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ON FAITH & MEDIA View Comments

Clash of the Titans

By
John Mulderig
Source: Catholic News Service


Sam Worthington stars in a scene from the movie "Clash of the Titans."
Though hardly a favorite with critics, Desmond Davis' 1981 swords-and-sandals exercise, "Clash of the Titans," was a box-office hit on its initial release and has gone on to become something of a cult classic. Perhaps that's the impetus behind director Louis Leterrier's 3-D remake (Warner Bros.) which retains the original title.

Whatever the motivation, the result is a muddled mythological epic in which long, frequently violent action sequences and an emphasis on special effects leave little room for engaging drama.

Like the original, this is a retelling of the ancient Greek myth of the demigod Perseus (Sam Worthington). The offspring of one of Zeus' (Liam Neeson) characteristic dalliances with a beautiful mortal, the infant Perseus and his mother are both cast into the sea by her enraged husband, Calibos (Jason Flemyng). This despite the fact that Zeus had temporarily disguised himself as Calibos for the encounter. So how was poor Mom to know?

Unlike his mother, Perseus survives, and is rescued and raised by the family of a simple fisherman. As a teen, however, Perseus is left orphaned when his entire clan is killed off during a rampage by Hades (Ralph Fiennes), the god of death.

Determined to defend humankind and gain vengeance on the lord of the underworld, Perseus embarks on a quest that sees him and a small band of hardy companions—including his immortal spiritual guide and intrepid comrade Io (Gemma Arterton)—battling giant crabs, the Medusa, an ubermonster called the Kraken and, eventually, Hades himself.

Though the theme of a human revolt against the divine -- even in its debased pagan form—is potentially troubling, the collaborative script by Travis Beacham, Phil Hay and Matt Manfredi treats the subject so inconsistently that audiences will be hard put to draw any direct analogies or arrive at any definite conclusions.

Characters display a variety of reactions to the uprising, ranging from outright defiance to fearful submission to quiet, sensible piety and on to the rabble-rousing attitude and activities of a religious fanatic who pops up in a few scenes.

But weighty matters like theology are hardly the point here, as it's never long before the next in Perseus' formidable succession of adversaries takes center stage, and combat is renewed.

The film contains complex, though undeveloped, religious themes, constant action violence, a bedroom encounter with implied sexual activity, at least one sexual reference and a couple of mildly crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Pius X: Pope Pius X is perhaps best remembered for his encouragement of the frequent reception of Holy Communion, especially by children. 
<p>The second of 10 children in a poor Italian family, Joseph Sarto became Pius X at 68, one of the 20th century’s greatest popes. </p><p>Ever mindful of his humble origin, he stated, “I was born poor, I lived poor, I will die poor.” He was embarrassed by some of the pomp of the papal court. “Look how they have dressed me up,” he said in tears to an old friend. To another, “It is a penance to be forced to accept all these practices. They lead me around surrounded by soldiers like Jesus when he was seized in Gethsemani.” </p><p>Interested in politics, he encouraged Italian Catholics to become more politically involved. One of his first papal acts was to end the supposed right of governments to interfere by veto in papal elections—a practice that reduced the freedom of the 1903 conclave which had elected him. </p><p>In 1905, when France renounced its agreement with the Holy See and threatened confiscation of Church property if governmental control of Church affairs were not granted, Pius X courageously rejected the demand. </p><p>While he did not author a famous social encyclical as his predecessor had done, he denounced the ill treatment of indigenous peoples on the plantations of Peru, sent a relief commission to Messina after an earthquake and sheltered refugees at his own expense. </p><p>On the 11th anniversary of his election as pope, Europe was plunged into World War I. Pius had foreseen it, but it killed him. “This is the last affliction the Lord will visit on me. I would gladly give my life to save my poor children from this ghastly scourge.” He died a few weeks after the war began and  was canonized in 1954.</p> American Catholic Blog If we have been saved and sustained by a love so deep that death itself couldn’t destroy it, then that love will see us through whatever darkness we are experiencing in our lives.

 
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