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ON FAITH & MEDIA View Comments

Splice

By
Joseph McAleer
Source: Catholic News Service

"Splice" (Warner Bros.) is an unintentionally amusing and not-very-scary horror film which reminds us, once again, that it's not nice to fool with Mother Nature. Though its message is ambiguous, this perverse tale of genetic engineering run amok ought to win new converts to the Catholic Church's repeated warnings that scientists should not "play God" when it comes to human cloning and procreation.

Clive (Adrien Brody) and Elsa (Sarah Polley) are partners in life and in the lab. Genetic engineers at Nucleic Exchange Research and Development (NERD for short), they specialize in "splicing" together genes from different animal species to create new life forms. Their pride and joy are "Fred" and "Ginger," bulbous blobs that may contain a new protein that will "cure" countless diseases, from Parkinson's to cancer.

Motivated by greed as a result of their partnership with wicked pharmaceutical companies, NERD's owners are delighted with these "designer species." Clive and Elsa are ready for the next step—human gene splicing—to achieve "the medical breakthrough of the century," but NERD says no, citing the "moral outrage" that would ensue.

Viewers looking for moral clarity on a timely issue will find none in "Splice," which instead waffles. "If God did not want us to explore his domain, why did he give us the map?" one scientist says. Clive is conflicted; while he admits "we changed the rules," he declares, "There are some things you just don't do!"

Elsa agrees that "human cloning is illegal," but adds, speaking of their proposed creation, "This won't be human, entirely." She, too, cites "moral considerations," saying, "People are dying now who we can give hope to."

In fact, a lot of people (including human embryos) die in "Splice," thanks to what happens once Elsa persuades Clive to proceed with the experiment. The human hybrid result, "H-50," is initially monstrous, resembling an albino guinea pig on steroids. But soon this creature (which only consumes Tic Tacs—not a good sign) morphs into the comely Dren (Delphine Chaneac). The bride of Frankenstein never looked this good, apart from chicken legs, retractable wings and a rather deadly tail.

Dren grows up at an accelerated rate, and the inevitable mother-daughter conflicts ensue, especially when the adolescent Dren, high on hormones, turns her attentions to Clive.

No wonder Clive's hard heart melts and he is now attracted to Dren—Elsa used her own genes in Dren's creation. When Clive puts on the swing music and he and Dren dance their own version of Fred and Ginger, "Splice" takes a farcical turn. What follows is outrageous and often obscene, as the four credited scriptwriters display an unhealthy obsession with human-monster copulation.

"Splice" does not wholly condemn the process or method, only the misguided result. The Catholic Church, by contrast, is unwavering on the evils of manipulating procreation by any method that involves the destruction of innocent human life or a separation of the essential unitive and procreative aspects of marital love.

The film contains a generally sympathetic presentation of human cloning, genetic engineering, and embryo destruction; nudity; nonmarital sexual activity; rape; rough language; and bloody scenes of violence and torture. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Anselm: Indifferent toward religion as a young man, Anselm became one of the Church's greatest theologians and leaders. He received the title "Father of Scholasticism" for his attempt to analyze and illumine the truths of faith through the aid of reason. 
<p>At 15, Anselm wanted to enter a monastery, but was refused acceptance because of his father's opposition. Twelve years later, after careless disinterest in religion and years of worldly living, he finally fulfilled his desire to be a monk. He entered the monastery of Bec in Normandy, three years later was elected prior and 15 years later was unanimously chosen abbot. </p><p>Considered an original and independent thinker, Anselm was admired for his patience, gentleness and teaching skill. Under his leadership, the abbey of Bec became a monastic school, influential in philosophical and theological studies. </p><p>During these years, at the community's request, Anselm began publishing his theological works, comparable to those of St. Augustine (August 28). His best-known work is the book <i>Cur Deus Homo</i> ("Why God Became Man"). </p><p>At 60, against his will, Anselm was appointed archbishop of Canterbury in 1093. His appointment was opposed at first by England's King William Rufus and later accepted. Rufus persistently refused to cooperate with efforts to reform the Church. </p><p>Anselm finally went into voluntary exile until Rufus died in 1100. He was then recalled to England by Rufus's brother and successor, Henry I. Disagreeing fearlessly with Henry over the king's insistence on investing England's bishops, Anselm spent another three years in exile in Rome. </p><p>His care and concern extended to the very poorest people; he opposed the slave trade. Anselm obtained from the national council at Westminster the passage of a resolution prohibiting the sale of human beings.</p> American Catholic Blog There is one more important person you must forgive: yourself. Many times we think we’ve sinned so badly that God can’t let us off the hook so simply. But His mercy is simple, and it is open to all hearts that turn to Him.


 
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