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ON FAITH & MEDIA View Comments

Step Up 3D

By
John Mulderig
Source: Catholic News Service


Rick Malambri and Sharni Vinson star in "Step Up 3D."
Three-dimensional effects enhance the precision choreography showcased in "Step Up 3D" (Disney).

But the nimble numbers in this tale retreading familiar Hollywood themes of dream fulfillment and the self-selecting circle of friends as do-it-yourself substitute family are interspersed with flat-footed dialogue, a creaky plot and some provocative moves and lyrics.

This third installment of the street stomping franchise, which began with 2006's "Step Up," shifts the setting from Baltimore to New York and focuses on Luke (Rick Malambri), the charismatic and caring leader of a Gotham dance crew called the Pirates.

Discovering, in rapid succession, the hoofing gifts of New York University freshman Moose (Adam G. Sevani) and nightclub denizen Natalie (Sharni Vinson), Luke recruits them for the group, taking slightly nerdy engineering student Moose under his man-of-the-world wing while quickly succumbing to Natalie's charms. Luke, we learn, needs all the help he can get to win the upcoming, multi-round dance championship called World Jam, the proceeds from which will forestall foreclosure on the loft where he and the Pirates live and practice.

But Moose is plagued by academic and amorous distractions, the latter caused by his high school best bud and fellow NYU frosh Camille (Alyson Stoner), who secretly yearns to be more than just pals, while Natalie—despite her sensitive support for Luke's potential as a would-be filmmaker—is not, alas, all she seems. Also hindering Luke's quest for the World Jam prize money is former friend-turned-rival Julien (Joe Slaughter), the scheming, underhanded frontman for the Pirates' main opposition, the Samurai.

Inept storytelling aside—oh, no, Moose's big test is the same night as the next World Jam match!—there's a generally buoyant feel to the proceedings in director Jon M. Chu's follow-up to his 2008 feature debut "Step Up 2: The Streets," best exemplified perhaps by a sidewalks-of-New York set piece shared by Moose and Camille that cleverly evokes classic Tinseltown fare of the Astaire-Rogers and Gene Kelly variety.

Both of the main romantic relationships are wholesome, straying no further than Luke and Natalie's occasional dance-floor clinch. And the passing flashes of humor in Amy Andelson and Emily Meyer's script—several of them playing on the stereotype of the hard-boiled Gothamite -- mostly hit the mark, though some viewers of faith may be put off by a joking application of the phrase "What would Jesus do?"

The film contains at least one use of the S-word, occasional crass language, a mildly irreverent joke and scenes of moderately suggestive dancing. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13— parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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