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ON FAITH & MEDIA View Comments

The Twilight Saga: Eclipse

By
John Mulderig
Source: Catholic News Service


Kristen Stewart and Taylor Lautner star in "The Twilight Saga: Eclipse."
Though it sticks to a tried-and-true recipe that will undoubtedly delight the legions of enthusiastic followers who have made the franchise it extends a box-office blockbuster, "The Twilight Saga: Eclipse" (Summit) may strike less-committed viewers as occasionally over-familiar.

On the plus side, director David Slade's third installment in the hugely popular Gothic romance series -- based on the best-selling novels of Stephenie Meyer—draws, like its predecessors, on self-referential humor to leaven its potentially ridiculous proceedings. And, while Melissa Rosenberg's script ramps up the mostly bloodless battling among its supernatural characters, it also shifts the basis of its main couple's chaste interaction from a matter of constraint to one of choice.

Said couple is, of course, composed of well-behaved vampire Edward Cullen (Robert Pattinson)—who preserves the appearance of a high-schooler, despite being more than 100 years old—and teen mortal Bella Swan (Kristen Stewart). Their romance, typified by an early scene in which Bella reads poetry to Edward amid the blooming flowers of an idyllic rural glade, is currently complicated by a number of factors, some old and some new.

As in the previous episode of their story, 2009's "The Twilight Saga: New Moon," Bella is determined, despite Edward's many objections, to become a vampire herself to remain with him permanently. Equally opposed to this change is Bella's friend, and would-be love interest, Jacob Black (Taylor Lautner). Despite being a werewolf—what's a girl to do?—Jacob offers Bella the prospect of a somewhat normal life.
Edward and Jacob's antipathy is more than personal, since, according to Meyer's mythos, vampires and werewolves are long-standing instinctual enemies. But with Bella's life threatened by villainous bloodsucker Victoria (Bryce Dallas Howard)— out for revenge against Edward for the death of her own true love, James, and busy assembling an army of plasma-hungry minions to advance her schemes—the rivals must unite to protect the object of their conflicting affections.

The climactic battle includes scenes of wounding and mutilation. However, since vampires are shown to be made of ice on the inside, there is only a bit of bloodletting among the human characters.

Though Bella is anxious to consummate her love for Edward, their brief, fully clothed bedroom encounter terminates in his refusal to do more than kiss and caress her. But while his restraint was previously motivated by the fear that passion might drive him to put his fangs into Bella, Edward now takes a stand on principle, resolving to uphold Bella's virtue until the two are married.

When Edward acknowledges that such values-driven behavior isn't "modern," Bella perhaps says more than she knows when she responds, "Not modern; it's ancient!"
The film contains considerable stylized violence, an off-screen rape, a scene of nongraphic sensuality, a birth control reference and a few mildly crass terms. The Catholic News Service classification is A-II— adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
*******
John Mulderig is on the staff of Catholic News Service.


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John of Capistrano: It has been said the Christian saints are the world’s greatest optimists. Not blind to the existence and consequences of evil, they base their confidence on the power of Christ’s redemption. The power of conversion through Christ extends not only to sinful people but also to calamitous events. 
<p>Imagine being born in the 14th century. One-third of the population and nearly 40 percent of the clergy were wiped out by the bubonic plague. The Western Schism split the Church with two or three claimants to the Holy See at one time. England and France were at war. The city-states of Italy were constantly in conflict. No wonder that gloom dominated the spirit of the culture and the times. </p><p>John Capistrano was born in 1386. His education was thorough. His talents and success were great. When he was 26 he was made governor of Perugia. Imprisoned after a battle against the Malatestas, he resolved to change his way of life completely. At the age of 30 he entered the Franciscan novitiate and was ordained a priest four years later. </p><p>His preaching attracted great throngs at a time of religious apathy and confusion. He and 12 Franciscan brethren were received in the countries of central Europe as angels of God. They were instrumental in reviving a dying faith and devotion. </p><p>The Franciscan Order itself was in turmoil over the interpretation and observance of the Rule of St. Francis. Through John’s tireless efforts and his expertise in law, the heretical Fraticelli were suppressed and the "Spirituals" were freed from interference in their stricter observance. </p><p>He helped bring about a reunion with the Greek and Armenian Churches, unfortunately only a brief arrangement. </p><p>When the Turks captured Constantinople in 1453, he was commissioned to preach a crusade for the defense of Europe. Gaining little response in Bavaria and Austria, he decided to concentrate his efforts in Hungary. He led the army to Belgrade. Under the great General John Hunyadi, they gained an overwhelming victory, and the siege of Belgrade was lifted. Worn out by his superhuman efforts, Capistrano was an easy prey to an infection after the battle. He died October 23, 1456.</p> American Catholic Blog When we are linked by the power of prayer, we as it were, hold each other’s hand as we walk side by side along a slippery path; and thus by the bounteous disposition of charity, it comes about that the harder each one leans on the other, the more firmly we are riveted together in brotherly love. —St. Gregory the Great

 
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