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ON FAITH & MEDIA View Comments

Resident Evil: Afterlife

By
Kurt Jensen
Source: Catholic News Service


Boris Kodjoe and Milla Jovovich star in "Resident Evil: Afterlife."
Those pesky zombies, oh, my. They get themselves a virus manufactured by an evil corporation, and the next thing you know, the undead start mobbing around saying "Argh!" a lot, waving their arms and craving people as snacks.

That's the substance of "Resident Evil: Afterlife" (Screen Gems), the fourth entry in the gory franchise based on the video game. It has only 3-D to commend it this time around, which makes it moderately more interesting, if not less of a completely dull waste of time.

Writer-director Paul W.S. Anderson puts Milla Jovovich as Alice back into the black tights to fight off the zombies and rescue a small band of humans in post-apocalyptic Los Angeles. She teams up with lissome pal Claire Redfield (Ali Larter of TV's "Heroes") as they help the group of intrepid stereotypes—bossy Hollywood producer Bennett (Kim Coates), aspiring actress Jill (Sienna Guillory reprising the role) and so on.

Much of the film transpires inside the one building the zombies have trouble with—a former maximum-security prison in which the humans take refuge. Hey, what luck! There's a huge stash of automatic weapons! There's also a little red airplane that can travel amazing distances without the need to refuel!

All battles, of course, are in slow-motion. Most of the dialogue would have been improved greatly sped up.

The film contains fleeting rough, crude and profane language, flying knives, cartoonish gun violence and, this being in 3-D, abundant splattering zombie heads. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Alphonsus Rodriguez: Tragedy and challenge beset today’s saint early in life, but Alphonsus Rodriguez found happiness and contentment through simple service and prayer. 
<p>Born in Spain in 1533, Alphonsus inherited the family textile business at 23. Within the space of three years, his wife, daughter and mother died; meanwhile, business was poor. Alphonsus stepped back and reassessed his life. He sold the business and, with his young son, moved into his sisters’ home. There he learned the discipline of prayer and meditation. </p><p>Years later, at the death of his son, Alphonsus, almost 40 by then, sought to join the Jesuits. He was not helped by his poor education. He applied twice before being admitted. For 45 years he served as doorkeeper at the Jesuits’ college in Majorca. When not at his post, he was almost always at prayer, though he often encountered difficulties and temptations. </p><p>His holiness and prayerfulness attracted many to him, including St. Peter Claver, then a Jesuit seminarian. Alphonsus’s life as doorkeeper may have been humdrum, but he caught the attention of poet and fellow-Jesuit Gerard Manley Hopkins, who made him the subject of one of his poems. </p><p>Alphonsus died in 1617. He is the patron saint of Majorca.</p> American Catholic Blog People mess up, and it’s especially hard to watch as our children and other young people go down paths we know are likely to lead to heartbreak. Providing gentle guidance when it’s needed, and love even when that guidance isn’t followed, helps them to start fresh.

 
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