers may interpret it as an implied argument for the current legalized status of this profoundly immoral practice, others may legitimately interpret it as reckoning on the horrific cost involved in any abortion, legal or otherwise. As for the closeted character, his behavior is presented as a profoundly disloyal deception, not as anything resembling liberation.

But—along with the actions the script does explicitly endorse—the skewed theology that leads to the climactic declaration: "I felt God in myself, and I loved her fiercely," is more consistent with the tenets of the New Age movement than with those of revealed religion.

The film contains a graphic rape, a scene of abortion, nonexplicit nonmarital sexual activity, fleeting rear and obscured full male nudity, incest, sex abuse and homosexuality themes, about a dozen rough terms, frequent crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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