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ON FAITH & MEDIA View Comments

Easy A

By
John Mulderig
Source: Catholic News Service

Despite its title, director Will Gluck's satire of high school life, "Easy A" (Screen Gems), confronts viewers with a tangled thicket of positive and misguided values that is anything but easy to negotiate.

And, in the end, worthwhile messages about the dangers of judging from appearances and the temptation to pigeonhole or belittle others are choked off, in Bert V. Royal's often clever script, by the implication that all Christians are hypocrites and that any consensual form of bedroom behavior is acceptable as long as it is honestly acknowledged.

Emma Stone stars as Olive, a clean-cut but lost-in-the-crowd teen living in ever sunny yet spiritually sterile Southern California. Though Olive shares a happy home life with her hip, understanding parents (Stanley Tucci and Patricia Clarkson), her dreams of being noticed by her peers, romantically or otherwise, are going nowhere.

Until, that is, she tells her best friend, Rhiannon (Aly Michalka), an entirely fabricated story about losing her virginity to a fictional community college student. Self-righteous born-again Christian Marianne (Amanda Bynes) overhears the lie and begins spreading exaggerated gossip about Olive's sexual exploits, calumny that rapidly snowballs out of control.

In a modern twist on the fate of Hester Prynne in "The Scarlet Letter"—Olive is reading Nathaniel Hawthorne's classic novel of guilt and ostracism for English class—the falsely accused Olive suddenly becomes both a celebrity and an outcast.

Her desire to resolve the whole misunderstanding is forestalled, though, when Brandon (Dan Byrd), another friend who suffers constant persecution by bullies for being gay, appeals to her to stage a fake encounter with him that will establish him as straight. Soon a succession of social outsiders are bargaining with Olive for the right to claim that they have had their way with her, though nothing of the kind ever actually happens.

Understandably confused by her situation, Olive seeks guidance in the confessional of the local Catholic church only to discover, after pouring her heart out, that there is no priest on the other side of the screen.

This is in keeping with the steadily cynical view of faith that pervades the story, typified by the mindless or malicious personalities of Marianne and her evangelical cohorts who—acting very much in the mold of Hawthorne's Puritans—launch a campaign to have Olive expelled.

As Olive begins to emerge from the avalanche of misperceptions that have buried her true identity, various incidents make it clear that, while lying about sex is wrong, for the most part, any freely chosen sexual action—adultery, thankfully, excepted—is admissible.

The film contains a negative portrayal of Christianity, including Catholicism, a benign view of premarital sex and homosexuality, implied drug use, brief partial nudity, a venereal disease theme, some sexual humor, at least 10 uses of profanity and, much crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.




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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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