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ON FAITH & MEDIA View Comments

Date Night

By
John Mulderig
Source: Catholic News Service

Occasionally, amid the frenetic proceedings of the romantic comedy-action blend "Date Night" (Fox), the tale's two protagonists—an ordinary married couple from suburban New Jersey—pause to reflect on their enduring commitment to each other and on the threat posed to the vitality of their union by the exhausting demands of professional life and child rearing.

But these well-intentioned elements of Josh Klausner's script are eventually overwhelmed by an increasingly seedy milieu and by the wayward behavior of a number of the characters the pair encounter during the unexpected nocturnal odyssey through the streets of Manhattan on which the plot—which hinges on a case of mistaken identity—launches them.

Anxious to get out of their rut, financial adviser Phil (Steve Carell) and real estate agent Claire (Tina Fey) Foster spontaneously decide to shift the venue of their weekly date night from a local tavern to a popular and pricey Gotham restaurant. With no reservation and no hope of ever being seated, they take the opportunity of another couple's no-show to snag the table they had reserved under the name Tripplehorn.

As the mild-mannered Fosters soon discover, however, Tripplehorn is an alias used by two lowlifes (James Franco and Mila Kunis)—he a drug dealer and she a stripper—who are involved in a blackmail scheme that has roused the ire of local mob boss Joe Miletto (Ray Liotta).

Pursued by two of Miletto's thugs (played by Common and Jimmi Simpson), Phil and Claire turn for help to a former client of hers, James Bond-like international intelligence agent Holbrooke Grant (Mark Wahlberg). Buff Holbrooke—whose perpetual shirtlessness and flirtations with Claire are played for laughs—proves willing to cooperate, despite the fact that the Fosters' visit has interrupted his commitment-free bedroom frolic with a female Israeli agent of his acquaintance.

As directed by Shawn Levy, the Fosters' further adventures bring them into contact with the cohabiting duo whose absence from the eatery started all the misery, and lead on to an underground sex club, awash in scantily clad, pole-dancing bimbos, where they briefly find themselves forced to entertain a powerful patron with perverse tastes.

Though their travails aid Phil and Claire to rekindle their flickering love for each other, and though the well-paired Carell and Fey provide at least a few scenes of enjoyable, understated humor, the sordid doings of the comic foils they meet on their frequently bullet-ridden journey preclude endorsement for most viewers.

The film contains considerable, though bloodless, action violence, partial rear nudity, much sexual humor, including gags about casual sex, masturbation and aberrant practices, at least one use of profanity and of the F-word and some crude and crass language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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