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ON FAITH & MEDIA View Comments

Oceans

By
John P. McCarthy
Source: Catholic News Service


A scuba diver swims next to a great white shark in the movie "Oceans."
The second movie released under Walt Disney Studios' new nature label is even more ambitious and wide-ranging than last year's "Earth." Arriving in theaters on Earth Day 2010, "Oceans" (Disneynature) offers as many visual delights as its predecessor while making a surprisingly sophisticated, indeed metaphysical, argument for responsible environmental stewardship.

Shot over a four-year period, the marine documentary has a poetic, meditative quality that ultimately echoes even more resoundingly than its portrayal of the awesome power and tumultuous wonders of the sea. The best nature films present spectacular pictures, tell a dramatic story (which usually entails a high degree of anthropomorphizing) and impart facts. Co-directors and writers Jacques Perrin and Jacques Cluzaud, who previously collaborated on the Academy Award-nominated "Winged Migration," don't skimp on arresting images but have difficulty piecing together a cohesive narrative.

And because they decline to transmit much data, at times the viewer is left wanting more explanatory detail.

Their stated goal is to provide an emotional experience that will heighten viewer sensitivity to the aquatic ecosystem. Although they touch on a handful of ways in which the human race threatens the oceans (seeing fish caught in commercial nets is particularly poignant), their philosophical approach sees mankind as the potential hero of the piece, not merely its villain. Messieurs Perrin and Cluzaud are hopeful, accurately contending that our collective will to protect the ocean has never been stronger.

They begin by posing the question "What is the sea?" and end by claiming that to understand the ocean is to put a mirror up to ourselves. The journey of communal self-examination they lead spans all five oceans, submerging viewers into the waters off the Galapagos Islands, Costa Rica, South Africa and the Antarctic in loosely connected sequences featuring myriad sea creatures, both familiar and exotic.

Highlights include a thrilling segment during which hosts of marine birds, sharks and whales simultaneously feast on schools of sardines; a suspenseful nighttime visit to the ocean floor; and dynamic footage of dolphins playfully cutting through the deep. Cooperation between different species is showcased as prominently as predation. And those needing their penguin fix won't be disappointed.

Visually, "Oceans" scores high marks, and it's a bit surprising that the movie isn't being released in 3-D or on Imax screens. The 35mm digital cinematography is most remarkable for its ability to capture fast movement. Sonic phenomena -- birdcalls, whale songs, plus the sounds of churning, storm-tossed waters—are as memorable as the film's eye-catching splendors. They're well matched by the pleasing tones of narrator Pierce Brosnan.

The message that conservation is in humankind's self-interest and that we must endeavor to live in harmony with every denizen of the sea is unassailable.

In addition to refraining from eco-scaremongering, the filmmakers avoid disturbing images. When, for instance, killer whales and great white sharks are seen hunting sea lions and fur seals, or frigate birds pluck newly hatched turtles from the sand, they cut away before showing anything too graphic, and so the film contains nothing objectionable. The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences. All ages admitted.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.


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Paul Miki and Companions: Nagasaki, Japan, is familiar to Americans as the city on which the second atomic bomb was dropped, immediately killing over 37,000 people. Three and a half centuries before, 26 martyrs of Japan were crucified on a hill, now known as the Holy Mountain, overlooking Nagasaki. Among them were priests, brothers and laymen, Franciscans, Jesuits and members of the Secular Franciscan Order; there were catechists, doctors, simple artisans and servants, old men and innocent children—all united in a common faith and love for Jesus and his Church. 
<p>Brother Paul Miki, a Jesuit and a native of Japan, has become the best known among the martyrs of Japan. While hanging upon a cross, Paul Miki preached to the people gathered for the execution: “The sentence of judgment says these men came to Japan from the Philippines, but I did not come from any other country. I am a true Japanese. The only reason for my being killed is that I have taught the doctrine of Christ. I certainly did teach the doctrine of Christ. I thank God it is for this reason I die. I believe that I am telling only the truth before I die. I know you believe me and I want to say to you all once again: Ask Christ to help you to become happy. I obey Christ. After Christ’s example I forgive my persecutors. I do not hate them. I ask God to have pity on all, and I hope my blood will fall on my fellow men as a fruitful rain.” </p><p>When missionaries returned to Japan in the 1860s, at first they found no trace of Christianity. But after establishing themselves they found that thousands of Christians lived around Nagasaki and that they had secretly preserved the faith. Beatified in 1627, the martyrs of Japan were finally canonized in 1862.</p> American Catholic Blog By way of analogy, we are taught that we all have the same sun shining on us and we all have the same rain falling on us. It is how we deal with sun and rain, how we deal with the happy and the not-so-happy things of life that causes our interior weather. Basically, we do it to ourselves.

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