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ON FAITH & MEDIA View Comments

Legend of the Guardians: The Owls of Ga'Hoole

By
John Mulderig
Source: Catholic News Service


Soren, voiced by Jim Sturgess, from the animated film "Legend of the Guardians: The Owls of Ga'Hoole."
The visually engaging 3D animated adventure "Legend of the Guardians: The Owls of Ga'Hoole" (Warner Bros.) offers family audiences a sound, if not overly original, narrative of downtrodden right versus overweening might. But intense scenes of animal combat preclude endorsement for the very youngest of this otherwise unobjectionable tale.

Director Zack Snyder's somewhat bulky adaptation of the first three novels in Kathryn Lasky's popular "Guardians of Ga'Hoole" series of children's books centers on plucky owlet Soren (voice of Jim Sturgess).

Raised on bedtime stories about a legendary band of heroic warrior owls known as the Guardians, young dreamer Soren—who aspires to follow in the Guardians' footsteps—finds his courage put to the test when he and his brother, Kludd (voice of Ryan Kwanten), fall from their nest while learning to fly and are kidnapped.

Transported to the dark lair of a force of militaristic owls who call themselves the Pure Ones, Soren is consigned to slavery by their scheming sovereign, Queen Nyra (voice of Helen Mirren). But the cynical Kludd—who resolutely denies the existence of the Guardians—turns collaborator and is assigned to military training as one of Nyra's minions.

Soren befriends and protects diminutive fellow captive Gylfie (voice of Emily Barclay) and, with the help of a sympathetic guard, the pair escapes. They embark on a trying quest to enlist the help of the Guardians—who prove to be real after all—to defeat Nyra's malicious plans for using secret technology to dominate all other owls.

Along with story elements that evoke traditional tales of chivalry—including Soren's eventual squire-like apprenticeship with knightly Ezylryb (voice of Geoffrey Rush), a veteran Guardian—there are also strong echoes of the ideological struggle underlying World War II.

Thus the Pure Ones, who worship power and brute force, spout rhetoric about the superiority of their subspecies that recalls the Nazis' malignant racial theories. Under the leadership of the Churchillian Ezylryb and his cautious fellow commander, Allomere (voice of Sam Neill), by contrast, the Guardians—whose motto is "mend the broken, make strong the weak and vanquish evil"—resort to force only with reluctance and in the cause of justice.

While a series of harsh, though far from graphic, airborne duels between owls armed with razor-sharp metal talons reinforce this peace-loving message, they will likely scare small fry who may also be disturbed by the variety of dangers to which Soren is subjected.

As for adult Catholics, they may be left pondering the fact that Nyra's nightmarish realm is called the "St. Aegolius Academy for Orphaned Owls." Is this meant to be a jibe at totalitarian doublespeak or a swipe at church-run institutions? As penned by John Orloff and Emil Stern, the script gives no definitive hint.

Passing references to an owl deity named Glaux are equally vague. Is this simply the owl name for God or are the nocturnal birds on to something we humans have missed?

"Legend of the Guardians: The Owls of Ga'Hoole" will be shown on both Imax and conventional screens.

The film contains strong, though stylized, violence and situations of peril. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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