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ON FAITH & MEDIA View Comments

The Twilight Saga: Eclipse

By
John Mulderig
Source: Catholic News Service


Kristen Stewart and Taylor Lautner star in "The Twilight Saga: Eclipse."
Though it sticks to a tried-and-true recipe that will undoubtedly delight the legions of enthusiastic followers who have made the franchise it extends a box-office blockbuster, "The Twilight Saga: Eclipse" (Summit) may strike less-committed viewers as occasionally over-familiar.

On the plus side, director David Slade's third installment in the hugely popular Gothic romance series -- based on the best-selling novels of Stephenie Meyer—draws, like its predecessors, on self-referential humor to leaven its potentially ridiculous proceedings. And, while Melissa Rosenberg's script ramps up the mostly bloodless battling among its supernatural characters, it also shifts the basis of its main couple's chaste interaction from a matter of constraint to one of choice.

Said couple is, of course, composed of well-behaved vampire Edward Cullen (Robert Pattinson)—who preserves the appearance of a high-schooler, despite being more than 100 years old—and teen mortal Bella Swan (Kristen Stewart). Their romance, typified by an early scene in which Bella reads poetry to Edward amid the blooming flowers of an idyllic rural glade, is currently complicated by a number of factors, some old and some new.

As in the previous episode of their story, 2009's "The Twilight Saga: New Moon," Bella is determined, despite Edward's many objections, to become a vampire herself to remain with him permanently. Equally opposed to this change is Bella's friend, and would-be love interest, Jacob Black (Taylor Lautner). Despite being a werewolf—what's a girl to do?—Jacob offers Bella the prospect of a somewhat normal life.
Edward and Jacob's antipathy is more than personal, since, according to Meyer's mythos, vampires and werewolves are long-standing instinctual enemies. But with Bella's life threatened by villainous bloodsucker Victoria (Bryce Dallas Howard)— out for revenge against Edward for the death of her own true love, James, and busy assembling an army of plasma-hungry minions to advance her schemes—the rivals must unite to protect the object of their conflicting affections.

The climactic battle includes scenes of wounding and mutilation. However, since vampires are shown to be made of ice on the inside, there is only a bit of bloodletting among the human characters.

Though Bella is anxious to consummate her love for Edward, their brief, fully clothed bedroom encounter terminates in his refusal to do more than kiss and caress her. But while his restraint was previously motivated by the fear that passion might drive him to put his fangs into Bella, Edward now takes a stand on principle, resolving to uphold Bella's virtue until the two are married.

When Edward acknowledges that such values-driven behavior isn't "modern," Bella perhaps says more than she knows when she responds, "Not modern; it's ancient!"
The film contains considerable stylized violence, an off-screen rape, a scene of nongraphic sensuality, a birth control reference and a few mildly crass terms. The Catholic News Service classification is A-II— adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
*******
John Mulderig is on the staff of Catholic News Service.


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All Saints: The earliest certain observance of a feast in honor of all the saints is an early fourth-century commemoration of "all the martyrs." In the early seventh century, after successive waves of invaders plundered the catacombs, Pope Boniface IV gathered up some 28 wagonloads of bones and reinterred them beneath the Pantheon, a Roman temple dedicated to all the gods. The pope rededicated the shrine as a Christian church. According to Venerable Bede, the pope intended "that the memory of all the saints might in the future be honored in the place which had formerly been dedicated to the worship not of gods but of demons" (<i>On the Calculation of Time</i>). 
<p>But the rededication of the Pantheon, like the earlier commemoration of all the martyrs, occurred in May. Many Eastern Churches still honor all the saints in the spring, either during the Easter season or immediately after Pentecost. </p><p>How the Western Church came to celebrate this feast, now recognized as a solemnity, in November is a puzzle to historians. The Anglo-Saxon theologian Alcuin observed the feast on November 1 in 800, as did his friend Arno, Bishop of Salzburg. Rome finally adopted that date in the ninth century.</p> American Catholic Blog Touch can be an act of kindness when someone is dying. If you visit a sick person and find that you are at a loss for words, reach out and touch her hand.

 
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