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ON FAITH & MEDIA View Comments

Case 39

By
Kurt Jensen
Source: Catholic News Service

 "Case 39" (Paramount Vantage), while not family fare, is the sort of turgid, clumsy self-parody of a horror film some adults might want to watch on DVD on a cold, rainy night, if they can make up a game to go along with all the ringing phones that are meant to portend disaster.

Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks, with the misplaced Renee Zellweger as the quivering protagonist trapped behind locked doors.

Zellweger is social worker Emily Jenkins, who rescues doe-eyed 10-year-old Lilith Sullivan (Jodelle Ferland), whom she believes to be an abuse victim, from her parents, Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley). Mom and Dad, who have an appropriately spooky old house in Oregon, are arrested and later sent to a psychiatric hospital after they attempt to kill Lilith by shoving her into a gas oven—which, for extra effect, they light.

Emily takes temporary custody of Lilith, and things go smoothly at first, but it turns out Lilith's parents were on to something. The child is mendacious, perspicacious and a stone-cold demon-possessed killer. She can wreak havoc at long distances, always, for some reason, signaling her mayhem with phone calls. And yet she has trouble with deadbolts.

How she got the demon is never explained. How to stop her takes up the entire second hour of the film. Exorcism is never discussed, even though Lilith (wouldn't that name alone be sort of a giant clue?) has a large crucifix on her bedroom wall at home and Emily once encounters the only police officer who believes her, Detective Barron (Ian McShane), as he leaves what clearly appears to be a Catholic worship service.

Bradley Cooper as Doug, a psychiatrist, has just enough screen time to ask some penetrating questions, set off Lilith, and meet his doom with hornets.

The film contains fleeting crude language, a scene of nonsexual child abuse and brief but intense bloody violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Rita of Cascia: Like Elizabeth Ann Seton, Rita of Cascia was a wife, mother, widow and member of a religious community. Her holiness was reflected in each phase of her life. 
<p>Born at Roccaporena in central Italy, Rita wanted to become a nun but was pressured at a young age into marrying a harsh and cruel man. During her 18-year marriage, she bore and raised two sons. After her husband was killed in a brawl and her sons had died, Rita tried to join the Augustinian nuns in Cascia. Unsuccessful at first because she was a widow, Rita eventually succeeded. </p><p>Over the years, her austerity, prayerfulness and charity became legendary. When she developed wounds on her forehead, people quickly associated them with the wounds from Christ's crown of thorns. She meditated frequently on Christ's passion. Her care for the sick nuns was especially loving. She also counseled lay people who came to her monastery. </p><p>Beatified in 1626, Rita was not canonized until 1900. She has acquired the reputation, together with St. Jude, as a saint of impossible cases. Many people visit her tomb each year.</p> American Catholic Blog Your sins are great? Just tell the Lord: Forgive me, help me to get up again, change my heart! –Pope Francis

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