AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Seasonal
Saints
Special Reports
Movies
Social Media
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds

advertisement
ON FAITH & MEDIA View Comments

Let Me In

By
John Mulderig
Source: Catholic News Service

Given its serious treatment of themes such as isolation and the psychological roots of violence, writer-director Matt Reeves' macabre yet strangely moving twist on vampire lore, "Let Me In" (Overture), is not a work to be easily dismissed.

But this screen version of Swedish novelist John Ajvide Lindqvist's best-seller "Let The Right One In" — preceded by a 2008 Swedish film adaptation of the same title—becomes, at times, far too gruesome to justify endorsement for viewers of any age.

That's a shame because the intent here is clearly far from exploitative. Instead this production—the first in three decades from the long-dormant British studio Hammer Films—sets out to tell a tale of heartfelt, though unlikely, puppy love between two preteens desperately in need of human connection.

The first of these we encounter is 12-year-old Owen (Kodi Smit-McPhee). Bullied and lonely, Owen is also coping with the emotional damage wrought by his parents' acrimonious separation and impending divorce and with his sense of alienation from his gritty, unwelcoming surroundings in 1983 Los Alamos, N.M.

So when he meets new neighbor and apparently kindred soul Abby (Chloe Grace Moretz), Owen rapidly develops a friendly crush. But his hopes for breaking the spell of his solitude are more than a little impaired by his gradual discovery that Abby is not exactly your average girl-next-door and that the mysterious guardian Owen takes to be her father (Richard Jenkins) is connected to a spate of recent murders.

As it reveals the dark identity lurking behind its young heroine's appealing facade, the script explores the parallels between her metaphysical plight and Owen's down-to-earth and all-too-common difficulties.

But in juxtaposing the two sides of Abby's strange persona, and in uncovering the nature of her relationship with Jenkins' unnamed character, the oblique approach to disturbing events that bolsters the opening scenes gives way to a level of splatter typical of far less imaginative offerings in the genre.

The script's philosophical approach to the use of violence is initially more in keeping with Christian morality. Thus, although Abby advises Owen to strike back against his pummeling schoolboy persecutors, the consequences when he does—lashing out disproportionately and dangerously—only demonstrate the futility of meeting evil with evil.

Later scenes that see the pair teaming up to protect each other by physical means, however, undercut this point, appealing simultaneously to viewers' sympathy and their baser instincts.

While the bond between Owen and Abby is mostly expressed in an age appropriate manner—we see Owen receive what is obviously his first kiss—there is an unnecessarily edgy scene in which Abby disrobes while Owen keeps his eyes closed and the duo then share a bed, though this proximity leads to nothing.

Owen also indulges his sexual curiosity in an unpleasant way, first spying on the couple who live opposite by the use of a telescope, and later peeking at Abby from behind as she gets dressed after a shower.

More fundamentally, Owen eventually makes a far reaching moral choice that, while rooted in his genuine affection for the uniquely vulnerable Abby, would nonetheless be wholly unacceptable within the context of real life.

The film contains much gory violence, a scene of voyeurism with brief graphic sexual activity and fleeting upper female nudity, about a half-dozen uses of profanity as well as some rough and a few crude and crass terms. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus






Anselm: Indifferent toward religion as a young man, Anselm became one of the Church's greatest theologians and leaders. He received the title "Father of Scholasticism" for his attempt to analyze and illumine the truths of faith through the aid of reason. 
<p>At 15, Anselm wanted to enter a monastery, but was refused acceptance because of his father's opposition. Twelve years later, after careless disinterest in religion and years of worldly living, he finally fulfilled his desire to be a monk. He entered the monastery of Bec in Normandy, three years later was elected prior and 15 years later was unanimously chosen abbot. </p><p>Considered an original and independent thinker, Anselm was admired for his patience, gentleness and teaching skill. Under his leadership, the abbey of Bec became a monastic school, influential in philosophical and theological studies. </p><p>During these years, at the community's request, Anselm began publishing his theological works, comparable to those of St. Augustine (August 28). His best-known work is the book <i>Cur Deus Homo</i> ("Why God Became Man"). </p><p>At 60, against his will, Anselm was appointed archbishop of Canterbury in 1093. His appointment was opposed at first by England's King William Rufus and later accepted. Rufus persistently refused to cooperate with efforts to reform the Church. </p><p>Anselm finally went into voluntary exile until Rufus died in 1100. He was then recalled to England by Rufus's brother and successor, Henry I. Disagreeing fearlessly with Henry over the king's insistence on investing England's bishops, Anselm spent another three years in exile in Rome. </p><p>His care and concern extended to the very poorest people; he opposed the slave trade. Anselm obtained from the national council at Westminster the passage of a resolution prohibiting the sale of human beings.</p> American Catholic Blog When we have joy in the hour of humiliation, then we are truly humble after the heart of Jesus.

 
PICKS OF THE WEEK
Epic Food Fight
With humor and practical wit, Fr. Leo invites you to read, savor, and digest the truth of our faith in new and appetizing ways!
A Spiritual Banquet!

Whether you are new to cooking, highly experienced, or just enjoy good food, Table of Plenty invites you into experiencing meals as a sacred time.

Pope Francis!

Why did the pope choose the name Francis? Find out in this new book by Gina Loehr.

The Seven Last Words

By focusing on God's love for humanity expressed in the gift of Jesus, The Last Words of Jesus serves as a rich source of meditation throughout the year.

Visiting Mary
In this book Cragon captures the experience of visiting these shrines, giving us a personal glimpse into each place.

 
CATHOLIC GREETINGS
Easter Monday
It’s not too late to send an Easter e-card to friends near and far. Let the celebration continue for 50 days!
Easter
Catholic Greetings and AmericanCatholic.org wish you a most holy and joyous Easter season!
Holy Saturday
Catholic Greetings and AmericanCatholic.org wish you a most holy and joyous Easter season!
Good Friday
Observe the Paschal Triduum this weekend with your parish family.
Holy Thursday
The Church remembers today both the institution of the Eucharist and our mandate to service.



Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic