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ON FAITH & MEDIA View Comments

The Other Guys

By
John Mulderig
Source: Catholic News Service

Veteran comedian Will Ferrell and comedy newcomer Mark Wahlberg play an ill-matched pair of crime-busters in "The Other Guys" (Columbia), an occasionally amusing but excessively vulgar action satire that handcuffs its talented cast with relentlessly foul-mouthed dialogue and tiresome bedroom jokes.

Ferrell is New York Police Department Detective Allen Gamble, a paperwork-loving forensic accountant whose idea of a fulfilling workday involves tracking down construction permit violations from the safety of the squad room.

Observing him disdainfully from the next desk is his frustrated perforce partner Terry Hoitz (Wahlberg). A former street cop unwillingly office-bound after making a high-profile mistake, Terry longs to get out of the precinct house and bring the bad guys to their knees, and he seldom passes up the chance to put quirky, soft-spoken Allen in his place.

A surprising opportunity to make a major bust arises, however, when Allen's numbers crunching and detail sifting suggest that famed British-born banker David Ershon (Steve Coogan) has been engaged in massive financial shenanigans.

To his credit, director and co-writer (with Chris Henchy) Adam McKay—Ferrell's longtime collaborator—handles the predictable series of car chases, explosions and gunfights that follow with restraint. Though the bullets fly by the hundreds, blood goes unspilled, and only one character meets a somewhat jarring end.

No such reserve is shown, though, when it comes to including edgy sexually themed material in this parody of genre conventions. Thus, when Allen's wife Sheila (Eva Mendes) turns out to be unexpectedly attractive, Terry openly lusts after her to supposedly humorous effect.

Equally misguided is a scene in which, with Allen in hiding, Sheila's elderly mother serves as a go-between for the spouses, carrying back and forth distastefully detailed messages about the outlandish lovemaking activities they yearn to be engaged in with each other.

The film contains considerable, though bloodless, action violence; much sexual humor; a couple of uses of profanity; and pervasive crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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