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ON FAITH & MEDIA View Comments

For Colored Girls

By
John Mulderig
Source: Catholic News Service

A good man is hard to find in writer-director Tyler Perry's ensemble drama "For Colored Girls" (Lionsgate).

As well as allowing for only one positive male character in an unusually large cast, the misguided feminist values underlying his script also take for granted behavior quite at odds with Judeo-Christian sexual ethics, and hold out, as the sole source of hope for a series of embattled characters, the discovery of the "God-within-myself" and female solidarity.

This screen version of Ntozake Shange's 1974 play, "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," shuttles among the lives of nine New York-based African-American women to present a downbeat exploration of the personal effects of numerous societal ills. The dialogue is studded with verbally impressive, but sometimes dramatically distancing, poetic set pieces.

The most prominent characters are successful but emotionally isolated business executive Joanna (Janet Jackson), Joanna's harried assistant Crystal (Kimberly Elise), and lovelorn nurse Juanita (Loretta Devine). The personal lives of all three are in disarray because of the various problems—ranging from unfaithfulness to alcoholism—of the men in their lives. They're portrayed, respectively, by Omari Hardwick, Michael Ealy and Richard Lawson.

As various characters endure rape, abuse and betrayal, Crystal's repeated refusal to marry the father of her two children, with whom she cohabits, is presented as a wise precaution, given that he is an unemployed war vet in the throes of emotional turmoil and excessive drinking.

The middle course of not marrying, but also not living with him, never seems to occur to Crystal, despite the fact that his compulsive boozing frequently leads to violent attacks against both her and their children.

In between wrestling with the infidelities of her on-again, off-again live-in boyfriend, Devine's character establishes a women's health clinic in her Harlem neighborhood in New York. There, she is shown cheerfully recommending—and dispensing—that panacea of contemporary society, the condom.

Plot developments for other characters lead to a back-alley abortion and an extended discussion of a deeply concealed homosexual lifestyle.

The former is so harrowing that, while some viewers may interpret it as an implied argument for the current legalized status of this profoundly immoral practice, others may legitimately interpret it as reckoning on the horrific cost involved in any abortion, legal or otherwise. As for the closeted character, his behavior is presented as a profoundly disloyal deception, not as anything resembling liberation.

But—along with the actions the script does explicitly endorse—the skewed theology that leads to the climactic declaration: "I felt God in myself, and I loved her fiercely," is more consistent with the tenets of the New Age movement than with those of revealed religion.

The film contains a graphic rape, a scene of abortion, nonexplicit nonmarital sexual activity, fleeting rear and obscured full male nudity, incest, sex abuse and homosexuality themes, about a dozen rough terms, frequent crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.


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John of Capistrano: It has been said the Christian saints are the world’s greatest optimists. Not blind to the existence and consequences of evil, they base their confidence on the power of Christ’s redemption. The power of conversion through Christ extends not only to sinful people but also to calamitous events. 
<p>Imagine being born in the 14th century. One-third of the population and nearly 40 percent of the clergy were wiped out by the bubonic plague. The Western Schism split the Church with two or three claimants to the Holy See at one time. England and France were at war. The city-states of Italy were constantly in conflict. No wonder that gloom dominated the spirit of the culture and the times. </p><p>John Capistrano was born in 1386. His education was thorough. His talents and success were great. When he was 26 he was made governor of Perugia. Imprisoned after a battle against the Malatestas, he resolved to change his way of life completely. At the age of 30 he entered the Franciscan novitiate and was ordained a priest four years later. </p><p>His preaching attracted great throngs at a time of religious apathy and confusion. He and 12 Franciscan brethren were received in the countries of central Europe as angels of God. They were instrumental in reviving a dying faith and devotion. </p><p>The Franciscan Order itself was in turmoil over the interpretation and observance of the Rule of St. Francis. Through John’s tireless efforts and his expertise in law, the heretical Fraticelli were suppressed and the "Spirituals" were freed from interference in their stricter observance. </p><p>He helped bring about a reunion with the Greek and Armenian Churches, unfortunately only a brief arrangement. </p><p>When the Turks captured Constantinople in 1453, he was commissioned to preach a crusade for the defense of Europe. Gaining little response in Bavaria and Austria, he decided to concentrate his efforts in Hungary. He led the army to Belgrade. Under the great General John Hunyadi, they gained an overwhelming victory, and the siege of Belgrade was lifted. Worn out by his superhuman efforts, Capistrano was an easy prey to an infection after the battle. He died October 23, 1456.</p> American Catholic Blog When we are linked by the power of prayer, we as it were, hold each other’s hand as we walk side by side along a slippery path; and thus by the bounteous disposition of charity, it comes about that the harder each one leans on the other, the more firmly we are riveted together in brotherly love. —St. Gregory the Great

 
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