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ON FAITH & MEDIA View Comments

Iron Man 2

By
John Mulderig
Source: Catholic News Service


A scene from the movie "Iron Man 2" starring Robert Downey Jr.
Some viewers will be perfectly happy to accept the stylish sci-fi follow-up "Iron Man 2" (Paramount/Marvel) at face value, looking for nothing more than diversion from this almost entirely gore-free, though steadily clash-laden, action story. Yet below the glossy surface of director Jon Favreau's second adaptation of a popular comic book series that originated in 1963, others may perceive a cautionary tale about the two-edged potential of modern munitions.

The sequel's opening scenes find freewheeling weapons manufacturer Tony Stark (Robert Downey Jr.) the lone arbiter of global peace, thanks to the high-tech suit of armor that transforms him at will into the titular, seemingly invincible, hero.

As Stark's subpoenaed appearance before a Senate committee—chaired by the comically irksome Senator Stern (Garry Shandling)—makes abundantly clear, however, this is not a state of affairs that sits well with the political establishment. Summoned to testify at the same hearing, even Stark's friend and former military liaison, Lt. Col. "Rhodey" Rhodes (Don Cheadle replacing Terrence Howard) is forced to admit his doubts about his buddy's monopoly on world power.

In a parallel to the nuclear arms race of the 1950s and 1960s, a rival to Stark—who is nothing if not characteristically American in both his virtues and his vices—emerges in the person of gifted but warped Russian scientist Ivan Vanko (Mickey Rourke).

Bearing a personal grudge against Stark—their fathers were partners until an acrimonious split that Vanko blames for his dad's subsequent ruin—and armed with an Iron Man-like outfit of his own invention that emits whiplashing bands of destructive energy, Vanko eventually allies himself with another of Stark's opponents, smarmy competing industrialist Justin Hammer (Sam Rockwell).

With further plot developments producing yet another would-be Iron Man, as well as a legion of remote-controlled Iron Man-style drones, and with Stark wavering between responsibility and moral breakdown, Justin Theroux's script explores the impact of weapons-based clout as concentrated in the hands of the good, the bad and the uncertain.

James Bond-style playboy Stark also entangles himself in romantic complications, as fetching newcomer to Stark Industries Natalie (Scarlett Johansson) further confuses his already ambivalent relationship with his ever-supportive, but frequently exasperated, executive assistant "Pepper" Potts (Gwyneth Paltrow). Though Stark's lustful ways are referenced for laughs, there's nothing more than kissing onscreen, and this second installment sees him moving further down the path toward domestic respectability.

The film contains considerable, though virtually bloodless, action violence; some sexual humor and references; at least one instance of profanity; a bleeped use of the F-word; a couple of crude expressions; and occasional crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother (August 27), the instructions of Ambrose (December 7) and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Silence is the ability to trust that God is acting, teaching, and using me—even before I perform or after my seeming failures. Silence is the necessary space around things that allows them to develop and flourish without my pushing. God takes it from there.

 
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