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ON FAITH & MEDIA View Comments

RED

By
John Mulderig
Source: Catholic News Service


John Malkovich and Morgan Freeman star in "RED."
Despite what its title might suggest, the witty spy caper "RED" (Summit), though packed with mayhem, is mostly free of gore. Still, a succession of gunfights and explosions punctuate director Robert Schwentke's amusingly executed adaptation of Warren Ellis and Cully Hamner's graphic novel, restricting the appropriate audience for this romp.

As a matter of fact, the film's moniker doesn't refer to the color of blood at all, but to the phrase "retired and extremely dangerous." That's an apt description of ex-CIA agent Frank Moses (Bruce Willis) whose tranquil transition from black-ops expert to pensioner is rudely interrupted by the arrival in his home of a band of masked assassins.

Frank outguns his attackers and takes to the road, following through on a planned first meeting with Sarah Ross (Mary-Louise Parker), the much younger Social Security bureaucrat with whom he has been carrying on a long-distance flirtation. Fearing for her life as well as his own, Frank forces Sarah to join him on the lam.

As the pair struggle to evade the attentions of William Cooper (Karl Urban), the latest hit man tasked with eliminating them, they gradually unravel the conspiracy—concocted by a shadowy cabal of high-level government and business figures—that has led to their being targeted.

They're aided by a trio of Frank's former associates: reliable intelligence veteran Joe (Morgan Freeman), entertainingly flaky spook-turned- survivalist Marvin (John Malkovich) and unlikely killing machine Victoria (Helen Mirren), whose prim manner belies her abilities with high powered arms.

The talented ensemble—which also includes Richard Dreyfuss and Ernest Borgnine in smaller roles—is clearly having a ball. And the updated Tracy-Hepburn relationship between Frank and Sarah is not only marked by some fine exchanges of mutual wit, but by a refreshing degree of physical restraint.

The intense clashes with which the humorous elements are interspersed, however—some involving dislocated limbs and severed fingers—place "RED" beyond the pale for all but mature viewers with a high tolerance for tumult.

The film contains frequent, largely bloodless violence, brief gruesome imagery, a couple of uses of profanity, at least one use of the F-word and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog When you go to Jesus, you’re not going to a God who only knows heaven; instead, you’re placing your hurting heart into pierced hands that understand both the pain of suffering and the glory of redemption.

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