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ON FAITH & MEDIA View Comments

My Soul to Take 3-D

By
John P. McCarthy
Source: Catholic News Service

Wes Craven, the horror auteur best known for unleashing Freddy Krueger in 1984's "A Nightmare on Elm Street," is back at it with another, much less memorable bogeyman. There's little chance the slasher behind the mayhem in "My Soul to Take 3-D" (Universal) will enter the horror movie pantheon, let alone secure a place in pop culture lore.

Taking an 18th-century children's prayer as his jumping-off point, writer-director Craven offers a cheaply effective diversion. Unlike others working in the genre today, he doesn't rely on stomach-churning gore or sadistic torture to frighten audiences; he knows how to make viewers jump the old-fashioned way. That's probably the best that can be said about this picture, however, since there's enough bloody violence and other unsavory material to render it inappropriate.

In the hamlet of Riverton, Mass., someone begins stalking seven teenagers who were born the night a serial killer known as the Riverton Ripper supposedly died. Everyone in town is obsessed with this homegrown criminal, a husband and father named Abel Plenkov (Raul Esparza), who suffered from multiple personality disorder and even murdered his pregnant wife.

The day after a ritual bonfire commemorating Plenkov's spree, the targeted youths spend tense hours at school on their 16th birthdays. Is the Ripper still alive or did he find a way to endure inside someone else—by possessing their soul, perhaps? The most likely vessel is a tremulous kid nicknamed Bug (Max Thieriot) whose best friend, Alex (John Magaro), also came into the world on that fateful night. The two are bullied by the cool clique, which happens to include two peers—the "jock" and the "pretty girl"—who share their birthday.

No matter how much Craven tries to ornament the action with talk of soul-eating and bad seeds versus good seeds, it boils down to people confined to a house trying to avoid being butchered. He goes out of his way to mock religious faith, in particular any ability it may have to shield believers from harm. Penelope (Zena Grey), one of the seven marked teens, is a fanatical Christian who believes in the power of prayer. Needless to say, her 16th birthday is her last.

"My Soul to Take" isn't boring, but it's far from original or, pardon the bad pun, cutting-edge. There is absolutely no justification for exhibiting it in 3-D and asking moviegoers to spend extra for virtually nonexistent visual effects.

Craven knows how to craft suspense and spook audiences using low-tech means. That doesn't mean he should or that anyone need take notice of the instantly disposable result.

The film contains numerous acts of bloody violence, including a suicide and multiple stabbings and slashings; pervasive rough language and profanity; disrespectful attitudes toward religion and prayer; and a number of sexual references and banter involving teenagers. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.




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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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