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ON FAITH & MEDIA View Comments

The Other Guys

By
John Mulderig
Source: Catholic News Service

Veteran comedian Will Ferrell and comedy newcomer Mark Wahlberg play an ill-matched pair of crime-busters in "The Other Guys" (Columbia), an occasionally amusing but excessively vulgar action satire that handcuffs its talented cast with relentlessly foul-mouthed dialogue and tiresome bedroom jokes.

Ferrell is New York Police Department Detective Allen Gamble, a paperwork-loving forensic accountant whose idea of a fulfilling workday involves tracking down construction permit violations from the safety of the squad room.

Observing him disdainfully from the next desk is his frustrated perforce partner Terry Hoitz (Wahlberg). A former street cop unwillingly office-bound after making a high-profile mistake, Terry longs to get out of the precinct house and bring the bad guys to their knees, and he seldom passes up the chance to put quirky, soft-spoken Allen in his place.

A surprising opportunity to make a major bust arises, however, when Allen's numbers crunching and detail sifting suggest that famed British-born banker David Ershon (Steve Coogan) has been engaged in massive financial shenanigans.

To his credit, director and co-writer (with Chris Henchy) Adam McKay—Ferrell's longtime collaborator—handles the predictable series of car chases, explosions and gunfights that follow with restraint. Though the bullets fly by the hundreds, blood goes unspilled, and only one character meets a somewhat jarring end.

No such reserve is shown, though, when it comes to including edgy sexually themed material in this parody of genre conventions. Thus, when Allen's wife Sheila (Eva Mendes) turns out to be unexpectedly attractive, Terry openly lusts after her to supposedly humorous effect.

Equally misguided is a scene in which, with Allen in hiding, Sheila's elderly mother serves as a go-between for the spouses, carrying back and forth distastefully detailed messages about the outlandish lovemaking activities they yearn to be engaged in with each other.

The film contains considerable, though bloodless, action violence; much sexual humor; a couple of uses of profanity; and pervasive crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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