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ON FAITH & MEDIA View Comments

Clash of the Titans

By
John Mulderig
Source: Catholic News Service


Sam Worthington stars in a scene from the movie "Clash of the Titans."
Though hardly a favorite with critics, Desmond Davis' 1981 swords-and-sandals exercise, "Clash of the Titans," was a box-office hit on its initial release and has gone on to become something of a cult classic. Perhaps that's the impetus behind director Louis Leterrier's 3-D remake (Warner Bros.) which retains the original title.

Whatever the motivation, the result is a muddled mythological epic in which long, frequently violent action sequences and an emphasis on special effects leave little room for engaging drama.

Like the original, this is a retelling of the ancient Greek myth of the demigod Perseus (Sam Worthington). The offspring of one of Zeus' (Liam Neeson) characteristic dalliances with a beautiful mortal, the infant Perseus and his mother are both cast into the sea by her enraged husband, Calibos (Jason Flemyng). This despite the fact that Zeus had temporarily disguised himself as Calibos for the encounter. So how was poor Mom to know?

Unlike his mother, Perseus survives, and is rescued and raised by the family of a simple fisherman. As a teen, however, Perseus is left orphaned when his entire clan is killed off during a rampage by Hades (Ralph Fiennes), the god of death.

Determined to defend humankind and gain vengeance on the lord of the underworld, Perseus embarks on a quest that sees him and a small band of hardy companions—including his immortal spiritual guide and intrepid comrade Io (Gemma Arterton)—battling giant crabs, the Medusa, an ubermonster called the Kraken and, eventually, Hades himself.

Though the theme of a human revolt against the divine -- even in its debased pagan form—is potentially troubling, the collaborative script by Travis Beacham, Phil Hay and Matt Manfredi treats the subject so inconsistently that audiences will be hard put to draw any direct analogies or arrive at any definite conclusions.

Characters display a variety of reactions to the uprising, ranging from outright defiance to fearful submission to quiet, sensible piety and on to the rabble-rousing attitude and activities of a religious fanatic who pops up in a few scenes.

But weighty matters like theology are hardly the point here, as it's never long before the next in Perseus' formidable succession of adversaries takes center stage, and combat is renewed.

The film contains complex, though undeveloped, religious themes, constant action violence, a bedroom encounter with implied sexual activity, at least one sexual reference and a couple of mildly crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Wolfgang of Regensburg: Wolfgang was born in Swabia, Germany, and was educated at a school located at the abbey of Reichenau. There he encountered Henry, a young noble who went on to become Archbishop of Trier. Meanwhile, Wolfgang remained in close contact with the archbishop, teaching in his cathedral school and supporting his efforts to reform the clergy. 
<p>At the death of the archbishop, Wolfgang chose to become a Benedictine monk and moved to an abbey in Einsiedeln, now part of Switzerland. Ordained a priest, he was appointed director of the monastery school there. Later he was sent to Hungary as a missionary, though his zeal and good will yielded limited results. </p><p>Emperor Otto II appointed him Bishop of Regensburg near Munich. He immediately initiated reform of the clergy and of religious life, preaching with vigor and effectiveness and always demonstrating special concern for the poor. He wore the habit of a monk and lived an austere life. </p><p>The draw to monastic life never left him, including the desire for a life of solitude. At one point he left his diocese so that he could devote himself to prayer, but his responsibilities as bishop called him back. </p><p>In 994 Wolfgang became ill while on a journey; he died in Puppingen near Linz, Austria. He was canonized in 1052. His feast day is celebrated widely in much of central Europe. </p> American Catholic Blog Keep your gaze always on our most beloved Jesus, asking him in the depths of his heart what he desires for you, and never deny him anything even if it means going strongly against the grain for you. –Blessed Maria Sagrario of St. Aloysius Gonzaga

 
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