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ON FAITH & MEDIA View Comments

Kick-Ass

By
John Mulderig
Source: Catholic News Service

The seemingly never-ending search, among some in Hollywood, for those rare screen taboos that have yet to be toppled results in the jaw-dropping spectacle of Mindy Macready, aka Hit Girl (Chloe Grace Moretz).

She's the blithely murderous masked tween with a fondness for spouting such vulgarities as the C-word whose viciously efficient mowing down of her enemies is central to the plot of "Kick-Ass" (Lionsgate), an intentionally outrageous but deeply perverse action comedy.

Home-schooled as an assassin by her father, Damon (Nicolas Cage)—a deranged ex-police officer who also has a costumed alter ego named Big Daddy—Hit Girl serves as an ally in Big Daddy's feud with Frank D'Amico (Mark Strong), the straight-from-central-casting mob boss who frame-up of Damon landed the honest cop in prison. The trauma of Damon's jail time, we learn, resulted in the death of Hit Girl's mother and the birth of an obsessive vendetta.

Stumbling into the midst of this conflict comes the film's hero, ordinary high school student Dave Lizewski (Aaron Johnson). Fed up with the petty thievery by which he's constantly victimized, nerdy Dave has taken time off from habitually pleasuring himself with the help of Internet porn to create the would-be superhero of the title.

As Dave soon discovers, however, it takes more than the mail-order wetsuit that constitutes Kick-Ass' outfit to bring down the bad guys, and he first encounters Hit Girl when she saves him from the potentially fatal consequences of his well-intentioned but ill-advised overreaching.

Intent on using Kick-Ass to get to his father's enemies, Frank's spoiled son Chris (Christopher Mintz-Plasse), a fellow student of Dave's, creates a persona of his own called Red Mist whose hip lifestyle includes a fancy sports car and easy access to marijuana.

As the plot approaches its ultra-violent conclusion, director and co-writer (with Jane Golman) Matthew Vaughn's adaptation of Mark Millar and John S. Romita Jr.'s series of comic books fills the screen with bloody mayhem. Characters from either side who fall into the wrong hands find themselves crushed by machinery, riddled by Gatling guns and even exploded inside a giant microwave designed to dry lumber.

The film contains much gory violence including torture and dismemberment, brief graphic nonmarital sexual activity and offscreen masturbation, upper female nudity, drug use, a few instances of profanity and pervasive rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Paul of the Cross: 
		<p>Born in northern Italy in 1694, Paul Daneo lived at a time when many regarded Jesus as a great moral teacher but no more. After a brief time as a soldier, he turned to solitary prayer, developing a devotion to Christ’s passion. Paul saw in the Lord’s passion a demonstration of God’s love for all people. In turn that devotion nurtured his compassion and supported a preaching ministry that touched the hearts of many listeners. He was known as one of the most popular preachers of his day, both for his words and for his generous acts of mercy. </p>
		<p>In 1720 Paul founded the Congregation of the Passion, whose members combined devotion to Christ’s passion with preaching to the poor and rigorous penances. Known as the Passionists, they add a fourth vow to the traditional three of poverty, chastity, and obedience, to spread the memory of Christ’s passion among the faithful. Paul was elected superior general of the Congregation in 1747, spending the remainder of his life in Rome. </p>
		<p>Paul of the Cross died in 1775, and was canonized in 1867. Over 2000 of his letters and several of his short writings have survived. </p>
American Catholic Blog Always bear in mind as a safe general rule that while God tries us by His crosses and sufferings, He always leaves us a glimmer of light by which we continue to have great trust in him and to recognize His immense goodness.

 
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