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ON FAITH & MEDIA View Comments

A Nightmare on Elm Street

By
John Mulderig
Source: Catholic News Service

What the world needs now, to paraphrase an old song, is a reboot of the 1980s slasher franchise "A Nightmare on Elm Street" (Warner Bros.). Well, no, not really.

Ex-janitor-turned-crazed-killer Freddy Krueger (formerly Robert Englund, now Jackie Earle Haley) and his famously fatal fingers return to prey on the dreams—and, darn it, the real lives—of a new generation of small-town teens, including diner waitress and would-be artist Nancy (Rooney Mara), jittery emo boy Quentin (Kyle Gallner), cheerleader-type Kris (Katie Cassidy) and her brooding boyfriend Dean (Kellan Lutz).

The sexual content of this latest entry in a relentlessly objectionable series of horror outings—dating from Wes Craven's 1984 original—is relatively restrained, though when Kris asks Dean to spend the night with her to allay her fears of encountering Freddy, it's pretty obvious that this is not the first time the pair have shared a bed. And Wesley Strick and Eric Heisserer's script also deals indirectly, yet cheaply, with the disturbing subject of child molestation.

But the gore quotient—one character is seen literally swimming in blood—remains excessive, as veteran music video director Samuel Bayer, in his feature debut, relies on the tried and trite recipe of sending interchangeable insomniacs to a gory doom. Thus we not only witness Freddy's victims being battered, impaled and more or less ripped to shreds, but also hung up as perverse trophies in plasma-soaked, see-through body bags.

In short, it's more than high time for this dehumanizing saga to bid us all—in the words of another classic number—"so long, farewell, auf Wiedersehen, goodbye."

The film contains intense bloody violence; gruesome imagery; a pedophilia theme; an implied nonmarital relationship; a couple uses of profanity; at least a dozen instances of the F-word; and some crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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