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ON FAITH & MEDIA View Comments

My Soul to Take 3-D

By
John P. McCarthy
Source: Catholic News Service

Wes Craven, the horror auteur best known for unleashing Freddy Krueger in 1984's "A Nightmare on Elm Street," is back at it with another, much less memorable bogeyman. There's little chance the slasher behind the mayhem in "My Soul to Take 3-D" (Universal) will enter the horror movie pantheon, let alone secure a place in pop culture lore.

Taking an 18th-century children's prayer as his jumping-off point, writer-director Craven offers a cheaply effective diversion. Unlike others working in the genre today, he doesn't rely on stomach-churning gore or sadistic torture to frighten audiences; he knows how to make viewers jump the old-fashioned way. That's probably the best that can be said about this picture, however, since there's enough bloody violence and other unsavory material to render it inappropriate.

In the hamlet of Riverton, Mass., someone begins stalking seven teenagers who were born the night a serial killer known as the Riverton Ripper supposedly died. Everyone in town is obsessed with this homegrown criminal, a husband and father named Abel Plenkov (Raul Esparza), who suffered from multiple personality disorder and even murdered his pregnant wife.

The day after a ritual bonfire commemorating Plenkov's spree, the targeted youths spend tense hours at school on their 16th birthdays. Is the Ripper still alive or did he find a way to endure inside someone else—by possessing their soul, perhaps? The most likely vessel is a tremulous kid nicknamed Bug (Max Thieriot) whose best friend, Alex (John Magaro), also came into the world on that fateful night. The two are bullied by the cool clique, which happens to include two peers—the "jock" and the "pretty girl"—who share their birthday.

No matter how much Craven tries to ornament the action with talk of soul-eating and bad seeds versus good seeds, it boils down to people confined to a house trying to avoid being butchered. He goes out of his way to mock religious faith, in particular any ability it may have to shield believers from harm. Penelope (Zena Grey), one of the seven marked teens, is a fanatical Christian who believes in the power of prayer. Needless to say, her 16th birthday is her last.

"My Soul to Take" isn't boring, but it's far from original or, pardon the bad pun, cutting-edge. There is absolutely no justification for exhibiting it in 3-D and asking moviegoers to spend extra for virtually nonexistent visual effects.

Craven knows how to craft suspense and spook audiences using low-tech means. That doesn't mean he should or that anyone need take notice of the instantly disposable result.

The film contains numerous acts of bloody violence, including a suicide and multiple stabbings and slashings; pervasive rough language and profanity; disrespectful attitudes toward religion and prayer; and a number of sexual references and banter involving teenagers. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.


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Our Lady of Lourdes: On December 8, 1854, Pope Pius IX proclaimed the dogma of the Immaculate Conception in the apostolic constitution <i>Ineffabilis Deus</i>. A little more than three years later, on February 11, 1858, a young lady appeared to Bernadette Soubirous. This began a series of visions. During the apparition on March 25, the lady identified herself with the words: “I am the Immaculate Conception.” 
<p>Bernadette was a sickly child of poor parents. Their practice of the Catholic faith was scarcely more than lukewarm. Bernadette could pray the Our Father, the Hail Mary and the Creed. She also knew the prayer of the Miraculous Medal: “O Mary conceived without sin.” </p><p>During interrogations Bernadette gave an account of what she saw. It was “something white in the shape of a girl.” She used the word <i>aquero</i>, a dialect term meaning “this thing.” It was “a pretty young girl with a rosary over her arm.” Her white robe was encircled by a blue girdle. She wore a white veil. There was a yellow rose on each foot. A rosary was in her hand. Bernadette was also impressed by the fact that the lady did not use the informal form of address (<i>tu</i>), but the polite form (<i>vous</i>). The humble virgin appeared to a humble girl and treated her with dignity. </p><p>Through that humble girl, Mary revitalized and continues to revitalize the faith of millions of people. People began to flock to Lourdes from other parts of France and from all over the world. In 1862 Church authorities confirmed the authenticity of the apparitions and authorized the cult of Our Lady of Lourdes for the diocese. The Feast of Our Lady of Lourdes became worldwide in 1907.</p> American Catholic Blog While the term social justice has received negative connotations in some circles in recent years due to certain media misrepresentations of the tradition, the vocation of all Christian women and men to work toward the common good, protect the dignity of all human life, strive toward ending violence in all forms, and providing for the welfare of all people remains integral to who we are as bearers of the name Christ.

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