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ON FAITH & MEDIA View Comments

The Sorcerer's Apprentice

By
John Mulderig
Source: Catholic News Service


Oscar-winner Nicolas Cage stars in "The Sorcerer's Apprentice."
By the time viewers sit through the two flashbacks—one set in the Middle Ages, the other a mere 10 years ago—that are required to get "The Sorcerer's Apprentice" (Disney) rolling, they will likely have a sense that director Jon Turteltaub's generally inoffensive but routine fantasy adventure is on track to do more lumbering than levitating.

And so, alas, it turns out, as the special effects-driven proceedings that follow fall well short of movie magic.

The second of the film's prologues introduces us to seemingly ordinary New York City school kid Dave Stutler (Jake Cherry). When Dave accidentally crosses paths with mysterious merchant Balthazar Blake (Nicolas Cage)—owner of a store called the Arcana Cabana—our diminutive hero gets caught up on the back story that was explained for us in the opening scene; to wit, Balthazar is, in fact, a wizard and a former pupil of the legendary medieval wonderworker Merlin.

For centuries Balthazar has been searching for the prophesied heir to his old mentor's powers while also keeping Maxim Horvath (Alfred Molina)—another of Merlin's proteges who went over to the dark side—safely cooped up in a Russian-style nesting doll. Dave, it need hardly be said, turns out to be the "prime Merlinian" Balthazar has been seeking.

Flash-forward to the present to find that Dave (now played by Jay Baruchel) has grown into a 20-year-old New York University student and physics geek who is convinced that his boyhood encounter with Balthazar was simply a hallucination. His unremarkable daily affairs are interrupted, however, when the newly freed Maxim comes calling, followed in short order by Balthazar.

Once Dave accepts his destiny, most of the remaining screen time is consumed by his efforts, under Balthazar's tutelage, to master the powers he has inherited—bring on the computer-generated "plasma bolts"—a task from which he's constantly distracted by his love for comely fellow NYUer Becky Barnes (Teresa Palmer), whom he started pursuing, as we witnessed early on, during their time together in the fifth grade.

While happily free of vulgar language, the script—credited to three screenwriters (Matt Lopez, Doug Miro and Carlo Bernard) working from a story with as many authors (Lawrence Konner, Mark Rosenthal and Lopez)—has the feel of an adventure by committee.

But, besides unbloody battle scenes too intense for tots and a passing invitation from a college friend of Dave's to join him in a drinking spree, the only material that might give pause to some parents is a bit of potty humor, as when we encounter a bulldog with gastric difficulties or follow Dave into a men's room where he expresses audible relief while using a urinal.

Like the rest of the magical rigmarole on display, the ability to raise old comrades from the dead, attributed to Merlin's nemesis, Morgana (Alice Krige), need not be taken seriously, nor need the inclusion of a Franciscan friar in the ranks of these deceased practitioners of the black arts necessarily elevate Catholic hackles.

The latter detail merely permits the camera to survey a group of unburied skeletons such as can be seen in the Capuchin crypt of Rome's Church of the Immaculate Conception, a long-standing—albeit somewhat macabre—tourist attraction.

The film contains extensive stylized violence and brief scatological humor. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.





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Martyrdom of John the Baptist: The drunken oath of a king with a shallow sense of honor, a seductive dance and the hateful heart of a queen combined to bring about the martyrdom of John the Baptist. The greatest of prophets suffered the fate of so many Old Testament prophets before him: rejection and martyrdom. The “voice crying in the desert” did not hesitate to accuse the guilty, did not hesitate to speak the truth. But why? What possesses a man that he would give up his very life? 
<p>This great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. The only power that he claimed was the Spirit of Yahweh. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope, perhaps in anticipation of some great messianic power. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). It is John the Baptist who has pointed the way to Christ. John’s life and death were a giving over of self for God and other people. His simple style of life was one of complete detachment from earthly possessions. His heart was centered on God and the call that he heard from the Spirit of God speaking to his heart. Confident of God’s grace, he had the courage to speak words of condemnation or repentance, of salvation.</p> American Catholic Blog Just as my children become members of my family when I bring them into the world, so too our baptism incorporates us into the family of the Church. This supernatural membership prevents us from being orphans who have to fend for themselves in the spiritual wilderness.

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