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ON FAITH & MEDIA View Comments

The Losers

By
John P. McCarthy
Source: Catholic News Service


Jeffrey Dean Morgan and Idris Elba star in a scene from the movie "The Losers." The USCCB Office for Film & Broadcasting classification is L—limited adult audience.
Though the slick, slam-bam action comedy "The Losers" (Warner Bros.) holds itself in higher regard than its deprecatory title and flippant tone would suggest, its appearance is a sure sign that Hollywood wouldn't mind extending the summer movie season to include every week on the calendar.

As disposable as any flick designed to fill multiplexes during the dog days of August, it can only make a winner out of studio bankers.

Developed from a comic-book series of relatively recent vintage, "The Losers" fancies itself far more hip and original than it is. Swagger may be essential to the picture's blend of stylized violence and macho jocularity, but the result is wearisome and would certainly qualify as morally objectionable if the violence were more explicit.

Passing for principled heroes in this milieu are five ex-special forces soldiers who, at the outset, toil for the CIA in an official yet clandestine capacity.

Deep inside the Bolivian jungle, unit leader Clay (Jeffrey Dean Morgan), communications expert Jensen (Chris Evans), demolitions ace Roque (Idris Elba), transportation specialist Pooch (Columbus Short) and marksman Cougar (Oscar Jaenada) undertake a mission at the behest of a shadowy spymaster known as Max (Jason Patric).

While paving the way for an air assault on a local drug dealer, they spy 25 children in the targeted compound. Defying their orders, they attempt to rescue the innocents.

But when the first of the movie's countless fireballs subsides, they realize Max has double-crossed them. Presumed dead, our five de facto exiles are stuck in Bolivia, losers in their own eyes and fugitives according to Uncle Sam. That is, until the comely and lethal Aisha (Zoe Saldana of "Avatar") turns up and promises to sneak them back into the United States if they agree to eliminate Max.

Along the way to that goal, there's much erotic tension—and a bedroom scene—between Aisha and Clay and a good deal of alpha-male conflict between Clay and Roque.

Playing like an elaborate episode of the 1980s TV series "The A-Team," the predictable plot features a few twists before the groundwork is laid for a sequel. "The Loser's" modicum of humor is attributable to Evans' likable performance.

Director Sylvain White ("Stomp the Yard") applies a music-video sensibility, making ample use of slo-mo shots of the heroes walking in stride and letting fast edits and certain graphic overlays pass for cinematic ingenuity. The production is praiseworthy insofar as the action sequences are well-choreographed, which makes you appreciate even more that the mayhem is never graphic.

The film contains a moderately explicit nonmarital sexual encounter, some profanity, at least two instances of rough language, a steady stream of crude and crass verbiage, frequent bloodless violence and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is L —limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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Mary: Pius XII established this feast in 1954. But Mary’s queenship has roots in Scripture. At the Annunciation, Gabriel announced that Mary’s Son would receive the throne of David and rule forever. At the Visitation, Elizabeth calls Mary “mother of my Lord.” As in all the mysteries of Mary’s life, Mary is closely associated with Jesus: Her queenship is a share in Jesus’ kingship. We can also recall that in the Old Testament the mother of the king has great influence in court. 
<p>In the fourth century St. Ephrem (June 9)  called Mary “Lady” and “Queen.” Later Church fathers and doctors continued to use the title. Hymns of the 11th to 13th centuries address Mary as queen: “Hail, Holy Queen,” “Hail, Queen of Heaven,” “Queen of Heaven.” The Dominican rosary and the Franciscan crown as well as numerous invocations in Mary’s litany celebrate her queenship. </p><p>The feast is a logical follow-up to the Assumption and is now celebrated on the octave day of that feast. In his 1954 encyclical <i>To the Queen of Heaven</i>, Pius XII points out that Mary deserves the title because she is Mother of God, because she is closely associated as the New Eve with Jesus’ redemptive work, because of her preeminent perfection and because of her intercessory power.</p> American Catholic Blog No one listens willingly to someone who speaks to them from a position of self-righteousness and judgment. Again and again in the Gospels, Jesus reserves his harshest words for those who ignore their own weakness in order to lord it over others.

 
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