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ON FAITH & MEDIA View Comments

My Soul to Take 3-D

By
John P. McCarthy
Source: Catholic News Service

Wes Craven, the horror auteur best known for unleashing Freddy Krueger in 1984's "A Nightmare on Elm Street," is back at it with another, much less memorable bogeyman. There's little chance the slasher behind the mayhem in "My Soul to Take 3-D" (Universal) will enter the horror movie pantheon, let alone secure a place in pop culture lore.

Taking an 18th-century children's prayer as his jumping-off point, writer-director Craven offers a cheaply effective diversion. Unlike others working in the genre today, he doesn't rely on stomach-churning gore or sadistic torture to frighten audiences; he knows how to make viewers jump the old-fashioned way. That's probably the best that can be said about this picture, however, since there's enough bloody violence and other unsavory material to render it inappropriate.

In the hamlet of Riverton, Mass., someone begins stalking seven teenagers who were born the night a serial killer known as the Riverton Ripper supposedly died. Everyone in town is obsessed with this homegrown criminal, a husband and father named Abel Plenkov (Raul Esparza), who suffered from multiple personality disorder and even murdered his pregnant wife.

The day after a ritual bonfire commemorating Plenkov's spree, the targeted youths spend tense hours at school on their 16th birthdays. Is the Ripper still alive or did he find a way to endure inside someone else—by possessing their soul, perhaps? The most likely vessel is a tremulous kid nicknamed Bug (Max Thieriot) whose best friend, Alex (John Magaro), also came into the world on that fateful night. The two are bullied by the cool clique, which happens to include two peers—the "jock" and the "pretty girl"—who share their birthday.

No matter how much Craven tries to ornament the action with talk of soul-eating and bad seeds versus good seeds, it boils down to people confined to a house trying to avoid being butchered. He goes out of his way to mock religious faith, in particular any ability it may have to shield believers from harm. Penelope (Zena Grey), one of the seven marked teens, is a fanatical Christian who believes in the power of prayer. Needless to say, her 16th birthday is her last.

"My Soul to Take" isn't boring, but it's far from original or, pardon the bad pun, cutting-edge. There is absolutely no justification for exhibiting it in 3-D and asking moviegoers to spend extra for virtually nonexistent visual effects.

Craven knows how to craft suspense and spook audiences using low-tech means. That doesn't mean he should or that anyone need take notice of the instantly disposable result.

The film contains numerous acts of bloody violence, including a suicide and multiple stabbings and slashings; pervasive rough language and profanity; disrespectful attitudes toward religion and prayer; and a number of sexual references and banter involving teenagers. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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