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ON FAITH & MEDIA View Comments

Case 39

By
Kurt Jensen
Source: Catholic News Service

 "Case 39" (Paramount Vantage), while not family fare, is the sort of turgid, clumsy self-parody of a horror film some adults might want to watch on DVD on a cold, rainy night, if they can make up a game to go along with all the ringing phones that are meant to portend disaster.

Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks, with the misplaced Renee Zellweger as the quivering protagonist trapped behind locked doors.

Zellweger is social worker Emily Jenkins, who rescues doe-eyed 10-year-old Lilith Sullivan (Jodelle Ferland), whom she believes to be an abuse victim, from her parents, Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley). Mom and Dad, who have an appropriately spooky old house in Oregon, are arrested and later sent to a psychiatric hospital after they attempt to kill Lilith by shoving her into a gas oven—which, for extra effect, they light.

Emily takes temporary custody of Lilith, and things go smoothly at first, but it turns out Lilith's parents were on to something. The child is mendacious, perspicacious and a stone-cold demon-possessed killer. She can wreak havoc at long distances, always, for some reason, signaling her mayhem with phone calls. And yet she has trouble with deadbolts.

How she got the demon is never explained. How to stop her takes up the entire second hour of the film. Exorcism is never discussed, even though Lilith (wouldn't that name alone be sort of a giant clue?) has a large crucifix on her bedroom wall at home and Emily once encounters the only police officer who believes her, Detective Barron (Ian McShane), as he leaves what clearly appears to be a Catholic worship service.

Bradley Cooper as Doug, a psychiatrist, has just enough screen time to ask some penetrating questions, set off Lilith, and meet his doom with hornets.

The film contains fleeting crude language, a scene of nonsexual child abuse and brief but intense bloody violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Hilary of Arles: It’s been said that youth is wasted on the young. In some ways, that was true for today’s saint. 
<p>Born in France in the early fifth century, Hilary came from an aristocratic family. In the course of his education he encountered his relative, Honoratus, who encouraged the young man to join him in the monastic life. Hilary did so. He continued to follow in the footsteps of Honoratus as bishop. Hilary was only 29 when he was chosen bishop of Arles. </p><p>The new, youthful bishop undertook the role with confidence. He did manual labor to earn money for the poor. He sold sacred vessels to ransom captives. He became a magnificent orator. He traveled everywhere on foot, always wearing simple clothing. </p><p>That was the bright side. Hilary encountered difficulty in his relationships with other bishops over whom he had some jurisdiction. He unilaterally deposed one bishop. He selected another bishop to replace one who was very ill–but, to complicate matters, did not die! Pope St. Leo the Great kept Hilary a bishop but stripped him of some of his powers. </p><p>Hilary died at 49. He was a man of talent and piety who, in due time, had learned how to be a bishop.</p> American Catholic Blog True freedom lies in the ability to align one’s actions freely with the truth, so as to achieve authentic human happiness both now and in the life to come. Jesus promised, “If you continue in my word, you are truly my disciples, and you will know the truth, and the truth will make you free” (John 8:31–32).

Your Imperfect Holy Family

 
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