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ON FAITH & MEDIA View Comments

Splice

By
Joseph McAleer
Source: Catholic News Service

"Splice" (Warner Bros.) is an unintentionally amusing and not-very-scary horror film which reminds us, once again, that it's not nice to fool with Mother Nature. Though its message is ambiguous, this perverse tale of genetic engineering run amok ought to win new converts to the Catholic Church's repeated warnings that scientists should not "play God" when it comes to human cloning and procreation.

Clive (Adrien Brody) and Elsa (Sarah Polley) are partners in life and in the lab. Genetic engineers at Nucleic Exchange Research and Development (NERD for short), they specialize in "splicing" together genes from different animal species to create new life forms. Their pride and joy are "Fred" and "Ginger," bulbous blobs that may contain a new protein that will "cure" countless diseases, from Parkinson's to cancer.

Motivated by greed as a result of their partnership with wicked pharmaceutical companies, NERD's owners are delighted with these "designer species." Clive and Elsa are ready for the next step—human gene splicing—to achieve "the medical breakthrough of the century," but NERD says no, citing the "moral outrage" that would ensue.

Viewers looking for moral clarity on a timely issue will find none in "Splice," which instead waffles. "If God did not want us to explore his domain, why did he give us the map?" one scientist says. Clive is conflicted; while he admits "we changed the rules," he declares, "There are some things you just don't do!"

Elsa agrees that "human cloning is illegal," but adds, speaking of their proposed creation, "This won't be human, entirely." She, too, cites "moral considerations," saying, "People are dying now who we can give hope to."

In fact, a lot of people (including human embryos) die in "Splice," thanks to what happens once Elsa persuades Clive to proceed with the experiment. The human hybrid result, "H-50," is initially monstrous, resembling an albino guinea pig on steroids. But soon this creature (which only consumes Tic Tacs—not a good sign) morphs into the comely Dren (Delphine Chaneac). The bride of Frankenstein never looked this good, apart from chicken legs, retractable wings and a rather deadly tail.

Dren grows up at an accelerated rate, and the inevitable mother-daughter conflicts ensue, especially when the adolescent Dren, high on hormones, turns her attentions to Clive.

No wonder Clive's hard heart melts and he is now attracted to Dren—Elsa used her own genes in Dren's creation. When Clive puts on the swing music and he and Dren dance their own version of Fred and Ginger, "Splice" takes a farcical turn. What follows is outrageous and often obscene, as the four credited scriptwriters display an unhealthy obsession with human-monster copulation.

"Splice" does not wholly condemn the process or method, only the misguided result. The Catholic Church, by contrast, is unwavering on the evils of manipulating procreation by any method that involves the destruction of innocent human life or a separation of the essential unitive and procreative aspects of marital love.

The film contains a generally sympathetic presentation of human cloning, genetic engineering, and embryo destruction; nudity; nonmarital sexual activity; rape; rough language; and bloody scenes of violence and torture. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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