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ON FAITH & MEDIA View Comments

Get Him to the Greek

By
John Mulderig
Source: Catholic News Service

Like his 2008 debut, "Forgetting Sarah Marshall," writer-director Nicholas Stoller's new comedy "Get Him to the Greek" (Universal)—the raucous, frequently coarse tale of an unlikely friendship -- features a few touching moments and some positive underlying values. But, as in the earlier outing, these elements are ultimately eclipsed, in this case by a combination of obscenity-laden dialogue and debauched, sometimes perverse behavior.

Returning from the former film is the character of hedonistic British rock star Aldous Snow (Russell Brand), whose attempts to lead a clean and sober life are scuttled, as we witness in the opening scenes, by a breakup with girlfriend Jackie Q (Rose Byrne)—a pop star in her own right—and by a disastrously unsuccessful record that leaves his career in freefall.

In a bid to revive Aldous' popularity, and improve the flagging fortunes of his own company, timid young music executive Aaron Green (Jonah Hill) strikes on the idea of a comeback concert at Los Angeles' Greek Theater, the site, 10 years previously, of Aldous' most legendary performance.

Aaron manages to sell his hard-bitten boss, Sergio (Sean Combs), on the concept, but finds himself tasked with escorting the wily, wayward rocker—whom Sergio describes as "the worst person on earth"—from London to the Left Coast, and depositing him safely at the Greek in time for the planned performance. To make matters worse, on the eve of his departure, Aaron has a potentially relationship-shredding quarrel with his live-in lover, Daphne (Elisabeth Moss, of "Mad Men" fame).

As Aldous drags Aaron through the depths of his fear-and-loathing lifestyle, and as Aaron encourages Aldous to climb his way back toward sobriety, the ill-matched pair bond.

Stoller's script manages to wring poignancy from scenes where Aaron insists on treating Aldous as a person rather than a marketable commodity and from the musician's loving but fraught relationship with his young son, whom he identifies as his only source of happiness. Along with the growing rapport at the heart of the story, Aaron and Daphne's relationship moves, however indirectly, toward renewed commitment and deepened exclusivity, though there's no hint of marriage.

But along the way to a moderately acceptable wrap-up, this globe-trotting exercise in excess makes detours portraying casual and group sex, a visit to a strip club, and extensive indulgence in drugs and drunkenness. As is typical for a Judd Apatow production, moreover, there's hardly a punch line that's not peppered by the F-word or some other vulgarity.

The film contains brief graphic nonmarital sexual activity, scenes of aberrant sexuality, cohabitation, drug use, some gruesome images, upper female and rear nudity, much sexual humor, a couple of uses of profanity and pervasive rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Antonio Lucci: Antonio studied with and was a friend of St. Francesco Antonio Fasani, who after Antonio Lucci’s death testified at the diocesan hearings regarding the holiness of Lucci. 
<p>Born in Agnone in southern Italy, a city famous for manufacturing bells and copper crafts, he was given the name Angelo at Baptism. He attended the local school run by the Conventual Franciscans and joined them at the age of 16. Antonio completed his studies for the priesthood in Assisi, where he was ordained in 1705. Further studies led to a doctorate in theology and appointments as a teacher in Agnone, Ravello and Naples. He also served as guardian in Naples. </p><p>Elected minister provincial in 1718, the following year he was appointed professor at St. Bonaventure College in Rome, a position he held until Pope Benedict XIII chose him as bishop of Bovino (near Foggia) in 1729. The pope explained, "I have chosen as bishop of Bovino an eminent theologian and a great saint." </p><p>His 23 years as bishop were marked by visits to local parishes and a renewal of gospel living among the people of his diocese. He dedicated his episcopal income to works of education and charity. At the urging of the Conventual minister general, Bishop Lucci wrote a major book about the saints and blesseds in the first 200 years of the Conventual Franciscans. </p><p>He was beatified in 1989, three years after his friend Francesco Antonio Fasani was canonized.</p> American Catholic Blog Not too many people need academia to teach them the power of positives. That has been known since Adam and Eve. The soul of strong family life is wrapped throughout with positives—love, affection, praise, commitment. The more a child receives the positives, the less he gives the negatives.

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