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ON FAITH & MEDIA View Comments

Case 39

By
Kurt Jensen
Source: Catholic News Service

 "Case 39" (Paramount Vantage), while not family fare, is the sort of turgid, clumsy self-parody of a horror film some adults might want to watch on DVD on a cold, rainy night, if they can make up a game to go along with all the ringing phones that are meant to portend disaster.

Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks, with the misplaced Renee Zellweger as the quivering protagonist trapped behind locked doors.

Zellweger is social worker Emily Jenkins, who rescues doe-eyed 10-year-old Lilith Sullivan (Jodelle Ferland), whom she believes to be an abuse victim, from her parents, Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley). Mom and Dad, who have an appropriately spooky old house in Oregon, are arrested and later sent to a psychiatric hospital after they attempt to kill Lilith by shoving her into a gas oven—which, for extra effect, they light.

Emily takes temporary custody of Lilith, and things go smoothly at first, but it turns out Lilith's parents were on to something. The child is mendacious, perspicacious and a stone-cold demon-possessed killer. She can wreak havoc at long distances, always, for some reason, signaling her mayhem with phone calls. And yet she has trouble with deadbolts.

How she got the demon is never explained. How to stop her takes up the entire second hour of the film. Exorcism is never discussed, even though Lilith (wouldn't that name alone be sort of a giant clue?) has a large crucifix on her bedroom wall at home and Emily once encounters the only police officer who believes her, Detective Barron (Ian McShane), as he leaves what clearly appears to be a Catholic worship service.

Bradley Cooper as Doug, a psychiatrist, has just enough screen time to ask some penetrating questions, set off Lilith, and meet his doom with hornets.

The film contains fleeting crude language, a scene of nonsexual child abuse and brief but intense bloody violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Ansgar: The “apostle of the north” (Scandinavia) had enough frustrations to become a saint—and he did. He became a Benedictine at Corbie, France, where he had been educated. Three years later, when the king of Denmark became a convert, Ansgar went to that country for three years of missionary work, without noticeable success. Sweden asked for Christian missionaries, and he went there, suffering capture by pirates and other hardships on the way. Fewer than two years later, he was recalled, to become abbot of New Corbie (Corvey) and bishop of Hamburg. The pope made him legate for the Scandinavian missions. Funds for the northern apostolate stopped with Emperor Louis’s death. After 13 years’ work in Hamburg, Ansgar saw it burned to the ground by invading Northmen; Sweden and Denmark returned to paganism. 
<p>He directed new apostolic activities in the North, traveling to Denmark and being instrumental in the conversion of another king. By the strange device of casting lots, the king of Sweden allowed the Christian missionaries to return. </p><p>Ansgar’s biographers remark that he was an extraordinary preacher, a humble and ascetical priest. He was devoted to the poor and the sick, imitating the Lord in washing their feet and waiting on them at table. He died peacefully at Bremen, Germany, without achieving his wish to be a martyr. </p><p>Sweden became pagan again after his death, and remained so until the coming of missionaries two centuries later.</p> American Catholic Blog Every vocation is a vocation to sacrifice and to joy. It is a call to the knowledge of God, to the recognition of God as our Father, to joy in the understanding of His mercy.

 
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