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ON FAITH & MEDIA View Comments

The Switch

By
John Mulderig
Source: Catholic News Service

Though it showcases some of the tangled emotional complications brought about by severing conception from its divinely intended source and setting, the bond of marital love, "The Switch" (Miramax)—a frequently distasteful comedy of modern manners—fails to reach the moral conclusions its own plot should make obvious.

Instead, co-directors Will Speck and Josh Gordon's adaptation of Jeffrey Eugenides' 1996 short story "Baster" takes as a given of contemporary life its heroine's right to engineer such a rupture.

As played by Jennifer Aniston, that heroine—a seemingly successful but unfulfilled New York career woman in her early 40s named Kassie—decides she can't "wait around" for the arrival of Mr. Right in her life. So she settles on a plan to conceive by artificial insemination. When she announces this scheme to her platonic best friend, Wally (Jason Bateman), whose own professional achievements are offset by numerous neuroses, he timidly expresses reservations.

Wally's discomfiture is increased when he realizes that—far from selecting him as her donor of choice, as he initially imagined—Kassie is out to enlist his help in her search for a genetic paragon. Though a quarrel between the two prevents Wally from participating in the quest, Kassie eventually sends him an invitation to the "insemination party" that her best female pal, Debbie (Juliette Lewis), is throwing for her.

This occasion provides the context for some of the film's most debased moments, foreshadowed by a sight gag of multicolored confetti in an apropos shape. After meeting Roland (Patrick Wilson)—the man of the hour, so to speak—Wally gets resentfully drunk and locks himself in the bathroom where the container holding Roland's "contribution" sits on a warming device normally used for mugs of coffee or tea.

Moments later, Wally spills this substance down the sink. In a panic, he makes a substitution. By the next morning, however, the effects of liquor have completely obliterated this part of the evening from Wally's memory.

Flash forward seven years and Kassie—who moved back to her native Minnesota soon after informing Wally that she had indeed become pregnant—returns to Gotham with son Sebastian (Thomas Robinson) in tow, and reconnects with her old confidant. Struck by the many parallels between his personality and the lad's, Wally gradually reconstructs the truth of Sebastian's paternity.

Lost in all of this moral confusion are touching scenes of paternal love and a fine comic turn by Jeff Goldblum as Leonard, Wally's perpetually flustered business partner. But neither the emotional maturity Wally is shown to acquire through his affectionate response to Sebastian's plight nor the belatedly acceptable wrap-up can compensate for the pass Allan Loeb's script has already given to Kassie's misguided pursuit of parenthood.

The film contains a benign view of artificial insemination, off-screen masturbation, rear and blurred frontal nudity, much sexual humor, at least one use of the S-word and some crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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