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ON FAITH & MEDIA View Comments

Diary of a Wimpy Kid

By
John Mulderig
Source: Catholic News Service


Grayson Russell, Zachary Gordon and Robert Capron star in a scene from the movie "Diary of a Wimpy Kid."
The social battlefield known as middle school provides the setting for the mostly likeable, though lightweight coming-of-age comedy "Diary of a Wimpy Kid" (Fox). While the proceedings sometimes veer into mildly off-color humor, precluding endorsement for all ages, there are worthwhile lessons on offer here for teen viewers who may sympathize with the tale's flawed but good-hearted protagonist, Greg Heffley (Zachary Gordon).

As recounted in the chronicle that gives the film its title—Greg is at pains to point out, in one of his characteristic asides to the audience, that he is keeping a "journal," not a "diary"—Greg is determined to transform his first year at his new school into an opportunity to win those most coveted of adolescent prizes, popularity and status.

Yet his efforts to impress are not only frequently—though unintentionally—sabotaged by the carefree nerdiness of his long-standing best friend Rowley Jefferson (Robert Capron), but consistently ill-conceived on his own part as well. And, as Greg slips lower and lower in the lunchroom and recess pecking order, his home life is made miserable by the petty bullying of his cocky older brother Rodrick (Devon Bostick).

In his desperate desire to be considered cool, Greg jettisons Rowley and makes a number of other misguided moves. But he eventually learns the value of loyalty, the rewards of self-sacrificing friendship and the importance of gaining genuine acceptance by being true to yourself.

Director Thor Freudenthal's adaptation of Jeff Kinney's best-selling 2007 novel in cartoon format does, however, include a running gag about a girlie magazine Roderick keeps hidden in his room, as well as a couple of brief joke about which students have "cute butts." Additionally, the script—penned by the husband-and-wife screenwriting team of Jackie and Jeff Filgo—makes it clear, albeit in a restrained way, that one of the hierarchical divisions separating the students is based on the rate of pubescent physical development.

The film contains brief images of a scantily clad woman, a few instances of mildly gross and scatological humor, a couple of vaguely sexual jokes and at least one crass term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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