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ON FAITH & MEDIA View Comments

Letters to Juliet

By
Joseph McAleer
Source: Catholic News Service


Gael Garcia Bernal and Amanda Seyfried star in a scene from the movie "Letters to Juliet."
"Letters to Juliet" (Summit) is a good-humored, old-fashioned, multigenerational romantic comedy—set against the backdrop of a picturesque Italian travelogue—that will have daughters, mothers, and grandmothers pondering the same question: "Does true love have an expiration date?"

Our heroine is Sophie (Amanda Seyfried), a fact-checker for The New Yorker magazine and an aspiring writer who travels to Italy with her fiance, Victor (Gael Garcia Bernal), a chef who is opening a new restaurant. They land in Verona, the "City of Lovers," where the spirit of Shakespeare's tragedy "Romeo and Juliet"—which takes place there—still looms large.

When food-obsessed Victor sets off in search of the perfect truffle, Sophie is left to explore the town on her own. She visits the house traditionally identified as Juliet Capulet's, complete with the famous balcony, and discovers a kind of Wailing Wall for the amorous, where lovesick women leave letters seeking relationship advice. These missives are answered by the ladies of the "Club di Giulietta," who take Sophie under their wing.

Sophie finds a 50-year-old letter hidden in the wall by an Englishwoman named Claire, and decides to answer it.

Only days later, Claire—all grown up into the luminous Vanessa Redgrave—returns to Verona, determined to find Lorenzo, her one true love of a half-century ago. She bonds with Sophie, much to the chagrin of her skeptical grandson, Charlie (Christopher Egan), and the unlikely trio sets off on their mission, determined to succeed despite the dozens of phony Lorenzos who cross their path.

The picture-perfect views of the Italian countryside and of magnificent cities such as Siena are a major bonus of "Letters to Juliet" and fit the ultra-romantic tone of the film.

Will Claire be reunited with her Lorenzo? Will Sophie's fiance find her more interesting than Italian cuisine? Is there a romantic heart beating inside Charlie's cold exterior? Put it this way: "Letters to Juliet" ends a lot more happily than Shakespeare's play, and in a manner worthy of a Harlequin romance novel.

Directed by Gary Winick ("Bride Wars," "Charlotte's Web"), "Letters to Juliet" is one of those rare contemporary Hollywood films that explore—in a respectful and sincere way—time-honored themes of love, family, loss and destiny. Apart from the elements mentioned below, moreover, this is a generally wholesome film that can be enjoyed by most family members.

The film contains an implied premarital relationship and a brief obscene gesture. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The people who know God well—the hermits, the prayerful people, those who risk everything to find God—always meet a lover, not a dictator. God is never found to be an abusive father or a manipulative mother, but a lover who is more than we dared hope for.

 
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