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ON FAITH & MEDIA View Comments

The Town

By
John Mulderig
Source: Catholic News Service

Set in the insular Irish-American underworld of Charlestown, Mass. -- the bank-robbery plagued burg of the title—and adapted from Chuck Hogan's 2004 novel "Prince of Thieves," this is the story of failed pro hockey player-turned-thief Doug MacRay (Ben Affleck).

Despite a seriously intended and morally weighty script, director and co-writer (with Peter Craig and Aaron Stockard), Affleck's seamy heist drama "The Town" (Warner Bros.) fails to clear that hurdle, burdened as it is by excessive violence, gritty—though fleeting—sexuality and consistently foul-mouthed dialogue.

As demonstrated during the caper portrayed in the opening scenes, Doug is by far the most humane member of a so-far successful gang of careful and pitiless thieves who target the area's armored trucks as well as its bank vaults.

Doug's friend since childhood and cohort in crime, Jem (Jeremy Renner), by contrast, seems to enjoy violence for its own sake. A dangerous loose cannon, Jem beats one counting-house employee bloody with the butt of his gun before taking manager Claire Keesey (Rebecca Hall) as an impromptu hostage during the team's escape. Fearing that Claire, whom they quickly release, may be able to identify them, despite their disguises, the crew assigns Doug the task of stalking her.

Instead, the unwitting Claire strikes up a conversation that eventually leads to romance with her erstwhile captor. But the genuinely smitten Doug's hopes for a return to decency and a future life with his new love are hampered by the relentless pursuit of FBI agent Frawley (Jon Hamm)—whose intense focus on bagging the bad guys makes him less than scrupulous about observing the law—and by the machinations of ruthless local crime boss Fergie (Pete Postlethwaite).

Along the way to the subsequent hold-up that sees his squad don those jarring nun costumes, Doug beds Claire after what they both seem to consider a decent interval. Though their encounter is relatively discreet, an earlier scene of purely animalistic relations between Doug and Jem's drug-addled, slatternly sister Krista (Blake Lively), though not prolonged, is distastefully explicit.

The film contains considerable gunplay and some bloody beatings, brief graphic nonmarital sexual activity, glimpses of upper female and partial nudity, pervasive rough and crude language and irreverent imagery. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.


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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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