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ON FAITH & MEDIA View Comments

Diary of a Wimpy Kid

By
John Mulderig
Source: Catholic News Service


Grayson Russell, Zachary Gordon and Robert Capron star in a scene from the movie "Diary of a Wimpy Kid."
The social battlefield known as middle school provides the setting for the mostly likeable, though lightweight coming-of-age comedy "Diary of a Wimpy Kid" (Fox). While the proceedings sometimes veer into mildly off-color humor, precluding endorsement for all ages, there are worthwhile lessons on offer here for teen viewers who may sympathize with the tale's flawed but good-hearted protagonist, Greg Heffley (Zachary Gordon).

As recounted in the chronicle that gives the film its title—Greg is at pains to point out, in one of his characteristic asides to the audience, that he is keeping a "journal," not a "diary"—Greg is determined to transform his first year at his new school into an opportunity to win those most coveted of adolescent prizes, popularity and status.

Yet his efforts to impress are not only frequently—though unintentionally—sabotaged by the carefree nerdiness of his long-standing best friend Rowley Jefferson (Robert Capron), but consistently ill-conceived on his own part as well. And, as Greg slips lower and lower in the lunchroom and recess pecking order, his home life is made miserable by the petty bullying of his cocky older brother Rodrick (Devon Bostick).

In his desperate desire to be considered cool, Greg jettisons Rowley and makes a number of other misguided moves. But he eventually learns the value of loyalty, the rewards of self-sacrificing friendship and the importance of gaining genuine acceptance by being true to yourself.

Director Thor Freudenthal's adaptation of Jeff Kinney's best-selling 2007 novel in cartoon format does, however, include a running gag about a girlie magazine Roderick keeps hidden in his room, as well as a couple of brief joke about which students have "cute butts." Additionally, the script—penned by the husband-and-wife screenwriting team of Jackie and Jeff Filgo—makes it clear, albeit in a restrained way, that one of the hierarchical divisions separating the students is based on the rate of pubescent physical development.

The film contains brief images of a scantily clad woman, a few instances of mildly gross and scatological humor, a couple of vaguely sexual jokes and at least one crass term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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