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ON FAITH & MEDIA View Comments

Marmaduke

By
Kurt Jensen
Source: Catholic News Service


Lee Pace stars in a scene from the movie "Marmaduke."
Young children might like "Marmaduke" (Fox), a comedy based on the adventures of the titular comic-strip Great Dane. Adults, on the other hand, are likely to find it about as charming as a bucket of doggie drool.

Director Tom Dey and screenwriters Tim Rasmussen and Vince Di Meglio unload a slapstick-laden story with Marmaduke (voiced by Owen Wilson) as a gangly adolescent attempting to fit in with canine cliques at a dog park that represents high school. A parallel plot has his human family, the Winslows, making the same transformation after they move from Kansas to Southern California where the father (Lee Pace) takes a marketing job for a pet-food company.

Most of the humor derives from the shopworn "he fall down, go boom" formula, as Marmaduke, with wisecracking cat sidekick Carlos (voice of George Lopez), navigates the shoals of high school stereotypes: the tough-talking Bosco (voice of Kiefer Sutherland), the pedigreed collie princess Jezebel (voice of Stacy Ferguson), and the funky gal mutt Mazie (voice of Emma Stone) who's just right for him if he'd only notice.

At the same time, Dad Winslow is adjusting to his quirky boss Don Twombly (William H. Macy), who is desperately trying to sign a national distributor for his organic pet food.

Since there are only so many ways that dogs can run around, fight and tear up furniture, Dey has their computer-animated mouths do a lot of talking. And, oh, do they chatter away. When they're not complaining or bullying, much of their dialogue consists of stale riffs on lines from other films.

The one brief evocative moment comes when the animals are mercifully silent. Marmaduke, beset by considerable troubles of his own making, runs away on a stormy night. On a lonely street, on a store window TV, he sees the Disney classic "Old Yeller." That tale has impeccable production values, sincere performances and a nontalking dog that has made audiences burst into loving, cathartic sobs for generations. Too bad these filmmakers couldn't take that as their inspiration.

The film contains some mild scatological humor. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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John Joseph of the Cross: Self-denial is never an end in itself but is only a help toward greater charity—as the life of St. John Joseph shows. 
<p>John Joseph was very ascetic even as a young man. At 16 he joined the Franciscans in Naples; he was the first Italian to follow the reform movement of St. Peter Alcantara. John Joseph’s reputation for holiness prompted his superiors to put him in charge of establishing a new friary even before he was ordained. </p><p>Obedience moved John Joseph to accept appointments as novice master, guardian and, finally, provincial. His years of mortification enabled him to offer these services to the friars with great charity. As guardian he was not above working in the kitchen or carrying the wood and water needed by the friars. </p><p>When his term as provincial expired, John Joseph dedicated himself to hearing confessions and practicing mortification, two concerns contrary to the spirit of the dawning Age of Enlightenment. John Joseph was canonized in 1839.</p> American Catholic Blog Humility is possible only for the free. Those who are secure in the Father’s love, have no need of pomp and circumstance or people fawning on them. They know who they are, where they’ve come from, and where they are going. Not taking themselves too seriously, they can laugh at themselves. The proud cannot.


 
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