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ON FAITH & MEDIA View Comments

The Karate Kid

By
John P. McCarthy
Source: Catholic News Service


Jackie Chan and Jaden Smith star in a scene from the movie "The Karate Kid."
The ambitious desire to modernize a classic has led to many a debacle, as has the aim of cashing in on a past financial success. Fortunately, misgivings about this update of 1984's popular "The Karate Kid" dissipate once it begins to unreel.

No doubt, the producers of 2010's "The Karate Kid" (Columbia) aren't standing on the shoulders of an artistic giant, and commercial considerations are never far from their minds (hence the hiring of teen sensation Justin Bieber to croon on the soundtrack). Yet the movie stirs and satisfies, exhibiting sufficient fealty to the original while improving on its production values.

Setting it in Beijing makes sense, as does casting Jaden Smith in the title role and international action star Jackie Chan as his unassuming mentor. Switching from karate, with its Japanese provenance, to kung fu is not an issue. Other embellishments on the timeless underdog story are likewise organic and positive.  The major flaw is a grandiose musical score, which telegraphs plot points and nearly overwhelms the film, thus accentuating its relatively long running time.

The new "Karate Kid" is also designed to showcase modern China, a function it fulfills by highlighting the architectural feats connected with the 2008 Olympics and through visits to the Forbidden City, a scenic mountain sanctuary, and the Great Wall.

Mostly because of chop-socky violence, it may be inappropriate for young moviegoers. But guardians should feel free to use their judgment about individual sensitivities, being aware that kids' attention may wander given the movie's length. Generic references to Eastern spirituality and the use of an ancient Chinese healing art are no cause for concern.

Like the original, this entertaining melodrama teaches valuable lessons regarding body and spirit. Director Harald Zwart stages the action sequences and quieter moments with sufficient adroitness. Whereas Pat Morita dominated the first version (receiving an Oscar nomination for his efforts), here Smith —son of Will and Jada Pinkett Smith—shines brightest thanks to his own charisma and Chan's restrained, caricature-free performance.

The film contains hard-hitting and occasionally cruel but not graphic martial arts violence, including a boy being struck across the face by an adult, the use of a crass term for the human posterior, some mild toilet humor, one instance of sexual innuendo, and an unnecessary kiss between pre-teens. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.
*****
John P. McCarthy is a guest reviewer for Catholic News Service.




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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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