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ON FAITH & MEDIA View Comments

Get Him to the Greek

By
John Mulderig
Source: Catholic News Service

Like his 2008 debut, "Forgetting Sarah Marshall," writer-director Nicholas Stoller's new comedy "Get Him to the Greek" (Universal)—the raucous, frequently coarse tale of an unlikely friendship -- features a few touching moments and some positive underlying values. But, as in the earlier outing, these elements are ultimately eclipsed, in this case by a combination of obscenity-laden dialogue and debauched, sometimes perverse behavior.

Returning from the former film is the character of hedonistic British rock star Aldous Snow (Russell Brand), whose attempts to lead a clean and sober life are scuttled, as we witness in the opening scenes, by a breakup with girlfriend Jackie Q (Rose Byrne)—a pop star in her own right—and by a disastrously unsuccessful record that leaves his career in freefall.

In a bid to revive Aldous' popularity, and improve the flagging fortunes of his own company, timid young music executive Aaron Green (Jonah Hill) strikes on the idea of a comeback concert at Los Angeles' Greek Theater, the site, 10 years previously, of Aldous' most legendary performance.

Aaron manages to sell his hard-bitten boss, Sergio (Sean Combs), on the concept, but finds himself tasked with escorting the wily, wayward rocker—whom Sergio describes as "the worst person on earth"—from London to the Left Coast, and depositing him safely at the Greek in time for the planned performance. To make matters worse, on the eve of his departure, Aaron has a potentially relationship-shredding quarrel with his live-in lover, Daphne (Elisabeth Moss, of "Mad Men" fame).

As Aldous drags Aaron through the depths of his fear-and-loathing lifestyle, and as Aaron encourages Aldous to climb his way back toward sobriety, the ill-matched pair bond.

Stoller's script manages to wring poignancy from scenes where Aaron insists on treating Aldous as a person rather than a marketable commodity and from the musician's loving but fraught relationship with his young son, whom he identifies as his only source of happiness. Along with the growing rapport at the heart of the story, Aaron and Daphne's relationship moves, however indirectly, toward renewed commitment and deepened exclusivity, though there's no hint of marriage.

But along the way to a moderately acceptable wrap-up, this globe-trotting exercise in excess makes detours portraying casual and group sex, a visit to a strip club, and extensive indulgence in drugs and drunkenness. As is typical for a Judd Apatow production, moreover, there's hardly a punch line that's not peppered by the F-word or some other vulgarity.

The film contains brief graphic nonmarital sexual activity, scenes of aberrant sexuality, cohabitation, drug use, some gruesome images, upper female and rear nudity, much sexual humor, a couple of uses of profanity and pervasive rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.


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Our Lady of Lourdes: On December 8, 1854, Pope Pius IX proclaimed the dogma of the Immaculate Conception in the apostolic constitution <i>Ineffabilis Deus</i>. A little more than three years later, on February 11, 1858, a young lady appeared to Bernadette Soubirous. This began a series of visions. During the apparition on March 25, the lady identified herself with the words: “I am the Immaculate Conception.” 
<p>Bernadette was a sickly child of poor parents. Their practice of the Catholic faith was scarcely more than lukewarm. Bernadette could pray the Our Father, the Hail Mary and the Creed. She also knew the prayer of the Miraculous Medal: “O Mary conceived without sin.” </p><p>During interrogations Bernadette gave an account of what she saw. It was “something white in the shape of a girl.” She used the word <i>aquero</i>, a dialect term meaning “this thing.” It was “a pretty young girl with a rosary over her arm.” Her white robe was encircled by a blue girdle. She wore a white veil. There was a yellow rose on each foot. A rosary was in her hand. Bernadette was also impressed by the fact that the lady did not use the informal form of address (<i>tu</i>), but the polite form (<i>vous</i>). The humble virgin appeared to a humble girl and treated her with dignity. </p><p>Through that humble girl, Mary revitalized and continues to revitalize the faith of millions of people. People began to flock to Lourdes from other parts of France and from all over the world. In 1862 Church authorities confirmed the authenticity of the apparitions and authorized the cult of Our Lady of Lourdes for the diocese. The Feast of Our Lady of Lourdes became worldwide in 1907.</p> American Catholic Blog While the term social justice has received negative connotations in some circles in recent years due to certain media misrepresentations of the tradition, the vocation of all Christian women and men to work toward the common good, protect the dignity of all human life, strive toward ending violence in all forms, and providing for the welfare of all people remains integral to who we are as bearers of the name Christ.

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