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ON FAITH & MEDIA View Comments

Death at a Funeral

By
John Mulderig
Source: Catholic News Service

"Death at a Funeral" (Screen Gems), director Neil LaBute's Americanization of Frank Oz's 2007 British comedy of the same title, mostly seeks its laughs in the bedroom and bathroom. The results are predictably woeful, with LaBute and screenwriter Dean Craig—who also wrote the original film—largely wasting the gifts of a potentially winning cast.

This ensemble farce relates the various outlandish mishaps that befall estranged brothers Aaron (Chris Rock) and Ryan (Martin Lawrence) and a number their relatives and friends (notably James Marsden, Tracy Morgan and Danny Glover) as they all gather to bury the family patriarch.

Among the supposedly humorous developments delaying the obsequies are the insistent pleas of Aaron's wife, Michelle (Regina Hall), that the couple slip upstairs and take advantage of her fertility cycle to conceive their first child, and an incident in which Morgan's character helps Glover, playing wheelchair-bound and cantankerous Uncle Russell, to use the toilet, only to find himself the victim of a repulsive—and vividly portrayed—accident.

Another story line hinges on the played-for-laughs revelation of the deceased's concealed relationship with a mysterious stranger named Frank (Peter Dinklage), who now threatens to show incriminating photos to the widow (Loretta Devine) unless he's paid $30,000 in hush money.

Though Marsden initially has some daffy fun with the role of a future in-law who mistakenly takes a hallucinogenic, thinking it's Valium, by the time he ends up climbing around on the roof of the family home stark naked, it's pretty clear that "Death at a Funeral" is DOA.

The film contains frivolous treatment of adulterous homosexuality, rear and partial nudity, a drug theme, graphic scatological humor, sexual jokes and references, a half-dozen uses of profanity and frequent rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Wolfgang of Regensburg: Wolfgang was born in Swabia, Germany, and was educated at a school located at the abbey of Reichenau. There he encountered Henry, a young noble who went on to become Archbishop of Trier. Meanwhile, Wolfgang remained in close contact with the archbishop, teaching in his cathedral school and supporting his efforts to reform the clergy. 
<p>At the death of the archbishop, Wolfgang chose to become a Benedictine monk and moved to an abbey in Einsiedeln, now part of Switzerland. Ordained a priest, he was appointed director of the monastery school there. Later he was sent to Hungary as a missionary, though his zeal and good will yielded limited results. </p><p>Emperor Otto II appointed him Bishop of Regensburg near Munich. He immediately initiated reform of the clergy and of religious life, preaching with vigor and effectiveness and always demonstrating special concern for the poor. He wore the habit of a monk and lived an austere life. </p><p>The draw to monastic life never left him, including the desire for a life of solitude. At one point he left his diocese so that he could devote himself to prayer, but his responsibilities as bishop called him back. </p><p>In 994 Wolfgang became ill while on a journey; he died in Puppingen near Linz, Austria. He was canonized in 1052. His feast day is celebrated widely in much of central Europe. </p> American Catholic Blog Keep your gaze always on our most beloved Jesus, asking him in the depths of his heart what he desires for you, and never deny him anything even if it means going strongly against the grain for you. –Blessed Maria Sagrario of St. Aloysius Gonzaga

 
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