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ON FAITH & MEDIA View Comments

Death at a Funeral

By
John Mulderig
Source: Catholic News Service

"Death at a Funeral" (Screen Gems), director Neil LaBute's Americanization of Frank Oz's 2007 British comedy of the same title, mostly seeks its laughs in the bedroom and bathroom. The results are predictably woeful, with LaBute and screenwriter Dean Craig—who also wrote the original film—largely wasting the gifts of a potentially winning cast.

This ensemble farce relates the various outlandish mishaps that befall estranged brothers Aaron (Chris Rock) and Ryan (Martin Lawrence) and a number their relatives and friends (notably James Marsden, Tracy Morgan and Danny Glover) as they all gather to bury the family patriarch.

Among the supposedly humorous developments delaying the obsequies are the insistent pleas of Aaron's wife, Michelle (Regina Hall), that the couple slip upstairs and take advantage of her fertility cycle to conceive their first child, and an incident in which Morgan's character helps Glover, playing wheelchair-bound and cantankerous Uncle Russell, to use the toilet, only to find himself the victim of a repulsive—and vividly portrayed—accident.

Another story line hinges on the played-for-laughs revelation of the deceased's concealed relationship with a mysterious stranger named Frank (Peter Dinklage), who now threatens to show incriminating photos to the widow (Loretta Devine) unless he's paid $30,000 in hush money.

Though Marsden initially has some daffy fun with the role of a future in-law who mistakenly takes a hallucinogenic, thinking it's Valium, by the time he ends up climbing around on the roof of the family home stark naked, it's pretty clear that "Death at a Funeral" is DOA.

The film contains frivolous treatment of adulterous homosexuality, rear and partial nudity, a drug theme, graphic scatological humor, sexual jokes and references, a half-dozen uses of profanity and frequent rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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George: If Mary Magdalene was the victim of misunderstanding, George is the object of a vast amount of imagination. There is every reason to believe that he was a real martyr who suffered at Lydda in Palestine, probably before the time of Constantine. The Church adheres to his memory, but not to the legends surrounding his life. 
<p>That he was willing to pay the supreme price to follow Christ is what the Church believes. And it is enough.</p><p></p><p>The story of George's slaying the dragon, rescuing the king's daughter and converting Libya is a 12th-century Italian fable. George was a favorite patron saint of crusaders, as well as of Eastern soldiers in earlier times. He is a patron saint of England, Portugal, Germany, Aragon, Catalonia, Genoa and Venice.</p> American Catholic Blog Jesus was equal to the Father but did not feel it was below his dignity to obey. We cannot be free unless we are able to surrender our will freely to the will of God. We must obey with full freedom in a spirit of unity and submission and through wholehearted free service to Christ.

 
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