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ON FAITH & MEDIA View Comments

Letters to God

By
John Mulderig
Source: Catholic News Service


Bailee Madison and Tanner Maguire star in a scene from the movie "Letters to God."
Though its underlying theology is evangelical, Catholic viewers—and Christian believers of every stripe—will welcome the inspirational and touching drama "Letters to God" (Vivendi). That's because director David Nixon's family-friendly tale of courage and conversion celebrates the power of Gospel values to transform lives in a way that transcends denominational divides.

Based on real events, this is the story of Tyler Doherty (ably and endearingly played by Tanner Maguire), a faith-filled 8-year-old boy stricken with brain cancer. Tyler's favored method of praying—and of reflecting on his struggles—is to write letters to the Almighty, describing daily events and asking for favors in the kind of chatty tone one might use with a close friend.

But Tyler doesn't just put pen to paper, he also mails his notes, addressed simply "To God, From Tyler."

Initially, this befuddles Brady McDaniels (Jeffrey S. Johnson), the postman who has just taken over the local route in Tyler's Norman Rockwell-esque hometown. Depressed over his recent divorce—and a potentially disastrous mistake that cost him visiting rights with his young son—war vet Brady leads a squalid, solitary life, drinking to excess by night and barely holding on to his job by day.

Still, Brady's unwilling to trash Tyler's correspondence or even drop the envelopes into the dead letter box. Eventually he tries to leave them in a local church, but he's interrupted by the pastor (L. Derek Leonidoff) who insists that Brady keep the missives, since God must have had a reason for choosing him to receive them in the first place.

As Brady gradually befriends Tyler and his family—which includes widowed, overtaxed mom Maddy (Robyn Lively), devout grandmother Olivia (Maree Cheatham) and teen brother Ben (Michael Christopher Bolten), who's emotionally conflicted over Tyler's illness—he finds the lad's innocent piety and against-the-odds optimism subtly wearing away at his own cynicism.

The only noticeable divergence from Catholic teaching comes late in the script when Tyler's perky best friend Samantha (Bailee Madison) expresses the assurance, rather than the trusting hope, that her acceptance of Jesus into her heart will lead her to eternal life.

There are also hints that Brady and Maddy's friendship may develop into something deeper; Tyler prays, in one of his letters, for God to send his mother someone who will relieve her loneliness. But this remains only a vague possibility by the time the credits roll, so the issue of a morally troublesome second marriage for Brady never really arises.

While the inclusion of the mature subjects listed below make this unsuitable entertainment for the youngest viewers, objectionable material of any kind is entirely absent from this heartwarming look at the infectious faith of a young man who, despite the ravages of a potentially terminal illness, continued to treat God as his pen pal.

The film contains themes of life-threatening illness, divorce and alcoholism. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Joseph Calasanz: 
		<p>From Aragon, where he was born in 1556, to Rome, where he died 92 years later, fortune alternately smiled and frowned on the work of Joseph Calasanz. A priest with university training in canon law and theology, respected for his wisdom and administrative expertise, he put aside his career because he was deeply concerned with the need for education of poor children.</p>
		<p>When he was unable to get other institutes to undertake this apostolate at Rome, he and several companions personally provided a free school for deprived children. So overwhelming was the response that there was a constant need for larger facilities to house their effort. Soon Pope Clement VIII gave support to the school, and this aid continued under Pope Paul V. Other schools were opened; other men were attracted to the work and in 1621 the community (for so the teachers lived) was recognized as a religious community, the Clerks Regular of Religious Schools (Piarists or Scolopi). Not long after, Joseph was appointed superior for life.</p>
		<p>A combination of various prejudices and political ambition and maneuvering caused the institute much turmoil. Some did not favor educating the poor, for education would leave the poor dissatisfied with their lowly tasks for society! Others were shocked that some of the Piarists were sent for instruction to Galileo (a friend of Joseph) as superior, thus dividing the members into opposite camps. Repeatedly investigated by papal commissions, Joseph was demoted; when the struggle within the institute persisted, the Piarists were suppressed. Only after Joseph’s death were they formally recognized as a religious community.</p>
American Catholic Blog The Church’s motherhood is a spiritual reality that profoundly affects the lives of believers. In fact, the famous convert to Catholicism Cardinal John Henry Newman once said that it was through his reading and encounter with the Church of the Fathers that “I found my spiritual Mother.”

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