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ON FAITH & MEDIA View Comments

Step Up 3D

By
John Mulderig
Source: Catholic News Service


Rick Malambri and Sharni Vinson star in "Step Up 3D."
Three-dimensional effects enhance the precision choreography showcased in "Step Up 3D" (Disney).

But the nimble numbers in this tale retreading familiar Hollywood themes of dream fulfillment and the self-selecting circle of friends as do-it-yourself substitute family are interspersed with flat-footed dialogue, a creaky plot and some provocative moves and lyrics.

This third installment of the street stomping franchise, which began with 2006's "Step Up," shifts the setting from Baltimore to New York and focuses on Luke (Rick Malambri), the charismatic and caring leader of a Gotham dance crew called the Pirates.

Discovering, in rapid succession, the hoofing gifts of New York University freshman Moose (Adam G. Sevani) and nightclub denizen Natalie (Sharni Vinson), Luke recruits them for the group, taking slightly nerdy engineering student Moose under his man-of-the-world wing while quickly succumbing to Natalie's charms. Luke, we learn, needs all the help he can get to win the upcoming, multi-round dance championship called World Jam, the proceeds from which will forestall foreclosure on the loft where he and the Pirates live and practice.

But Moose is plagued by academic and amorous distractions, the latter caused by his high school best bud and fellow NYU frosh Camille (Alyson Stoner), who secretly yearns to be more than just pals, while Natalie—despite her sensitive support for Luke's potential as a would-be filmmaker—is not, alas, all she seems. Also hindering Luke's quest for the World Jam prize money is former friend-turned-rival Julien (Joe Slaughter), the scheming, underhanded frontman for the Pirates' main opposition, the Samurai.

Inept storytelling aside—oh, no, Moose's big test is the same night as the next World Jam match!—there's a generally buoyant feel to the proceedings in director Jon M. Chu's follow-up to his 2008 feature debut "Step Up 2: The Streets," best exemplified perhaps by a sidewalks-of-New York set piece shared by Moose and Camille that cleverly evokes classic Tinseltown fare of the Astaire-Rogers and Gene Kelly variety.

Both of the main romantic relationships are wholesome, straying no further than Luke and Natalie's occasional dance-floor clinch. And the passing flashes of humor in Amy Andelson and Emily Meyer's script—several of them playing on the stereotype of the hard-boiled Gothamite -- mostly hit the mark, though some viewers of faith may be put off by a joking application of the phrase "What would Jesus do?"

The film contains at least one use of the S-word, occasional crass language, a mildly irreverent joke and scenes of moderately suggestive dancing. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13— parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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