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ON FAITH & MEDIA View Comments

The Other Guys

By
John Mulderig
Source: Catholic News Service

Veteran comedian Will Ferrell and comedy newcomer Mark Wahlberg play an ill-matched pair of crime-busters in "The Other Guys" (Columbia), an occasionally amusing but excessively vulgar action satire that handcuffs its talented cast with relentlessly foul-mouthed dialogue and tiresome bedroom jokes.

Ferrell is New York Police Department Detective Allen Gamble, a paperwork-loving forensic accountant whose idea of a fulfilling workday involves tracking down construction permit violations from the safety of the squad room.

Observing him disdainfully from the next desk is his frustrated perforce partner Terry Hoitz (Wahlberg). A former street cop unwillingly office-bound after making a high-profile mistake, Terry longs to get out of the precinct house and bring the bad guys to their knees, and he seldom passes up the chance to put quirky, soft-spoken Allen in his place.

A surprising opportunity to make a major bust arises, however, when Allen's numbers crunching and detail sifting suggest that famed British-born banker David Ershon (Steve Coogan) has been engaged in massive financial shenanigans.

To his credit, director and co-writer (with Chris Henchy) Adam McKay—Ferrell's longtime collaborator—handles the predictable series of car chases, explosions and gunfights that follow with restraint. Though the bullets fly by the hundreds, blood goes unspilled, and only one character meets a somewhat jarring end.

No such reserve is shown, though, when it comes to including edgy sexually themed material in this parody of genre conventions. Thus, when Allen's wife Sheila (Eva Mendes) turns out to be unexpectedly attractive, Terry openly lusts after her to supposedly humorous effect.

Equally misguided is a scene in which, with Allen in hiding, Sheila's elderly mother serves as a go-between for the spouses, carrying back and forth distastefully detailed messages about the outlandish lovemaking activities they yearn to be engaged in with each other.

The film contains considerable, though bloodless, action violence; much sexual humor; a couple of uses of profanity; and pervasive crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Heavenly Father, give me the grace to be grateful and to use my gifts and talents to show your love to others so that when they see me, they recognize you living in me and loving them through me. I ask this in Jesus's name, Amen.

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