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ON FAITH & MEDIA View Comments

Case 39

By
Kurt Jensen
Source: Catholic News Service

 "Case 39" (Paramount Vantage), while not family fare, is the sort of turgid, clumsy self-parody of a horror film some adults might want to watch on DVD on a cold, rainy night, if they can make up a game to go along with all the ringing phones that are meant to portend disaster.

Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks, with the misplaced Renee Zellweger as the quivering protagonist trapped behind locked doors.

Zellweger is social worker Emily Jenkins, who rescues doe-eyed 10-year-old Lilith Sullivan (Jodelle Ferland), whom she believes to be an abuse victim, from her parents, Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley). Mom and Dad, who have an appropriately spooky old house in Oregon, are arrested and later sent to a psychiatric hospital after they attempt to kill Lilith by shoving her into a gas oven—which, for extra effect, they light.

Emily takes temporary custody of Lilith, and things go smoothly at first, but it turns out Lilith's parents were on to something. The child is mendacious, perspicacious and a stone-cold demon-possessed killer. She can wreak havoc at long distances, always, for some reason, signaling her mayhem with phone calls. And yet she has trouble with deadbolts.

How she got the demon is never explained. How to stop her takes up the entire second hour of the film. Exorcism is never discussed, even though Lilith (wouldn't that name alone be sort of a giant clue?) has a large crucifix on her bedroom wall at home and Emily once encounters the only police officer who believes her, Detective Barron (Ian McShane), as he leaves what clearly appears to be a Catholic worship service.

Bradley Cooper as Doug, a psychiatrist, has just enough screen time to ask some penetrating questions, set off Lilith, and meet his doom with hornets.

The film contains fleeting crude language, a scene of nonsexual child abuse and brief but intense bloody violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Colette: Colette did not seek the limelight, but in doing God’s will she certainly attracted a lot of attention. 
<p>Colette was born in Corbie, France. At 21 she began to follow the Third Order Rule and became an anchoress, a woman walled into a room whose only opening was a window into a church. </p><p>After four years of prayer and penance in this cell, she left it. With the approval and encouragement of the pope, she joined the Poor Clares and reintroduced the primitive Rule of St. Clare in the 17 monasteries she established. Her sisters were known for their poverty—they rejected any fixed income—and for their perpetual fast. Colette’s reform movement spread to other countries and is still thriving today. Colette was canonized in 1807.</p> American Catholic Blog Being human means that I’m made in God’s image and likeness. Therefore I’m gifted; I have dignity and a great destiny. But being human also means that I’m a creature, not the Creator. I have limits that I need to recognize and respect.

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