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ON FAITH & MEDIA View Comments

Case 39

By
Kurt Jensen
Source: Catholic News Service

 "Case 39" (Paramount Vantage), while not family fare, is the sort of turgid, clumsy self-parody of a horror film some adults might want to watch on DVD on a cold, rainy night, if they can make up a game to go along with all the ringing phones that are meant to portend disaster.

Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks, with the misplaced Renee Zellweger as the quivering protagonist trapped behind locked doors.

Zellweger is social worker Emily Jenkins, who rescues doe-eyed 10-year-old Lilith Sullivan (Jodelle Ferland), whom she believes to be an abuse victim, from her parents, Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley). Mom and Dad, who have an appropriately spooky old house in Oregon, are arrested and later sent to a psychiatric hospital after they attempt to kill Lilith by shoving her into a gas oven—which, for extra effect, they light.

Emily takes temporary custody of Lilith, and things go smoothly at first, but it turns out Lilith's parents were on to something. The child is mendacious, perspicacious and a stone-cold demon-possessed killer. She can wreak havoc at long distances, always, for some reason, signaling her mayhem with phone calls. And yet she has trouble with deadbolts.

How she got the demon is never explained. How to stop her takes up the entire second hour of the film. Exorcism is never discussed, even though Lilith (wouldn't that name alone be sort of a giant clue?) has a large crucifix on her bedroom wall at home and Emily once encounters the only police officer who believes her, Detective Barron (Ian McShane), as he leaves what clearly appears to be a Catholic worship service.

Bradley Cooper as Doug, a psychiatrist, has just enough screen time to ask some penetrating questions, set off Lilith, and meet his doom with hornets.

The film contains fleeting crude language, a scene of nonsexual child abuse and brief but intense bloody violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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