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ON FAITH & MEDIA View Comments

The Twilight Saga: Eclipse

By
John Mulderig
Source: Catholic News Service


Kristen Stewart and Taylor Lautner star in "The Twilight Saga: Eclipse."
Though it sticks to a tried-and-true recipe that will undoubtedly delight the legions of enthusiastic followers who have made the franchise it extends a box-office blockbuster, "The Twilight Saga: Eclipse" (Summit) may strike less-committed viewers as occasionally over-familiar.

On the plus side, director David Slade's third installment in the hugely popular Gothic romance series -- based on the best-selling novels of Stephenie Meyer—draws, like its predecessors, on self-referential humor to leaven its potentially ridiculous proceedings. And, while Melissa Rosenberg's script ramps up the mostly bloodless battling among its supernatural characters, it also shifts the basis of its main couple's chaste interaction from a matter of constraint to one of choice.

Said couple is, of course, composed of well-behaved vampire Edward Cullen (Robert Pattinson)—who preserves the appearance of a high-schooler, despite being more than 100 years old—and teen mortal Bella Swan (Kristen Stewart). Their romance, typified by an early scene in which Bella reads poetry to Edward amid the blooming flowers of an idyllic rural glade, is currently complicated by a number of factors, some old and some new.

As in the previous episode of their story, 2009's "The Twilight Saga: New Moon," Bella is determined, despite Edward's many objections, to become a vampire herself to remain with him permanently. Equally opposed to this change is Bella's friend, and would-be love interest, Jacob Black (Taylor Lautner). Despite being a werewolf—what's a girl to do?—Jacob offers Bella the prospect of a somewhat normal life.
Edward and Jacob's antipathy is more than personal, since, according to Meyer's mythos, vampires and werewolves are long-standing instinctual enemies. But with Bella's life threatened by villainous bloodsucker Victoria (Bryce Dallas Howard)— out for revenge against Edward for the death of her own true love, James, and busy assembling an army of plasma-hungry minions to advance her schemes—the rivals must unite to protect the object of their conflicting affections.

The climactic battle includes scenes of wounding and mutilation. However, since vampires are shown to be made of ice on the inside, there is only a bit of bloodletting among the human characters.

Though Bella is anxious to consummate her love for Edward, their brief, fully clothed bedroom encounter terminates in his refusal to do more than kiss and caress her. But while his restraint was previously motivated by the fear that passion might drive him to put his fangs into Bella, Edward now takes a stand on principle, resolving to uphold Bella's virtue until the two are married.

When Edward acknowledges that such values-driven behavior isn't "modern," Bella perhaps says more than she knows when she responds, "Not modern; it's ancient!"
The film contains considerable stylized violence, an off-screen rape, a scene of nongraphic sensuality, a birth control reference and a few mildly crass terms. The Catholic News Service classification is A-II— adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
*******
John Mulderig is on the staff of Catholic News Service.


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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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