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ON FAITH & MEDIA View Comments

The Losers

By
John P. McCarthy
Source: Catholic News Service


Jeffrey Dean Morgan and Idris Elba star in a scene from the movie "The Losers." The USCCB Office for Film & Broadcasting classification is L—limited adult audience.
Though the slick, slam-bam action comedy "The Losers" (Warner Bros.) holds itself in higher regard than its deprecatory title and flippant tone would suggest, its appearance is a sure sign that Hollywood wouldn't mind extending the summer movie season to include every week on the calendar.

As disposable as any flick designed to fill multiplexes during the dog days of August, it can only make a winner out of studio bankers.

Developed from a comic-book series of relatively recent vintage, "The Losers" fancies itself far more hip and original than it is. Swagger may be essential to the picture's blend of stylized violence and macho jocularity, but the result is wearisome and would certainly qualify as morally objectionable if the violence were more explicit.

Passing for principled heroes in this milieu are five ex-special forces soldiers who, at the outset, toil for the CIA in an official yet clandestine capacity.

Deep inside the Bolivian jungle, unit leader Clay (Jeffrey Dean Morgan), communications expert Jensen (Chris Evans), demolitions ace Roque (Idris Elba), transportation specialist Pooch (Columbus Short) and marksman Cougar (Oscar Jaenada) undertake a mission at the behest of a shadowy spymaster known as Max (Jason Patric).

While paving the way for an air assault on a local drug dealer, they spy 25 children in the targeted compound. Defying their orders, they attempt to rescue the innocents.

But when the first of the movie's countless fireballs subsides, they realize Max has double-crossed them. Presumed dead, our five de facto exiles are stuck in Bolivia, losers in their own eyes and fugitives according to Uncle Sam. That is, until the comely and lethal Aisha (Zoe Saldana of "Avatar") turns up and promises to sneak them back into the United States if they agree to eliminate Max.

Along the way to that goal, there's much erotic tension—and a bedroom scene—between Aisha and Clay and a good deal of alpha-male conflict between Clay and Roque.

Playing like an elaborate episode of the 1980s TV series "The A-Team," the predictable plot features a few twists before the groundwork is laid for a sequel. "The Loser's" modicum of humor is attributable to Evans' likable performance.

Director Sylvain White ("Stomp the Yard") applies a music-video sensibility, making ample use of slo-mo shots of the heroes walking in stride and letting fast edits and certain graphic overlays pass for cinematic ingenuity. The production is praiseworthy insofar as the action sequences are well-choreographed, which makes you appreciate even more that the mayhem is never graphic.

The film contains a moderately explicit nonmarital sexual encounter, some profanity, at least two instances of rough language, a steady stream of crude and crass verbiage, frequent bloodless violence and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is L —limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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