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ON FAITH & MEDIA View Comments

Paranormal Activity 2

By
John Mulderig
Source: Catholic News Service


A scene from the movie "Paranormal Activity 2."
Fans of genuinely scary films—skin-crawlers that earn their chills by subtlety and suspense—will welcome "Paranormal Activity 2" (Paramount), director Tod Williams' follow-up to a refreshingly unbloody original.

And the news gets even better, since his efficiently unnerving extension of the franchise that began with 2009's "Paranormal Activity" not only avoids gratuitous gore, as did its predecessor, but also tones down the original's excess of sexual themes and vulgar language.

In part that's because the focus here is on a more-or-less traditional family, as opposed to the cohabiting yuppies at the center of the first story.

Said clan includes widower Daniel (Brian Boland) and his second wife, Kristi (Sprague Grayden) -- sister, as it turns out, to Katie (Katie Featherston), the female half of the shacked-up couple in the last outing. The others are Daniel's teen daughter by his previous marriage, Ali (Molly Ephraim), and the latest addition, 1-year-old son Hunter. Together they share a large home and a prosperous lifestyle in Carlsbad, Calif.

After a destructive incident Daniel and Kristi take for a break-in by vandals, they summon a home security team who installs the half-dozen cameras through which—along with Dad's handheld device—we witness the untoward events that follow. Tension builds as the silent, empty rooms on which these lenses are fixed suddenly come alive with things that go bump in the night.

Skeptical Daniel insists there's a natural explanation for everything. But Ali trolls the Internet for occult explanations, and gradually becomes convinced that—because of the sins of a previous generation of Kristi's lineage—a demon has malignant designs on poor little Hunter.

Their Hispanic housekeeper, Martina (the singly monikered Vivis)—bless her ethnic, presumably Catholic soul—is way ahead of her secular-minded employers on the evil spirits front. She resorts to a mix of ostensibly Christian and blatantly pagan means in her efforts to expel them. But the use of Christian symbols—a wooden cross coated in olive oil, for instance—is strictly of the "Take that, Dracula!" variety.

More troubling is the climactic bargain Daniel enters into that eventually buys the household a little peace, but only at the cost of knowingly victimizing someone else. But, since this ill-advised deal serves both to reconnect the plot to the related travails of Katie and her boyfriend, Micah (Micah Sloat), and to set up a third installment, to say more would be a spoiler.

The film contains occasional intense but stylized violence, a few uses of profanity, some rough and crude language and a handful of mild sexual references. The Catholic News Service Classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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