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ON FAITH & MEDIA View Comments

A Nightmare on Elm Street

By
John Mulderig
Source: Catholic News Service

What the world needs now, to paraphrase an old song, is a reboot of the 1980s slasher franchise "A Nightmare on Elm Street" (Warner Bros.). Well, no, not really.

Ex-janitor-turned-crazed-killer Freddy Krueger (formerly Robert Englund, now Jackie Earle Haley) and his famously fatal fingers return to prey on the dreams—and, darn it, the real lives—of a new generation of small-town teens, including diner waitress and would-be artist Nancy (Rooney Mara), jittery emo boy Quentin (Kyle Gallner), cheerleader-type Kris (Katie Cassidy) and her brooding boyfriend Dean (Kellan Lutz).

The sexual content of this latest entry in a relentlessly objectionable series of horror outings—dating from Wes Craven's 1984 original—is relatively restrained, though when Kris asks Dean to spend the night with her to allay her fears of encountering Freddy, it's pretty obvious that this is not the first time the pair have shared a bed. And Wesley Strick and Eric Heisserer's script also deals indirectly, yet cheaply, with the disturbing subject of child molestation.

But the gore quotient—one character is seen literally swimming in blood—remains excessive, as veteran music video director Samuel Bayer, in his feature debut, relies on the tried and trite recipe of sending interchangeable insomniacs to a gory doom. Thus we not only witness Freddy's victims being battered, impaled and more or less ripped to shreds, but also hung up as perverse trophies in plasma-soaked, see-through body bags.

In short, it's more than high time for this dehumanizing saga to bid us all—in the words of another classic number—"so long, farewell, auf Wiedersehen, goodbye."

The film contains intense bloody violence; gruesome imagery; a pedophilia theme; an implied nonmarital relationship; a couple uses of profanity; at least a dozen instances of the F-word; and some crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Sharbel Makhluf: Although this saint never traveled far from the Lebanese village of Beka-Kafra, where he was born, his influence has spread widely. 
<p>Joseph Zaroun Makluf was raised by an uncle because his father, a mule driver, died when Joseph was only three. At the age of 23, Joseph joined the Monastery of St. Maron at Annaya, Lebanon, and took the name Sharbel in honor of a second-century martyr. He professed his final vows in 1853 and was ordained six years later. </p><p>Following the example of the fifth-century St. Maron, Sharbel lived as a hermit from 1875 until his death. His reputation for holiness prompted people to seek him to receive a blessing and to be remembered in his prayers. He followed a strict fast and was very devoted to the Blessed Sacrament. When his superiors occasionally asked him to administer the sacraments to nearby villages, Sharbel did so gladly. </p><p>He died in the late afternoon on Christmas Eve. Christians and non-Christians soon made his tomb a place of pilgrimage and of cures. Pope Paul VI beatified him in 1965 and canonized him 12 years later.</p> American Catholic Blog You cannot claim to be ‘for Christ’ and espouse a political cause that implies callous indifference to the needs of millions of human beings and even cooperate in their destruction.

 
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