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ON FAITH & MEDIA View Comments

Clash of the Titans

By
John Mulderig
Source: Catholic News Service


Sam Worthington stars in a scene from the movie "Clash of the Titans."
Though hardly a favorite with critics, Desmond Davis' 1981 swords-and-sandals exercise, "Clash of the Titans," was a box-office hit on its initial release and has gone on to become something of a cult classic. Perhaps that's the impetus behind director Louis Leterrier's 3-D remake (Warner Bros.) which retains the original title.

Whatever the motivation, the result is a muddled mythological epic in which long, frequently violent action sequences and an emphasis on special effects leave little room for engaging drama.

Like the original, this is a retelling of the ancient Greek myth of the demigod Perseus (Sam Worthington). The offspring of one of Zeus' (Liam Neeson) characteristic dalliances with a beautiful mortal, the infant Perseus and his mother are both cast into the sea by her enraged husband, Calibos (Jason Flemyng). This despite the fact that Zeus had temporarily disguised himself as Calibos for the encounter. So how was poor Mom to know?

Unlike his mother, Perseus survives, and is rescued and raised by the family of a simple fisherman. As a teen, however, Perseus is left orphaned when his entire clan is killed off during a rampage by Hades (Ralph Fiennes), the god of death.

Determined to defend humankind and gain vengeance on the lord of the underworld, Perseus embarks on a quest that sees him and a small band of hardy companions—including his immortal spiritual guide and intrepid comrade Io (Gemma Arterton)—battling giant crabs, the Medusa, an ubermonster called the Kraken and, eventually, Hades himself.

Though the theme of a human revolt against the divine -- even in its debased pagan form—is potentially troubling, the collaborative script by Travis Beacham, Phil Hay and Matt Manfredi treats the subject so inconsistently that audiences will be hard put to draw any direct analogies or arrive at any definite conclusions.

Characters display a variety of reactions to the uprising, ranging from outright defiance to fearful submission to quiet, sensible piety and on to the rabble-rousing attitude and activities of a religious fanatic who pops up in a few scenes.

But weighty matters like theology are hardly the point here, as it's never long before the next in Perseus' formidable succession of adversaries takes center stage, and combat is renewed.

The film contains complex, though undeveloped, religious themes, constant action violence, a bedroom encounter with implied sexual activity, at least one sexual reference and a couple of mildly crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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John Bosco: John Bosco’s theory of education could well be used in today’s schools. It was a preventive system, rejecting corporal punishment and placing students in surroundings removed from the likelihood of committing sin. He advocated frequent reception of the sacraments of Penance and Holy Communion. He combined catechetical training and fatherly guidance, seeking to unite the spiritual life with one’s work, study and play. 
<p>Encouraged during his youth to become a priest so he could work with young boys, John was ordained in 1841. His service to young people started when he met a poor orphan and instructed him in preparation for receiving Holy Communion. He then gathered young apprentices and taught them catechism. </p><p>After serving as chaplain in a hospice for working girls, John opened the Oratory of St. Francis de Sales for boys. Several wealthy and powerful patrons contributed money, enabling him to provide two workshops for the boys, shoemaking and tailoring. </p><p>By 1856, the institution had grown to 150 boys and had added a printing press for publication of religious and catechetical pamphlets. His interest in vocational education and publishing justify him as patron of young apprentices and Catholic publishers. </p><p>John’s preaching fame spread and by 1850 he had trained his own helpers because of difficulties in retaining young priests. In 1854 he and his followers informally banded together, inspired by St. Francis de Sales [January 24]. </p><p>With Pope Pius IX’s encouragement, John gathered 17 men and founded the Salesians in 1859. Their activity concentrated on education and mission work. Later, he organized a group of Salesian Sisters to assist girls.</p> American Catholic Blog How do you expect to reach your own perfection by leading someone else’s life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.

 
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