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ON FAITH & MEDIA View Comments

Clash of the Titans

By
John Mulderig
Source: Catholic News Service


Sam Worthington stars in a scene from the movie "Clash of the Titans."
Though hardly a favorite with critics, Desmond Davis' 1981 swords-and-sandals exercise, "Clash of the Titans," was a box-office hit on its initial release and has gone on to become something of a cult classic. Perhaps that's the impetus behind director Louis Leterrier's 3-D remake (Warner Bros.) which retains the original title.

Whatever the motivation, the result is a muddled mythological epic in which long, frequently violent action sequences and an emphasis on special effects leave little room for engaging drama.

Like the original, this is a retelling of the ancient Greek myth of the demigod Perseus (Sam Worthington). The offspring of one of Zeus' (Liam Neeson) characteristic dalliances with a beautiful mortal, the infant Perseus and his mother are both cast into the sea by her enraged husband, Calibos (Jason Flemyng). This despite the fact that Zeus had temporarily disguised himself as Calibos for the encounter. So how was poor Mom to know?

Unlike his mother, Perseus survives, and is rescued and raised by the family of a simple fisherman. As a teen, however, Perseus is left orphaned when his entire clan is killed off during a rampage by Hades (Ralph Fiennes), the god of death.

Determined to defend humankind and gain vengeance on the lord of the underworld, Perseus embarks on a quest that sees him and a small band of hardy companions—including his immortal spiritual guide and intrepid comrade Io (Gemma Arterton)—battling giant crabs, the Medusa, an ubermonster called the Kraken and, eventually, Hades himself.

Though the theme of a human revolt against the divine -- even in its debased pagan form—is potentially troubling, the collaborative script by Travis Beacham, Phil Hay and Matt Manfredi treats the subject so inconsistently that audiences will be hard put to draw any direct analogies or arrive at any definite conclusions.

Characters display a variety of reactions to the uprising, ranging from outright defiance to fearful submission to quiet, sensible piety and on to the rabble-rousing attitude and activities of a religious fanatic who pops up in a few scenes.

But weighty matters like theology are hardly the point here, as it's never long before the next in Perseus' formidable succession of adversaries takes center stage, and combat is renewed.

The film contains complex, though undeveloped, religious themes, constant action violence, a bedroom encounter with implied sexual activity, at least one sexual reference and a couple of mildly crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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