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ON FAITH & MEDIA View Comments

Date Night

By
John Mulderig
Source: Catholic News Service

Occasionally, amid the frenetic proceedings of the romantic comedy-action blend "Date Night" (Fox), the tale's two protagonists—an ordinary married couple from suburban New Jersey—pause to reflect on their enduring commitment to each other and on the threat posed to the vitality of their union by the exhausting demands of professional life and child rearing.

But these well-intentioned elements of Josh Klausner's script are eventually overwhelmed by an increasingly seedy milieu and by the wayward behavior of a number of the characters the pair encounter during the unexpected nocturnal odyssey through the streets of Manhattan on which the plot—which hinges on a case of mistaken identity—launches them.

Anxious to get out of their rut, financial adviser Phil (Steve Carell) and real estate agent Claire (Tina Fey) Foster spontaneously decide to shift the venue of their weekly date night from a local tavern to a popular and pricey Gotham restaurant. With no reservation and no hope of ever being seated, they take the opportunity of another couple's no-show to snag the table they had reserved under the name Tripplehorn.

As the mild-mannered Fosters soon discover, however, Tripplehorn is an alias used by two lowlifes (James Franco and Mila Kunis)—he a drug dealer and she a stripper—who are involved in a blackmail scheme that has roused the ire of local mob boss Joe Miletto (Ray Liotta).

Pursued by two of Miletto's thugs (played by Common and Jimmi Simpson), Phil and Claire turn for help to a former client of hers, James Bond-like international intelligence agent Holbrooke Grant (Mark Wahlberg). Buff Holbrooke—whose perpetual shirtlessness and flirtations with Claire are played for laughs—proves willing to cooperate, despite the fact that the Fosters' visit has interrupted his commitment-free bedroom frolic with a female Israeli agent of his acquaintance.

As directed by Shawn Levy, the Fosters' further adventures bring them into contact with the cohabiting duo whose absence from the eatery started all the misery, and lead on to an underground sex club, awash in scantily clad, pole-dancing bimbos, where they briefly find themselves forced to entertain a powerful patron with perverse tastes.

Though their travails aid Phil and Claire to rekindle their flickering love for each other, and though the well-paired Carell and Fey provide at least a few scenes of enjoyable, understated humor, the sordid doings of the comic foils they meet on their frequently bullet-ridden journey preclude endorsement for most viewers.

The film contains considerable, though bloodless, action violence, partial rear nudity, much sexual humor, including gags about casual sex, masturbation and aberrant practices, at least one use of profanity and of the F-word and some crude and crass language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Katharine Drexel: If your father is an international banker and you ride in a private railroad car, you are not likely to be drawn into a life of voluntary poverty. But if your mother opens your home to the poor three days each week and your father spends half an hour each evening in prayer, it is not impossible that you will devote your life to the poor and give away millions of dollars. Katharine Drexel did that. 
<p>She was born in Philadelphia in 1858. She had an excellent education and traveled widely. As a rich girl, she had a grand debut into society. But when she nursed her stepmother through a three-year terminal illness, she saw that all the Drexel money could not buy safety from pain or death, and her life took a profound turn. </p><p>She had always been interested in the plight of the Indians, having been appalled by what she read in Helen Hunt Jackson’s <i>A Century of Dishonor</i>. While on a European tour, she met Pope Leo XIII and asked him to send more missionaries to Wyoming for her friend Bishop James O’Connor. The pope replied, “Why don’t you become a missionary?” His answer shocked her into considering new possibilities. </p><p>Back home, Katharine visited the Dakotas, met the Sioux leader Red Cloud and began her systematic aid to Indian missions. </p><p>She could easily have married. But after much discussion with Bishop O’Connor, she wrote in 1889, “The feast of St. Joseph brought me the grace to give the remainder of my life to the Indians and the Colored.” Newspaper headlines screamed “Gives Up Seven Million!” </p><p>After three and a half years of training, she and her first band of nuns (Sisters of the Blessed Sacrament for Indians and Colored) opened a boarding school in Santa Fe. A string of foundations followed. By 1942 she had a system of black Catholic schools in 13 states, plus 40 mission centers and 23 rural schools. Segregationists harassed her work, even burning a school in Pennsylvania. In all, she established 50 missions for Indians in 16 states. </p><p>Two saints met when Katharine was advised by Mother Cabrini about the “politics” of getting her Order’s Rule approved in Rome. Her crowning achievement was the founding of Xavier University in New Orleans, the first Catholic university in the United States for African Americans. </p><p>At 77, she suffered a heart attack and was forced to retire. Apparently her life was over. But now came almost 20 years of quiet, intense prayer from a small room overlooking the sanctuary. Small notebooks and slips of paper record her various prayers, ceaseless aspirations and meditation. She died at 96 and was canonized in 2000.</p> American Catholic Blog Our task during these forty days is to examine our lives in light of God’s Word and see where we’ve allowed darkness to creep in, where we’ve taken the bait of the diabolical fisher of men. It’s time to use the sword of the Spirit to cut through his web of deception, to free ourselves from the net that holds us as prey.


 
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