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ON FAITH & MEDIA View Comments

Repo Men

By
John P. McCarthy
Source: Catholic News Service

The last time Forest Whitaker was paired with an actor hailing from Great Britain—namely James McAvoy in "The Last King of Scotland" —he won an Oscar for his portrayal of Ugandan dictator Idi Amin.

In the futuristic thriller "Repo Men" (Universal), he co-stars alongside Englishman Jude Law. No awards are in the offing, but, in addition to Whitaker, the two films share unspeakable brutality. Indeed, with all due respect to Amin's real-life victims, what transpires here, though fictional, is arguably more disturbing and exponentially more gruesome than the reign of terror depicted in that estimable 2006 movie.

Law and Whitaker portray Remy and Jake—schoolyard rivals, Army buddies, and now, in the near future, colleagues within a division of a corporation called The Union. Part soldiers, part hack surgeons, their job is to repossess artificial human organs when the recipient has fallen behind on the exorbitant interest payments. They stun their victims and then slice them open without benefit of painkillers or any hygienic precautions.

It's difficult to imagine a more revolting or wicked practice. And because it has no redeeming qualities to offset the butchery and degradation, "Repo Men" counts among the most distasteful movies to appear in recent years. The participation of serious actors such as Whitaker, Law and Liev Schreiber, who plays Jake and Remy's boss Frank, only adds insult to injury.

At the urging of his wife, Remy agrees to find a new line of work but experiences a life-altering health complication while carrying out his last assignment. Jake, who is none too happy about his partner's pending career reinvention, becomes his adversary. Alice Braga appears in the role of Beth, a lounge singer and drug addict with whom Remy then goes underground.

Comprised of used and barely functioning parts, "Repo Men" is a clunker no matter how you look at it—a technically undistinguished orgy of violence and patently immoral behavior. Adapted by Eric Garcia and Garrett Lerner from Garcia's novel "The Repossession Mambo," the movie's science-fiction chassis, which features a major twist involving virtual technology, doesn't in the least excuse its trashiness.

At the outset, Remy poses a conundrum about how a cat placed in a box can be both dead and alive at the same time. The puzzle has some relevance to his fate, but a great deal more to that of audience members who will necessarily experience a deadening sensation.

The film contains unrelenting brutal, graphic violence; grisly images of surgical incisions and operations; instances of drug use; fleeting glimpses of bystanders engaged in sex acts; several implied or simulated nonmarital sexual encounters between the leading male and female characters; partial rear nudity; and pervasive rough, crude and profane language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy  is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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