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ON FAITH & MEDIA View Comments

Legend of the Guardians: The Owls of Ga'Hoole

By
John Mulderig
Source: Catholic News Service


Soren, voiced by Jim Sturgess, from the animated film "Legend of the Guardians: The Owls of Ga'Hoole."
The visually engaging 3D animated adventure "Legend of the Guardians: The Owls of Ga'Hoole" (Warner Bros.) offers family audiences a sound, if not overly original, narrative of downtrodden right versus overweening might. But intense scenes of animal combat preclude endorsement for the very youngest of this otherwise unobjectionable tale.

Director Zack Snyder's somewhat bulky adaptation of the first three novels in Kathryn Lasky's popular "Guardians of Ga'Hoole" series of children's books centers on plucky owlet Soren (voice of Jim Sturgess).

Raised on bedtime stories about a legendary band of heroic warrior owls known as the Guardians, young dreamer Soren—who aspires to follow in the Guardians' footsteps—finds his courage put to the test when he and his brother, Kludd (voice of Ryan Kwanten), fall from their nest while learning to fly and are kidnapped.

Transported to the dark lair of a force of militaristic owls who call themselves the Pure Ones, Soren is consigned to slavery by their scheming sovereign, Queen Nyra (voice of Helen Mirren). But the cynical Kludd—who resolutely denies the existence of the Guardians—turns collaborator and is assigned to military training as one of Nyra's minions.

Soren befriends and protects diminutive fellow captive Gylfie (voice of Emily Barclay) and, with the help of a sympathetic guard, the pair escapes. They embark on a trying quest to enlist the help of the Guardians—who prove to be real after all—to defeat Nyra's malicious plans for using secret technology to dominate all other owls.

Along with story elements that evoke traditional tales of chivalry—including Soren's eventual squire-like apprenticeship with knightly Ezylryb (voice of Geoffrey Rush), a veteran Guardian—there are also strong echoes of the ideological struggle underlying World War II.

Thus the Pure Ones, who worship power and brute force, spout rhetoric about the superiority of their subspecies that recalls the Nazis' malignant racial theories. Under the leadership of the Churchillian Ezylryb and his cautious fellow commander, Allomere (voice of Sam Neill), by contrast, the Guardians—whose motto is "mend the broken, make strong the weak and vanquish evil"—resort to force only with reluctance and in the cause of justice.

While a series of harsh, though far from graphic, airborne duels between owls armed with razor-sharp metal talons reinforce this peace-loving message, they will likely scare small fry who may also be disturbed by the variety of dangers to which Soren is subjected.

As for adult Catholics, they may be left pondering the fact that Nyra's nightmarish realm is called the "St. Aegolius Academy for Orphaned Owls." Is this meant to be a jibe at totalitarian doublespeak or a swipe at church-run institutions? As penned by John Orloff and Emil Stern, the script gives no definitive hint.

Passing references to an owl deity named Glaux are equally vague. Is this simply the owl name for God or are the nocturnal birds on to something we humans have missed?

"Legend of the Guardians: The Owls of Ga'Hoole" will be shown on both Imax and conventional screens.

The film contains strong, though stylized, violence and situations of peril. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.


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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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