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ON FAITH & MEDIA View Comments

Resident Evil: Afterlife

By
Kurt Jensen
Source: Catholic News Service


Boris Kodjoe and Milla Jovovich star in "Resident Evil: Afterlife."
Those pesky zombies, oh, my. They get themselves a virus manufactured by an evil corporation, and the next thing you know, the undead start mobbing around saying "Argh!" a lot, waving their arms and craving people as snacks.

That's the substance of "Resident Evil: Afterlife" (Screen Gems), the fourth entry in the gory franchise based on the video game. It has only 3-D to commend it this time around, which makes it moderately more interesting, if not less of a completely dull waste of time.

Writer-director Paul W.S. Anderson puts Milla Jovovich as Alice back into the black tights to fight off the zombies and rescue a small band of humans in post-apocalyptic Los Angeles. She teams up with lissome pal Claire Redfield (Ali Larter of TV's "Heroes") as they help the group of intrepid stereotypes—bossy Hollywood producer Bennett (Kim Coates), aspiring actress Jill (Sienna Guillory reprising the role) and so on.

Much of the film transpires inside the one building the zombies have trouble with—a former maximum-security prison in which the humans take refuge. Hey, what luck! There's a huge stash of automatic weapons! There's also a little red airplane that can travel amazing distances without the need to refuel!

All battles, of course, are in slow-motion. Most of the dialogue would have been improved greatly sped up.

The film contains fleeting rough, crude and profane language, flying knives, cartoonish gun violence and, this being in 3-D, abundant splattering zombie heads. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Pius X: Pope Pius X is perhaps best remembered for his encouragement of the frequent reception of Holy Communion, especially by children. 
<p>The second of 10 children in a poor Italian family, Joseph Sarto became Pius X at 68, one of the 20th century’s greatest popes. </p><p>Ever mindful of his humble origin, he stated, “I was born poor, I lived poor, I will die poor.” He was embarrassed by some of the pomp of the papal court. “Look how they have dressed me up,” he said in tears to an old friend. To another, “It is a penance to be forced to accept all these practices. They lead me around surrounded by soldiers like Jesus when he was seized in Gethsemani.” </p><p>Interested in politics, he encouraged Italian Catholics to become more politically involved. One of his first papal acts was to end the supposed right of governments to interfere by veto in papal elections—a practice that reduced the freedom of the 1903 conclave which had elected him. </p><p>In 1905, when France renounced its agreement with the Holy See and threatened confiscation of Church property if governmental control of Church affairs were not granted, Pius X courageously rejected the demand. </p><p>While he did not author a famous social encyclical as his predecessor had done, he denounced the ill treatment of indigenous peoples on the plantations of Peru, sent a relief commission to Messina after an earthquake and sheltered refugees at his own expense. </p><p>On the 11th anniversary of his election as pope, Europe was plunged into World War I. Pius had foreseen it, but it killed him. “This is the last affliction the Lord will visit on me. I would gladly give my life to save my poor children from this ghastly scourge.” He died a few weeks after the war began and  was canonized in 1954.</p> American Catholic Blog If we have been saved and sustained by a love so deep that death itself couldn’t destroy it, then that love will see us through whatever darkness we are experiencing in our lives.

 
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