AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Kick-Ass

By
John Mulderig
Source: Catholic News Service

The seemingly never-ending search, among some in Hollywood, for those rare screen taboos that have yet to be toppled results in the jaw-dropping spectacle of Mindy Macready, aka Hit Girl (Chloe Grace Moretz).

She's the blithely murderous masked tween with a fondness for spouting such vulgarities as the C-word whose viciously efficient mowing down of her enemies is central to the plot of "Kick-Ass" (Lionsgate), an intentionally outrageous but deeply perverse action comedy.

Home-schooled as an assassin by her father, Damon (Nicolas Cage)—a deranged ex-police officer who also has a costumed alter ego named Big Daddy—Hit Girl serves as an ally in Big Daddy's feud with Frank D'Amico (Mark Strong), the straight-from-central-casting mob boss who frame-up of Damon landed the honest cop in prison. The trauma of Damon's jail time, we learn, resulted in the death of Hit Girl's mother and the birth of an obsessive vendetta.

Stumbling into the midst of this conflict comes the film's hero, ordinary high school student Dave Lizewski (Aaron Johnson). Fed up with the petty thievery by which he's constantly victimized, nerdy Dave has taken time off from habitually pleasuring himself with the help of Internet porn to create the would-be superhero of the title.

As Dave soon discovers, however, it takes more than the mail-order wetsuit that constitutes Kick-Ass' outfit to bring down the bad guys, and he first encounters Hit Girl when she saves him from the potentially fatal consequences of his well-intentioned but ill-advised overreaching.

Intent on using Kick-Ass to get to his father's enemies, Frank's spoiled son Chris (Christopher Mintz-Plasse), a fellow student of Dave's, creates a persona of his own called Red Mist whose hip lifestyle includes a fancy sports car and easy access to marijuana.

As the plot approaches its ultra-violent conclusion, director and co-writer (with Jane Golman) Matthew Vaughn's adaptation of Mark Millar and John S. Romita Jr.'s series of comic books fills the screen with bloody mayhem. Characters from either side who fall into the wrong hands find themselves crushed by machinery, riddled by Gatling guns and even exploded inside a giant microwave designed to dry lumber.

The film contains much gory violence including torture and dismemberment, brief graphic nonmarital sexual activity and offscreen masturbation, upper female nudity, drug use, a few instances of profanity and pervasive rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

The Chime Travelers Secret of the Shamrock

 
CATHOLIC GREETINGS
The Visitation
Mary’s song of joy on this occasion traces all her blessings to God’s generosity.

St. Joan of Arc
The piety of this 15th-century military heroine was not appreciated until centuries after her death.

Most Holy Body and Blood of Christ
Ultimately it is the Eucharist that feeds us and leads us to the heavenly banquet.

Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

Memorial Day (U.S.)
This weekend remember all those who have fought and died for peace.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016