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ON FAITH & MEDIA View Comments

The Town

By
John Mulderig
Source: Catholic News Service

Set in the insular Irish-American underworld of Charlestown, Mass. -- the bank-robbery plagued burg of the title—and adapted from Chuck Hogan's 2004 novel "Prince of Thieves," this is the story of failed pro hockey player-turned-thief Doug MacRay (Ben Affleck).

Despite a seriously intended and morally weighty script, director and co-writer (with Peter Craig and Aaron Stockard), Affleck's seamy heist drama "The Town" (Warner Bros.) fails to clear that hurdle, burdened as it is by excessive violence, gritty—though fleeting—sexuality and consistently foul-mouthed dialogue.

As demonstrated during the caper portrayed in the opening scenes, Doug is by far the most humane member of a so-far successful gang of careful and pitiless thieves who target the area's armored trucks as well as its bank vaults.

Doug's friend since childhood and cohort in crime, Jem (Jeremy Renner), by contrast, seems to enjoy violence for its own sake. A dangerous loose cannon, Jem beats one counting-house employee bloody with the butt of his gun before taking manager Claire Keesey (Rebecca Hall) as an impromptu hostage during the team's escape. Fearing that Claire, whom they quickly release, may be able to identify them, despite their disguises, the crew assigns Doug the task of stalking her.

Instead, the unwitting Claire strikes up a conversation that eventually leads to romance with her erstwhile captor. But the genuinely smitten Doug's hopes for a return to decency and a future life with his new love are hampered by the relentless pursuit of FBI agent Frawley (Jon Hamm)—whose intense focus on bagging the bad guys makes him less than scrupulous about observing the law—and by the machinations of ruthless local crime boss Fergie (Pete Postlethwaite).

Along the way to the subsequent hold-up that sees his squad don those jarring nun costumes, Doug beds Claire after what they both seem to consider a decent interval. Though their encounter is relatively discreet, an earlier scene of purely animalistic relations between Doug and Jem's drug-addled, slatternly sister Krista (Blake Lively), though not prolonged, is distastefully explicit.

The film contains considerable gunplay and some bloody beatings, brief graphic nonmarital sexual activity, glimpses of upper female and partial nudity, pervasive rough and crude language and irreverent imagery. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.


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Feast of the Guardian Angels: Perhaps no aspect of Catholic piety is as comforting to parents as the belief that an angel protects their little ones from dangers real and imagined. Yet guardian angels are not only for children. Their role is to represent individuals before God, to watch over them always, to aid their prayer and to present their souls to God at death. 
<p>The concept of an angel assigned to guide and nurture each human being is a development of Catholic doctrine and piety based on Scripture but not directly drawn from it. Jesus' words in Matthew 18:10 best support the belief: "See that you do not despise one of these little ones, for I say to you that their angels in heaven always look upon the face of my heavenly Father." </p><p>Devotion to the angels began to develop with the birth of the monastic tradition. St. Benedict gave it impetus and Bernard of Clairvaux, the great 12th-century reformer, was such an eloquent spokesman for the guardian angels that angelic devotion assumed its current form in his day. </p><p>A feast in honor of the guardian angels was first observed in the 16th century. In 1615, Pope Paul V added it to the Roman calendar.</p> American Catholic Blog Nothing then, must keep us back, nothing separate us from Him, and nothing come between us and Him.

 
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