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ON FAITH & MEDIA View Comments

Tyler Perry's Why Did I Get Married Too?

By
John Mulderig
Source: Catholic News Service

Fans of the prolific—and often predictable—Tyler Perry will find themselves on familiar terrain with his ninth film project in five years, the sequel "Tyler Perry's Why Did I Get Married Too?" (Lionsgate). Though dramatically uneven, this mix of comedy and drama is, for the most part, a morally steady examination of the challenges and rewards of committed marital love.

The writer-director reunites the eight old college friends—all upwardly mobile African-Americans—whose relationships he explored in his 2007 hit "Tyler Perry's Why Did I Get Married?" for another of their annual marriage retreats, this time in the Bahamas.

Providing most of the comic relief, once again, is Tasha Smith as salon owner Angela, the hyper-suspicious and ever-quarrelsome mate of ex-NFL player and current sportscaster Marcus (Michael Jai White).

At the other end of the emotional spectrum is Janet Jackson as Patricia, the successful self-help author whose talent at counseling others is ironically contrasted with her own excessive perfectionism and inability to express her feelings openly, traits which steadily undermine her marriage to architect Gavin (Malik Yoba).

The breakdown of their relationship eventually leads not only to harsh verbal exchanges but to an unsettling physical confrontation involving drunken, semi-abusive behavior by Gavin.

Herself a victim of both physical and emotional abuse in the past, Sheila (Jill Scott) has split with her rotten ex, Mike (Richard T. Jones), and found a supportive new spouse in Troy (Lamman Rucker). But Troy's ongoing unemployment is putting their bond to the test, while Mike's unwelcome appearance at the retreat—motivated, partially at least, by his remorseful desire to win Sheila back—adds a further strain.

Perry's character Terry, who was feeling neglected by his work-obsessed lawyer wife, Dianne (Sharon Leal), at the last get-together, now has doubts about her fidelity.

While implicitly endorsing Sheila's remarriage, the script is otherwise all about dedication and stability. But the highlighted values—such as open communication and self-giving love—do not rest on a spiritual foundation and, unlike some of Perry's other offerings, faith has no explicit influence on the characters' lives.

The mention of one wife's past decision to have her "tubes tied" will strike Catholic viewers as another flaw in the fabric of what is, overall, an ethically sound—though occasionally cliched—survey of married life.

The film contains brief, nongraphic marital lovemaking, a nonmarital bedroom scene, intense domestic discord, adultery theme, numerous sexual references, including mention of sterilization and venereal disease, drug references and frequent crass language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Scholastica: Twins often share the same interests and ideas with an equal intensity. Therefore, it is no surprise that Scholastica and her twin brother, Benedict (July 11), established religious communities within a few miles from each other. 
<p>Born in 480 of wealthy parents, Scholastica and Benedict were brought up together until he left central Italy for Rome to continue his studies. </p><p>Little is known of Scholastica’s early life. She founded a religious community for women near Monte Cassino at Plombariola, five miles from where her brother governed a monastery. </p><p>The twins visited each other once a year in a farmhouse because Scholastica was not permitted inside the monastery. They spent these times discussing spiritual matters. </p><p>According to the <i>Dialogues of St. Gregory the Great</i>, the brother and sister spent their last day together in prayer and conversation. Scholastica sensed her death was close at hand and she begged Benedict to stay with her until the next day. </p><p>He refused her request because he did not want to spend a night outside the monastery, thus breaking his own Rule. Scholastica asked God to let her brother remain and a severe thunderstorm broke out, preventing Benedict and his monks from returning to the abbey. </p><p>Benedict cried out, “God forgive you, Sister. What have you done?” Scholastica replied, “I asked a favor of you and you refused. I asked it of God and he granted it.” </p><p>Brother and sister parted the next morning after their long discussion. Three days later, Benedict was praying in his monastery and saw the soul of his sister rising heavenward in the form of a white dove. Benedict then announced the death of his sister to the monks and later buried her in the tomb he had prepared for himself.</p> American Catholic Blog In all the sacraments, Christ gives to us the transforming power of his love, which we call “grace.” But in the Eucharist, and only in the Eucharist, Jesus gives us even more. He gives us his entire self—Body and Blood, Soul and Divinity. Of course, the proper response to a gift of this magnitude is gratitude.

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