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ON FAITH & MEDIA View Comments

Ramona and Beezus

By
John Mulderig
Source: Catholic News Service

Though ostensibly set in a more-or-less contemporary suburb of Portland, Ore., the gentle, winning comedy "Ramona and Beezus" (Fox) occupies a nostalgia-tinted world so idyllic that you half expect one of the characters to announce, somewhere along the line, that a lovely family called the Cleavers just moved in next door.

Traditional values and close-knit family relationships reign in director Elizabeth Allen's squeaky-clean adaptation of Beverly Cleary's best-selling series of children's books, the first of them published—viewers will hardly be surprised to learn—more than 50 years ago.

So when irrepressible 9-year-old Ramona Quimby (Joey King), on whom the slightly static story centers, warns her parents, Robert (John Corbett) and Dorothy (Bridget Moynahan), at the dinner table that she has to say a terrible swearword to vent her numerous frustrations with life, the term she eventually produces is so mild, it makes Wally and the Beaver's oft-repeated "Gee whiz!" sound blue.

While good-hearted and imaginative, Ramona is also accident-prone and her minor misadventures, which leave her feeling misunderstood, tend to antagonize her straight-teeth-and-straight-A's teen sister, Beezus (Selena Gomez). Indeed, much to her annoyance, senior sis has been burdened with that ungainly moniker as the result of Ramona's childhood inability to pronounce her real name, Beatrice.

Besides their tiffs, the only source of worry or conflict on the girls' native Klickitat Street—a real-life address that Cleary's tales have made iconic—arises from Dad's loss of his accounting job. (Add to that the aggravating factor that the family has just embarked on an expansion of their home, a project they might not have the funds to finish, and this aspect of Laurie Craig and Nick Pustay's script begins to feel very much of the moment.)

Unemployment leads to mild marital tensions, and Dad finds himself spending a night on the couch. But, like the prospect of the bank "taking the house"—an expression Ramona overhears and interprets with a comic extreme of literalism—the specter of divorce seems quite distant along this boulevard of unbroken dreams.

Lightening the mood is the swiftly rekindling romance between Ramona's favorite aunt—and Beezus' namesake—Bea (Ginnifer Goodwin) and her high school true love Hobart (Josh Duhamel). Ever the ramblin' man, Hobart is off to Alaska and floats the idea of Bea coming with him. But anyone who fears she might do so before exchanging marriage vows has clearly not been paying attention.

Beezus, too, has an affair of the heart under way, having fallen for childhood friend Henry Huggins (Hutch Dano, not Rex Harrison). In keeping with the delightfully innocent atmosphere of la rue Klickitat, it takes this bashful young pair the better part of 90 minutes to work their way up to a first kiss.

Though some fussy adults with short attention spans may object that nothing very momentous happens as "Ramona and Beezus" unspools, as should be obvious by now, what does take place transpires in the nicest possible way.

So just you wait, Henry Huggins, just you wait.

The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences. All ages admitted.

*****
John Mulderig is on the staff of Catholic News Service.



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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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