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ON FAITH & MEDIA View Comments

Date Night

By
John Mulderig
Source: Catholic News Service

Occasionally, amid the frenetic proceedings of the romantic comedy-action blend "Date Night" (Fox), the tale's two protagonists—an ordinary married couple from suburban New Jersey—pause to reflect on their enduring commitment to each other and on the threat posed to the vitality of their union by the exhausting demands of professional life and child rearing.

But these well-intentioned elements of Josh Klausner's script are eventually overwhelmed by an increasingly seedy milieu and by the wayward behavior of a number of the characters the pair encounter during the unexpected nocturnal odyssey through the streets of Manhattan on which the plot—which hinges on a case of mistaken identity—launches them.

Anxious to get out of their rut, financial adviser Phil (Steve Carell) and real estate agent Claire (Tina Fey) Foster spontaneously decide to shift the venue of their weekly date night from a local tavern to a popular and pricey Gotham restaurant. With no reservation and no hope of ever being seated, they take the opportunity of another couple's no-show to snag the table they had reserved under the name Tripplehorn.

As the mild-mannered Fosters soon discover, however, Tripplehorn is an alias used by two lowlifes (James Franco and Mila Kunis)—he a drug dealer and she a stripper—who are involved in a blackmail scheme that has roused the ire of local mob boss Joe Miletto (Ray Liotta).

Pursued by two of Miletto's thugs (played by Common and Jimmi Simpson), Phil and Claire turn for help to a former client of hers, James Bond-like international intelligence agent Holbrooke Grant (Mark Wahlberg). Buff Holbrooke—whose perpetual shirtlessness and flirtations with Claire are played for laughs—proves willing to cooperate, despite the fact that the Fosters' visit has interrupted his commitment-free bedroom frolic with a female Israeli agent of his acquaintance.

As directed by Shawn Levy, the Fosters' further adventures bring them into contact with the cohabiting duo whose absence from the eatery started all the misery, and lead on to an underground sex club, awash in scantily clad, pole-dancing bimbos, where they briefly find themselves forced to entertain a powerful patron with perverse tastes.

Though their travails aid Phil and Claire to rekindle their flickering love for each other, and though the well-paired Carell and Fey provide at least a few scenes of enjoyable, understated humor, the sordid doings of the comic foils they meet on their frequently bullet-ridden journey preclude endorsement for most viewers.

The film contains considerable, though bloodless, action violence, partial rear nudity, much sexual humor, including gags about casual sex, masturbation and aberrant practices, at least one use of profanity and of the F-word and some crude and crass language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Joan of Arc: 
		<p>Burned at the stake as a heretic after a politically-motivated trial, Joan was beatified in 1909 and canonized in 1920.</p>
		<p>Born of a fairly well-to-do peasant couple in Domremy-Greux (southeast of Paris), Joan was only 12 when she experienced a vision and heard voices that she later identified as Sts. Michael the Archangel, Catherine of Alexandria, and Margaret of Antioch.</p>
		<p>During the Hundred Years War, she led French troops against the English and recaptured the cities of Orléans and Troyes. This enabled Charles VII to be crowned as king in Reims in 1429. Captured near Compiegne the following year, she was sold to the English and placed on trial for heresy and witchcraft. Professors at the University of Paris supported Bishop Pierre Cauchon of Beauvis, the judge at her trial; Cardinal Henry Beaufort of Winchester, England, participated in the questioning of Joan in prison. In the end, she was condemned for wearing men's clothes. The English resented France's military success–to which Joan contributed. </p>
		<p>On this day in 1431, she was burned at the stake in Rouen, and her ashes were scattered in the Seine River. A second Church trial 25 years later nullified the earlier verdict, which was reached under political pressure.</p>
		<p>Remembered by most people for her military exploits, Joan had a great love for the sacraments, which strengthened her compassion toward the poor. Popular devotion to her increased greatly in 19th-century France and later among French soldiers during World War I. Theologian George Tavard writes that her life "offers a perfect example of the conjunction of contemplation and action" because her spiritual insight is that there should be a "unity of heaven and earth."</p>
		<p>Joan of Arc has been the subject of many books, plays, operas, and movies. </p>
American Catholic Blog A surfer becomes a better surfer as he spends more time in the water and learns from his friends and experiences how to improve. It is so with the virtues too. They’re actionable—which means our ability to pursue the good improves with practice!

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