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ON FAITH & MEDIA View Comments

Tyler Perry's Why Did I Get Married Too?

By
John Mulderig
Source: Catholic News Service

Fans of the prolific—and often predictable—Tyler Perry will find themselves on familiar terrain with his ninth film project in five years, the sequel "Tyler Perry's Why Did I Get Married Too?" (Lionsgate). Though dramatically uneven, this mix of comedy and drama is, for the most part, a morally steady examination of the challenges and rewards of committed marital love.

The writer-director reunites the eight old college friends—all upwardly mobile African-Americans—whose relationships he explored in his 2007 hit "Tyler Perry's Why Did I Get Married?" for another of their annual marriage retreats, this time in the Bahamas.

Providing most of the comic relief, once again, is Tasha Smith as salon owner Angela, the hyper-suspicious and ever-quarrelsome mate of ex-NFL player and current sportscaster Marcus (Michael Jai White).

At the other end of the emotional spectrum is Janet Jackson as Patricia, the successful self-help author whose talent at counseling others is ironically contrasted with her own excessive perfectionism and inability to express her feelings openly, traits which steadily undermine her marriage to architect Gavin (Malik Yoba).

The breakdown of their relationship eventually leads not only to harsh verbal exchanges but to an unsettling physical confrontation involving drunken, semi-abusive behavior by Gavin.

Herself a victim of both physical and emotional abuse in the past, Sheila (Jill Scott) has split with her rotten ex, Mike (Richard T. Jones), and found a supportive new spouse in Troy (Lamman Rucker). But Troy's ongoing unemployment is putting their bond to the test, while Mike's unwelcome appearance at the retreat—motivated, partially at least, by his remorseful desire to win Sheila back—adds a further strain.

Perry's character Terry, who was feeling neglected by his work-obsessed lawyer wife, Dianne (Sharon Leal), at the last get-together, now has doubts about her fidelity.

While implicitly endorsing Sheila's remarriage, the script is otherwise all about dedication and stability. But the highlighted values—such as open communication and self-giving love—do not rest on a spiritual foundation and, unlike some of Perry's other offerings, faith has no explicit influence on the characters' lives.

The mention of one wife's past decision to have her "tubes tied" will strike Catholic viewers as another flaw in the fabric of what is, overall, an ethically sound—though occasionally cliched—survey of married life.

The film contains brief, nongraphic marital lovemaking, a nonmarital bedroom scene, intense domestic discord, adultery theme, numerous sexual references, including mention of sterilization and venereal disease, drug references and frequent crass language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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