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ON FAITH & MEDIA View Comments

Legend of the Guardians: The Owls of Ga'Hoole

By
John Mulderig
Source: Catholic News Service


Soren, voiced by Jim Sturgess, from the animated film "Legend of the Guardians: The Owls of Ga'Hoole."
The visually engaging 3D animated adventure "Legend of the Guardians: The Owls of Ga'Hoole" (Warner Bros.) offers family audiences a sound, if not overly original, narrative of downtrodden right versus overweening might. But intense scenes of animal combat preclude endorsement for the very youngest of this otherwise unobjectionable tale.

Director Zack Snyder's somewhat bulky adaptation of the first three novels in Kathryn Lasky's popular "Guardians of Ga'Hoole" series of children's books centers on plucky owlet Soren (voice of Jim Sturgess).

Raised on bedtime stories about a legendary band of heroic warrior owls known as the Guardians, young dreamer Soren—who aspires to follow in the Guardians' footsteps—finds his courage put to the test when he and his brother, Kludd (voice of Ryan Kwanten), fall from their nest while learning to fly and are kidnapped.

Transported to the dark lair of a force of militaristic owls who call themselves the Pure Ones, Soren is consigned to slavery by their scheming sovereign, Queen Nyra (voice of Helen Mirren). But the cynical Kludd—who resolutely denies the existence of the Guardians—turns collaborator and is assigned to military training as one of Nyra's minions.

Soren befriends and protects diminutive fellow captive Gylfie (voice of Emily Barclay) and, with the help of a sympathetic guard, the pair escapes. They embark on a trying quest to enlist the help of the Guardians—who prove to be real after all—to defeat Nyra's malicious plans for using secret technology to dominate all other owls.

Along with story elements that evoke traditional tales of chivalry—including Soren's eventual squire-like apprenticeship with knightly Ezylryb (voice of Geoffrey Rush), a veteran Guardian—there are also strong echoes of the ideological struggle underlying World War II.

Thus the Pure Ones, who worship power and brute force, spout rhetoric about the superiority of their subspecies that recalls the Nazis' malignant racial theories. Under the leadership of the Churchillian Ezylryb and his cautious fellow commander, Allomere (voice of Sam Neill), by contrast, the Guardians—whose motto is "mend the broken, make strong the weak and vanquish evil"—resort to force only with reluctance and in the cause of justice.

While a series of harsh, though far from graphic, airborne duels between owls armed with razor-sharp metal talons reinforce this peace-loving message, they will likely scare small fry who may also be disturbed by the variety of dangers to which Soren is subjected.

As for adult Catholics, they may be left pondering the fact that Nyra's nightmarish realm is called the "St. Aegolius Academy for Orphaned Owls." Is this meant to be a jibe at totalitarian doublespeak or a swipe at church-run institutions? As penned by John Orloff and Emil Stern, the script gives no definitive hint.

Passing references to an owl deity named Glaux are equally vague. Is this simply the owl name for God or are the nocturnal birds on to something we humans have missed?

"Legend of the Guardians: The Owls of Ga'Hoole" will be shown on both Imax and conventional screens.

The film contains strong, though stylized, violence and situations of peril. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.


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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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