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ON FAITH & MEDIA View Comments

Oceans

By
John P. McCarthy
Source: Catholic News Service


A scuba diver swims next to a great white shark in the movie "Oceans."
The second movie released under Walt Disney Studios' new nature label is even more ambitious and wide-ranging than last year's "Earth." Arriving in theaters on Earth Day 2010, "Oceans" (Disneynature) offers as many visual delights as its predecessor while making a surprisingly sophisticated, indeed metaphysical, argument for responsible environmental stewardship.

Shot over a four-year period, the marine documentary has a poetic, meditative quality that ultimately echoes even more resoundingly than its portrayal of the awesome power and tumultuous wonders of the sea. The best nature films present spectacular pictures, tell a dramatic story (which usually entails a high degree of anthropomorphizing) and impart facts. Co-directors and writers Jacques Perrin and Jacques Cluzaud, who previously collaborated on the Academy Award-nominated "Winged Migration," don't skimp on arresting images but have difficulty piecing together a cohesive narrative.

And because they decline to transmit much data, at times the viewer is left wanting more explanatory detail.

Their stated goal is to provide an emotional experience that will heighten viewer sensitivity to the aquatic ecosystem. Although they touch on a handful of ways in which the human race threatens the oceans (seeing fish caught in commercial nets is particularly poignant), their philosophical approach sees mankind as the potential hero of the piece, not merely its villain. Messieurs Perrin and Cluzaud are hopeful, accurately contending that our collective will to protect the ocean has never been stronger.

They begin by posing the question "What is the sea?" and end by claiming that to understand the ocean is to put a mirror up to ourselves. The journey of communal self-examination they lead spans all five oceans, submerging viewers into the waters off the Galapagos Islands, Costa Rica, South Africa and the Antarctic in loosely connected sequences featuring myriad sea creatures, both familiar and exotic.

Highlights include a thrilling segment during which hosts of marine birds, sharks and whales simultaneously feast on schools of sardines; a suspenseful nighttime visit to the ocean floor; and dynamic footage of dolphins playfully cutting through the deep. Cooperation between different species is showcased as prominently as predation. And those needing their penguin fix won't be disappointed.

Visually, "Oceans" scores high marks, and it's a bit surprising that the movie isn't being released in 3-D or on Imax screens. The 35mm digital cinematography is most remarkable for its ability to capture fast movement. Sonic phenomena -- birdcalls, whale songs, plus the sounds of churning, storm-tossed waters—are as memorable as the film's eye-catching splendors. They're well matched by the pleasing tones of narrator Pierce Brosnan.

The message that conservation is in humankind's self-interest and that we must endeavor to live in harmony with every denizen of the sea is unassailable.

In addition to refraining from eco-scaremongering, the filmmakers avoid disturbing images. When, for instance, killer whales and great white sharks are seen hunting sea lions and fur seals, or frigate birds pluck newly hatched turtles from the sand, they cut away before showing anything too graphic, and so the film contains nothing objectionable. The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences. All ages admitted.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.


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Agnes of Bohemia: Agnes had no children of her own but was certainly life-giving for all who knew her. 
<p>Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. At the age of three, she was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. </p><p>After declining marriages to King Henry VII of Germany and Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. </p><p>After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. St. Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. </p><p>Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess; nevertheless, the title she preferred was "senior sister." Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother’s offer to set up an endowment for the monastery. </p><p>Devotion to Agnes arose soon after her death on March 6, 1282. She was canonized in 1989.</p> American Catholic Blog We do not need to pile up words upon words in order to be heard in the heart of God. Jesus also has a very comforting message: The Father knows what we need even before we ask for it.


 
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