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ON FAITH & MEDIA View Comments

Knight and Day

By
John Mulderig
Source: Catholic News Service


Tom Cruise and Cameron Diaz star in "Knight and Day."
Adults in search of escapist summer fare will likely be pleased with the good-natured action-and-romance combo "Knight and Day" (Fox). But intermittent stylized violence and a smattering of crude and profane dialogue preclude endorsement for adolescents or younger viewers.

As the female half of the blockbuster couple at the heart of this genre-splicing story, Cameron Diaz plays everyday woman June Havens. Though June is slightly ditzy—in the time-honored Goldie Hawn manner—the opening scene, set in an airport through which she drags a suitcase laden with auto parts, establishes June's knowledge of mechanics in general and classic cars in particular.

Those skills will come in handy after her seemingly random run-in with highly skilled CIA agent Roy Miller (Tom Cruise), an initially flirtatious encounter that leads June into a bizarre, barely plausible adventure.

Roy, it develops, is on the run from his former colleagues—led by Director George (Viola Davis) and Agent Fitzgerald (Peter Sarsgaard)—after absconding with a new, potentially revolutionary energy source (i.e., a self-sustaining battery) and stashing its young, geeky inventor Simon Feck (Paul Dano) in a remote hideaway.

As Roy battles his erstwhile allies, as well as evil Spanish arms dealer Antonio Quintana (Jordi Molla), who eventually gets thrown into the mix, the bewildered June is left dodging bullets and trying to figure out whether Roy—for whom she rapidly, inevitably falls—is rogue or hero. (Though, really, Cruise's sly smile, undimmed since his "Risky Business" days, should leave her in as little doubt as it does the audience.)

Director and co-writer (with Patrick O'Neill) James Mangold's breezy diversion, meanwhile, ping-pongs from one romantic setting to the next—Salzburg today, Seville tomorrow—showcasing car and motorcycle chases and taking a steady, but largely bloodless, toll on the extras along the way.

A back story concerning Roy's roots deals touchingly with themes of family love and patriotic sacrifice, and the adroitly portrayed, chemistry-rich central relationship progresses, for the most part, innocently enough.

The closest the script comes to anything edgy between the two leads is a recurring joke about an incident in which Roy drugs June to keep her from panicking, then changes her (off-screen) out of her clothes and into a bikini—Roy's Caribbean hideout is one of the aforementioned idyllic backdrops—while she sleeps.

June's appropriately annoyed reaction to this invasion of her privacy only succeeds in drawing another of those trademark grins.

The film contains frequent, though mostly nongraphic, action violence, at least one use of profanity and of the F-word, some crude language and a few instances of sexual humor. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Conversion of St. Paul: Paul’s entire life can be explained in terms of one experience—his meeting with Jesus on the road to Damascus. In an instant, he saw that all the zeal of his dynamic personality was being wasted, like the strength of a boxer swinging wildly. Perhaps he had never seen Jesus, who was only a few years older. But he had acquired a zealot’s hatred of all Jesus stood for, as he began to harass the Church: “...entering house after house and dragging out men and women, he handed them over for imprisonment” (Acts 8:3b). Now he himself was “entered,” possessed, all his energy harnessed to one goal—being a slave of Christ in the ministry of reconciliation, an instrument to help others experience the one Savior. 
<p>One sentence determined his theology: “I am Jesus, whom you are persecuting” (Acts 9:5b). Jesus was mysteriously identified with people—the loving group of people Saul had been running down like criminals. Jesus, he saw, was the mysterious fulfillment of all he had been blindly pursuing. </p><p>From then on, his only work was to “present everyone perfect in Christ. For this I labor and struggle, in accord with the exercise of his power working within me” (Colossians 1:28b-29). “For our gospel did not come to you in word alone, but also in power and in the Holy Spirit and [with] much conviction” (1 Thessalonians 1:5a). </p><p>Paul’s life became a tireless proclaiming and living out of the message of the cross: Christians die baptismally to sin and are buried with Christ; they are dead to all that is sinful and unredeemed in the world. They are made into a new creation, already sharing Christ’s victory and someday to rise from the dead like him. Through this risen Christ the Father pours out the Spirit on them, making them completely new. </p><p>So Paul’s great message to the world was: You are saved entirely by God, not by anything you can do. Saving faith is the gift of total, free, personal and loving commitment to Christ, a commitment that then bears fruit in more “works” than the Law could ever contemplate.</p> American Catholic Blog If you’re confused as to why God would die for you, you either need to rethink your vision of His mercy or of your own worth.

 
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