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ON FAITH & MEDIA View Comments

Life As We Know It

By
John Mulderig
Source: Catholic News Service

"Life As We Know It" (Warner Bros.) boasts a somewhat sharper-witted script—penned by feature-length first-timers Ian Deitchman and Kristin Rusk Robinson—than the average romantic comedy.

But director Greg Berlanti's thoroughly predictable yarn of opposites attracting and animosity gradually yielding to a very different emotion also showcases a variety of lifestyle choices—and of more impromptu decisions—at variance with traditional morality.

Meeting ugly and butting heads from the start—as we witness in opening scenes set in 2007—are womanizing television director Eric Messer (Josh Duhamel) and successful cafe owner Holly Berenson (Katherine Heigl).

Eric and Holly have been set up by the Novacks (Christina Hendricks and Hayes MacArthur), the soon-to-be happily married couple with whom each is best friends. As their disastrous blind date—during which Eric using his cell phone to arrange a sleepover tryst with another gal as soon as he can get away from Holly—makes painfully clear, however, the Novacks are all these two are ever likely to have in common.

Vignettes of Eric and Holly demonstrating their mutual dislike at social events surrounding the Novacks' wedding and the birth of their daughter, Sophie (played by triplets Alexis, Brynn and Brooke Clagett), carry us forward to the present and to the news that a terrible accident has left Sophie an orphan. Her joint guardians under the terms of the Novacks' wills, it need hardly be said, are her quarrelsome godparents, Eric and Holly.

Their caustic relationship initially keeps the unusual household that results—as the ill-matched duo move into the Novacks' old home and struggle to cope with sudden-onset parenthood—from becoming an objectionable arrangement. But further complications involving the shift in their feelings, as well as Holly's competing interest in Sophie's pediatrician, Sam (Josh Lucas), lead to the crossing of several moral boundaries.

Add to this scenes illustrating Eric's heedless lifestyle and the presence, among the pair's eccentric new-found neighbors, of a homosexual couple, and "Life As We Know It" ends up falling far short of life as it should be.

The film contains brief nongraphic premarital sexual activity, implied casual encounters and cohabitation, an incidental gay relationship, drug use, much sexual and some scatological humor, at least one use of profanity, a couple of rough terms and frequent crude or crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
John Mulderig is on the staff of Catholic News Service.




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Michael Giedroyc: A life of physical pain and mental torment didn’t prevent Michael Giedroyc from achieving holiness. 
<p>Born near Vilnius, Lithuania, Michael suffered from physical and permanent handicaps from birth. He was a dwarf who had the use of only one foot. Because of his delicate physical condition, his formal education was frequently interrupted. But over time, Michael showed special skills at metalwork. Working with bronze and silver, he created sacred vessels, including chalices.</p><p>He traveled to Kraków, Poland, where he joined the Augustinians. He received permission to live the life of a hermit in a cell adjoining the monastery. There Michael spent his days in prayer, fasted and abstained from all meat and lived to an old age. Though he knew the meaning of suffering throughout his years, his rich spiritual life brought him consolation. Michael’s long life ended in 1485 in Kraków.</p><p>Five hundred years later, Pope John Paul II visited the city and spoke to the faculty of the Pontifical Academy of Theology. The 15th century in Kraków, the pope said, was “the century of saints.” Among those he cited was Blessed Michael Giedroyc.</p> American Catholic Blog The French novelist Leon Bloy once said that there is only one tragedy in life: not to be a saint. It may be that God permits some suffering as the only way to wake someone from a dream of self-sufficiency and illusory happiness.

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