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ON FAITH & MEDIA View Comments

Marmaduke

By
Kurt Jensen
Source: Catholic News Service


Lee Pace stars in a scene from the movie "Marmaduke."
Young children might like "Marmaduke" (Fox), a comedy based on the adventures of the titular comic-strip Great Dane. Adults, on the other hand, are likely to find it about as charming as a bucket of doggie drool.

Director Tom Dey and screenwriters Tim Rasmussen and Vince Di Meglio unload a slapstick-laden story with Marmaduke (voiced by Owen Wilson) as a gangly adolescent attempting to fit in with canine cliques at a dog park that represents high school. A parallel plot has his human family, the Winslows, making the same transformation after they move from Kansas to Southern California where the father (Lee Pace) takes a marketing job for a pet-food company.

Most of the humor derives from the shopworn "he fall down, go boom" formula, as Marmaduke, with wisecracking cat sidekick Carlos (voice of George Lopez), navigates the shoals of high school stereotypes: the tough-talking Bosco (voice of Kiefer Sutherland), the pedigreed collie princess Jezebel (voice of Stacy Ferguson), and the funky gal mutt Mazie (voice of Emma Stone) who's just right for him if he'd only notice.

At the same time, Dad Winslow is adjusting to his quirky boss Don Twombly (William H. Macy), who is desperately trying to sign a national distributor for his organic pet food.

Since there are only so many ways that dogs can run around, fight and tear up furniture, Dey has their computer-animated mouths do a lot of talking. And, oh, do they chatter away. When they're not complaining or bullying, much of their dialogue consists of stale riffs on lines from other films.

The one brief evocative moment comes when the animals are mercifully silent. Marmaduke, beset by considerable troubles of his own making, runs away on a stormy night. On a lonely street, on a store window TV, he sees the Disney classic "Old Yeller." That tale has impeccable production values, sincere performances and a nontalking dog that has made audiences burst into loving, cathartic sobs for generations. Too bad these filmmakers couldn't take that as their inspiration.

The film contains some mild scatological humor. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Alphonsus Liguori: 
		<p>Moral theology, Vatican II said, should be more thoroughly nourished by Scripture, and show the nobility of the Christian vocation of the faithful and their obligation to bring forth fruit in charity for the life of the world. Alphonsus, declared patron of moral theologians by Pius XII in 1950, would rejoice in that statement.</p>
		<p>In his day, Alphonsus fought for the liberation of moral theology from the rigidity of Jansenism. His moral theology, which went through 60 editions in the century following him, concentrated on the practical and concrete problems of pastors and confessors. If a certain legalism and minimalism crept into moral theology, it should not be attributed to this model of moderation and gentleness.</p>
		<p>At the University of Naples he received, at the age of 16, a doctorate in both canon and civil law by acclamation, but he soon gave up the practice of law for apostolic activity. He was ordained a priest and concentrated his pastoral efforts on popular (parish) missions, hearing confessions, forming Christian groups. </p>
		<p>He founded the Redemptorist congregation in 1732. It was an association of priests and brothers living a common life, dedicated to the imitation of Christ, and working mainly in popular missions for peasants in rural areas. Almost as an omen of what was to come later, he found himself deserted, after a while, by all his original companions except one lay brother. But the congregation managed to survive and was formally approved 17 years later, though its troubles were not over. </p>
		<p>Alphonsus’ great pastoral reforms were in the pulpit and confessional—replacing the pompous oratory of the time with simplicity, and the rigorism of Jansenism with kindness. His great fame as a writer has somewhat eclipsed the fact that for 26 years he traveled up and down the Kingdom of Naples, preaching popular missions. </p>
		<p>He was made bishop (after trying to reject the honor) at 66 and at once instituted a thorough reform of his diocese. </p>
		<p>His greatest sorrow came toward the end of his life. The Redemptorists, precariously continuing after the suppression of the Jesuits in 1773, had difficulty in getting their Rule approved by the Kingdom of Naples. Alphonsus acceded to the condition that they possess no property in common, but a royal official, with the connivance of a high Redemptorist official, changed the Rule substantially. Alphonsus, old, crippled and with very bad sight, signed the document, unaware that he had been betrayed. The Redemptorists in the Papal States then put themselves under the pope, who withdrew those in Naples from the jurisdiction of Alphonsus. It was only after his death that the branches were united. </p>
		<p>At 71 he was afflicted with rheumatic pains which left incurable bending of his neck; until it was straightened a little, the pressure of his chin caused a raw wound on his chest. He suffered a final 18 months of “dark night” scruples, fears, temptations against every article of faith and every virtue, interspersed with intervals of light and relief, when ecstasies were frequent. </p>
		<p>Alphonsus is best known for his moral theology, but he also wrote well in the field of spiritual and dogmatic theology. His <i>Glories of Mary</i> is one of the great works on that subject, and his book <i>Visits to the Blessed Sacrament</i> went through 40 editions in his lifetime, greatly influencing the practice of this devotion in the Church.</p> American Catholic Blog Those who want to participate more fully in salvation history are comforted by the fact that Jesus wants to walk with us in our suffering and wants to break bread to give us strength on our way.

 
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