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ON FAITH & MEDIA View Comments

Death at a Funeral

By
John Mulderig
Source: Catholic News Service

"Death at a Funeral" (Screen Gems), director Neil LaBute's Americanization of Frank Oz's 2007 British comedy of the same title, mostly seeks its laughs in the bedroom and bathroom. The results are predictably woeful, with LaBute and screenwriter Dean Craig—who also wrote the original film—largely wasting the gifts of a potentially winning cast.

This ensemble farce relates the various outlandish mishaps that befall estranged brothers Aaron (Chris Rock) and Ryan (Martin Lawrence) and a number their relatives and friends (notably James Marsden, Tracy Morgan and Danny Glover) as they all gather to bury the family patriarch.

Among the supposedly humorous developments delaying the obsequies are the insistent pleas of Aaron's wife, Michelle (Regina Hall), that the couple slip upstairs and take advantage of her fertility cycle to conceive their first child, and an incident in which Morgan's character helps Glover, playing wheelchair-bound and cantankerous Uncle Russell, to use the toilet, only to find himself the victim of a repulsive—and vividly portrayed—accident.

Another story line hinges on the played-for-laughs revelation of the deceased's concealed relationship with a mysterious stranger named Frank (Peter Dinklage), who now threatens to show incriminating photos to the widow (Loretta Devine) unless he's paid $30,000 in hush money.

Though Marsden initially has some daffy fun with the role of a future in-law who mistakenly takes a hallucinogenic, thinking it's Valium, by the time he ends up climbing around on the roof of the family home stark naked, it's pretty clear that "Death at a Funeral" is DOA.

The film contains frivolous treatment of adulterous homosexuality, rear and partial nudity, a drug theme, graphic scatological humor, sexual jokes and references, a half-dozen uses of profanity and frequent rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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<p>At the time there were abuses and vestiges of paganism evident in his diocese, and these he was determined to battle and overcome. His principal weapon was the short sermon, and many of them have come down to us. They do not contain great originality of thought. They are, however, full of moral applications, sound in doctrine and historically significant in that they reveal Christian life in fifth-century Ravenna. So authentic were the contents of his sermons that, some 13 centuries later, he was declared a doctor of the Church by Pope Benedict XIII. He who had earnestly sought to teach and motivate his own flock was recognized as a teacher of the universal Church. </p><p>In addition to his zeal in the exercise of his office, Peter Chrysologus was distinguished by a fierce loyalty to the Church, not only in its teaching, but in its authority as well. He looked upon learning not as a mere opportunity but as an obligation for all, both as a development of God-given faculties and as a solid support for the worship of God. </p><p>Some time before his death, St. Peter returned to Imola, his birthplace, where he died around A.D. 450.</p> American Catholic Blog What gives manners their social weight? More than simple etiquette, it’s their message: I am treating you with courtesy because I believe you deserve it. Manners talk respect. It’s not a stretch to hear manners as a small piece of kindness.

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