AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Let Me In

By
John Mulderig
Source: Catholic News Service

Given its serious treatment of themes such as isolation and the psychological roots of violence, writer-director Matt Reeves' macabre yet strangely moving twist on vampire lore, "Let Me In" (Overture), is not a work to be easily dismissed.

But this screen version of Swedish novelist John Ajvide Lindqvist's best-seller "Let The Right One In" — preceded by a 2008 Swedish film adaptation of the same title—becomes, at times, far too gruesome to justify endorsement for viewers of any age.

That's a shame because the intent here is clearly far from exploitative. Instead this production—the first in three decades from the long-dormant British studio Hammer Films—sets out to tell a tale of heartfelt, though unlikely, puppy love between two preteens desperately in need of human connection.

The first of these we encounter is 12-year-old Owen (Kodi Smit-McPhee). Bullied and lonely, Owen is also coping with the emotional damage wrought by his parents' acrimonious separation and impending divorce and with his sense of alienation from his gritty, unwelcoming surroundings in 1983 Los Alamos, N.M.

So when he meets new neighbor and apparently kindred soul Abby (Chloe Grace Moretz), Owen rapidly develops a friendly crush. But his hopes for breaking the spell of his solitude are more than a little impaired by his gradual discovery that Abby is not exactly your average girl-next-door and that the mysterious guardian Owen takes to be her father (Richard Jenkins) is connected to a spate of recent murders.

As it reveals the dark identity lurking behind its young heroine's appealing facade, the script explores the parallels between her metaphysical plight and Owen's down-to-earth and all-too-common difficulties.

But in juxtaposing the two sides of Abby's strange persona, and in uncovering the nature of her relationship with Jenkins' unnamed character, the oblique approach to disturbing events that bolsters the opening scenes gives way to a level of splatter typical of far less imaginative offerings in the genre.

The script's philosophical approach to the use of violence is initially more in keeping with Christian morality. Thus, although Abby advises Owen to strike back against his pummeling schoolboy persecutors, the consequences when he does—lashing out disproportionately and dangerously—only demonstrate the futility of meeting evil with evil.

Later scenes that see the pair teaming up to protect each other by physical means, however, undercut this point, appealing simultaneously to viewers' sympathy and their baser instincts.

While the bond between Owen and Abby is mostly expressed in an age appropriate manner—we see Owen receive what is obviously his first kiss—there is an unnecessarily edgy scene in which Abby disrobes while Owen keeps his eyes closed and the duo then share a bed, though this proximity leads to nothing.

Owen also indulges his sexual curiosity in an unpleasant way, first spying on the couple who live opposite by the use of a telescope, and later peeking at Abby from behind as she gets dressed after a shower.

More fundamentally, Owen eventually makes a far reaching moral choice that, while rooted in his genuine affection for the uniquely vulnerable Abby, would nonetheless be wholly unacceptable within the context of real life.

The film contains much gory violence, a scene of voyeurism with brief graphic sexual activity and fleeting upper female nudity, about a half-dozen uses of profanity as well as some rough and a few crude and crass terms. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Augustine of Canterbury: In the year 596, some 40 monks set out from Rome to evangelize the Anglo-Saxons in England. Leading the group was Augustine, the prior of their monastery in Rome. Hardly had he and his men reached Gaul (France) when they heard stories of the ferocity of the Anglo-Saxons and of the treacherous waters of the English Channel. Augustine returned to Rome and to the pope who had sent them—St. Gregory the Great (September 3 )—only to be assured by him that their fears were groundless. 
<p>Augustine again set out. This time the group crossed the English Channel and landed in the territory of Kent, ruled by King Ethelbert, a pagan married to a Christian, Bertha. Ethelbert received them kindly, set up a residence for them in Canterbury and within the year, on Pentecost Sunday, 597, was himself baptized. After being consecrated a bishop in France, Augustine returned to Canterbury, where he founded his see. He constructed a church and monastery near where the present cathedral, begun in 1070, now stands. As the faith spread, additional sees were established at London and Rochester. </p><p>Work was sometimes slow and Augustine did not always meet with success. Attempts to reconcile the Anglo-Saxon Christians with the original Briton Christians (who had been driven into western England by Anglo-Saxon invaders) ended in dismal failure. Augustine failed to convince the Britons to give up certain Celtic customs at variance with Rome and to forget their bitterness, helping him evangelize their Anglo-Saxon conquerors </p><p>Laboring patiently, Augustine wisely heeded the missionary principles—quite enlightened for the times—suggested by Pope Gregory the Great: purify rather than destroy pagan temples and customs; let pagan rites and festivals be transformed into Christian feasts; retain local customs as far as possible. The limited success Augustine achieved in England before his death in 605, a short eight years after he arrived in England, would eventually bear fruit long after in the conversion of England. Augustine of Canterbury can truly be called the “Apostle of England.”</p> American Catholic Blog A hero isn’t someone born with unconquerable strength and selflessness. Heroes are not formed in a cataclysmic instant. Heroism is developed over time, one decision after another, moment by moment, formed by a deliberate, chosen, and habitual response to life.

The Chime Travelers the Sign of the Carved Cross

 
CATHOLIC GREETINGS
Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

Memorial Day (U.S.)
This weekend remember all those who have fought and died for peace.

Sacrament of the Eucharist
When you are with the bread of life, you don't have to go out and look for food. You already have it in abundance.

Caregiver
Send an encouraging message to someone you know who cares for another, either professionally or at home.

Praying for You
Let your pastor know that you prayed for him today, or that you will pray for him tomorrow.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016